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                <text>This is a still image of a young boy getting baptized by his uncle, a man in a white robe gently holds a child dressed in white during a baptism ceremony in a small indoor baptismal pool, while people watch quietly in the background. This takes place at Dixie Hills First Baptist Church in Atlanta, Georgia.</text>
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                <text>These pairs of silver chopsticks are composed of stainless silver that feature delicate floral patterns along the upper portion. It’s noted to be durable, mycete resistant, non-toxic, and easy to use. They are designed to resist wear and maintain long-term usability. These chopsticks are used traditionally as eating utensils across East Asian culture, but in modern times, can also be used for decorative purposes such as hairpins. Their floral design combined with the stainless steel composition blends aesthetic and functional everyday use.&#13;
&#13;
ID: Each chopstick is slim, straight, and silver in color. The upper part of the chopsticks contain floral designs with small pink blossoms and green stems that are arranged in a delicate pattern that wraps around the metal sticks. The lower halves are plain and are polished towards the tip. The overall appearance is sleek and minimal, but has a floral design at the top that contrasts with the plain tip.&#13;
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Physical Dimensions: 0.2 in (W) x 9 in (H)</text>
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                <text>ID: This still image shows four old people seated around a long table. Each has a plate in front of them. Visible on the plates are smoked ham, bread, broccoli, assorted fruits, and potato casserole. Decorated Christmas trees line the table’s tablecloth, among ornamental holly and ribbons with red and green color schemes.  </text>
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                <text>This is a transcribed interview of Erik Uhler regarding his childhood experience with the German tradition of adorning a Christmas tree in lighted candles.</text>
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&#13;
ID: Two wooden icons held together by a hinge. The front of the first icon has a drawing of the orthodox cross. The first wooden icon on the front has a picture of the Virgin Mary of Kazan, with a caption below stating "Image of the Most Holy Mother of God of Kazan". The letters The front of the second icon has a picture of Jesus Christ, the Teacher; the caption below it states "Lord Almighty". On the Back of the second icon, it states “Save and Protect” in Church Slavonic. The letters around Jesus' halo are an acronym from the Greek "He Who Is". There are accents of gold that go around the icon drawings, and the halos indicate holy presence within the persons depicted on the icon.&#13;
&#13;
Physical Dimensions (closed): 13.2 cm x 11.2 cm x 2.3 cm; (open): 13.2 cm x 22.8 cm x 1.6 cm</text>
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                <text> Poker Chips in a Wooden Box</text>
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                <text>This wooden poker chip box has features of a felt-lined lid and slots to organize the white, black, and red plastic poker chips. The chips reflect the lightweight and effective style common in most late 20th century home poker sets, before the heavier clay compound chips became more accessible. Poker chip cases like this grew in popularity as card games remained a popular American family activity throughout the late 1900s. Its durable construction and classic design connect everyday gameplay to the broader history of home entertainment during that period.&#13;
&#13;
ID: The object is a rectangular wooden poker chip box with a hinged lid that opens upward. The inside of the lid is lined with dark green felt, covering the entire interior surface. Below the lid, the base of the box is divided into four vertical compartments, each filled with a column of 25 uniformly sized, flat plastic poker chips. From left to right, the chips are red, black, white, and white, with each stack neatly organized and reaching close to the top edge of its compartment.&#13;
&#13;
Physical Dimensions: 7-3/4” x 4-1/4” x 2”</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Red Ruby Ring</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
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            <description>The topic of the resource</description>
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                <text>jewelry, rings, heirloom, South Africa </text>
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            <description>An account of the resource</description>
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                <text>A Gold ring with a red ruby as the center stone. Alongside the center stone, there are 8 smaller diamonds surrounding the ruby. The ring was originally my great grandmothers on my mom's side of the family that was passed down to her dad then to her and now to me. The ring is supposedly 1 of 3 that were made in South Africa. &#13;
&#13;
ID: A triangular ring with a gold band attached to a silver head. The head has small slots to view the gemstones from underneath. On top of the head there are 8 diamonds in a circle held in place by 3 small prongs. In the center there is an elevated red ruby that is held in place by 4 prongs. &#13;
&#13;
Physical Dimensions: .9 x 1.1in </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Personal Collection</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Unknown</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Logan Purshouse </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2428">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="2429">
                <text>JPG</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="2430">
                <text>English</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
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        <name>Diamond</name>
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        <name>family heirloom</name>
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        <name>fashion</name>
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        <name>Gold</name>
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        <name>gold ring</name>
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        <name>jewelry</name>
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      <tag tagId="1253">
        <name>ring</name>
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        <name>ruby</name>
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      <tag tagId="1252">
        <name>silver</name>
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        <name>South Africa</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Material Culture &amp; Object Studies</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mariner’s Weather Glass</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Meteorology, Navigation, Sailing, Boating, Glasswork, History</text>
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            <description>An account of the resource</description>
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                <text>A French weatherglass that uses the elevation of water to predict changes in weather. It is designed to hang off a hook attached to the wall of a boat. The hook is connected to a wooden base with a metal plate on it that explains the implications of the varying water elevations. The water levels adjust based on the humidity of the air, which changes the pressure applied to the water on both portions of the glass. Sailors would use the glass as a form of barometer to predict the weather.&#13;
&#13;
Description (ID):&#13;
A rectangular wooden plank is attached to a wall vertically. The bottom of the plank has a small metal plate attached to it with four engraved pictures of different water elevations of the weather glass. Next to each image is a descriptor of the weather in French, English, Dutch, and German. If the water in the spout is lower than in the body, the weather is “fair”. If it has slightly more, it is “rain”. If it has much more, it’s a “storm”. If both have equal elevations, the weather is “variable”.&#13;
A circular metal plate sits above the information guide and is connected to a strip of metal that goes up to the top of the plate, where the hook sits. Attached to the hook is a see-through glass container with a thin top that widens out into a thick bottom. The top of the glass is shaped into a ring to fit the hook through it. Near the bottom of the container, where it slopes back inward, a spout goes up and outward, curving toward the glass. At the end of the spout, a short portion of it curves back outward. The very bottom is shaped into a glass ball to increase the barometer's weight. Water, colored dark blue for visibility, can be seen in the container. &#13;
&#13;
Physical Dimensions: ~6 inches (15.24 cm) by ~16.75 inches (42.55 cm)</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Personal collection</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Circa 20th century </text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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                <text>Liam Austin Blair</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2775">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2777">
                <text>French, English, Dutch, German</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
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        <name>Antique</name>
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        <name>Barometers</name>
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      <tag tagId="1490">
        <name>Chemistry</name>
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      <tag tagId="186">
        <name>Collectible</name>
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      <tag tagId="1487">
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      <tag tagId="1491">
        <name>Dutch</name>
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      <tag tagId="1489">
        <name>Fluid Mechanics</name>
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      <tag tagId="1239">
        <name>French</name>
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        <name>Glasswork</name>
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      <tag tagId="1167">
        <name>Material Culture</name>
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      <tag tagId="1492">
        <name>Novelty</name>
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      <tag tagId="1000">
        <name>tools</name>
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      <tag tagId="184">
        <name>Vintage</name>
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      <tag tagId="1485">
        <name>Weather glasses</name>
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  <item itemId="247" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="13">
                  <text>Material Culture &amp; Object Studies</text>
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    <itemType itemTypeId="6">
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Baro't Saya</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown (Filipino)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2653">
                <text>Gender &amp; Women’s Studies, Fashion, Filipino Culture</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2654">
                <text>This is a photo of a Filipina family friend wearing a more contemporary version of the national dress of The Philippines known as the baro't saya. A version of the baro't saya existed before Spanish colonization first started in the Philippines in 1565, being altered and evolved by Spanish religious ideals and designs over the following 300 years. Only mainly wealthier mestiza women wore the nicer baro't saya depicted here. The quality of the dress that a woman would wear, if she could afford one, was used to show her social class and modesty during the times of Spanish colonization in The Philippines.&#13;
&#13;
ID:  An older Filipino woman wearing the baro't saya (blouse and skirt), the traditional Filipino women’s attire and dress that evolved during the Spanish colonial period as a blend of Indigenous Filipino clothing and Spanish influences. It consists of a lightweight baro (blouse) paired with a long saya (skirt). It is also sometimes accompanied by a pañuelo (shoulder kerchief) and a tapis (overskirt).&#13;
&#13;
Physical dimensions: Size varies by wearer.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2655">
                <text>Riza Pagunsan Deguit</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>June 2025</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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                <text>Natalie Prosceno</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2658">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Tagalog</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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        <name>Beauty Standards</name>
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      <tag tagId="1416">
        <name>body image</name>
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        <name>Colonial influence</name>
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      <tag tagId="1420">
        <name>cultural identity</name>
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      <tag tagId="1360">
        <name>Early 20th Century</name>
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      <tag tagId="1412">
        <name>Eurocentric beauty</name>
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      <tag tagId="1413">
        <name>femininity</name>
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      <tag tagId="1418">
        <name>Filipiniana</name>
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        <name>Gender Roles</name>
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      <tag tagId="1411">
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      <tag tagId="564">
        <name>Nationalism</name>
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      <tag tagId="1415">
        <name>purity</name>
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      <tag tagId="1423">
        <name>respectability</name>
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      <tag tagId="1419">
        <name>social class</name>
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      <tag tagId="1417">
        <name>traditional fashion</name>
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      <tag tagId="1424">
        <name>Westernization</name>
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      <tag tagId="1421">
        <name>women in media</name>
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  <item itemId="269" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="13">
                  <text>Material Culture &amp; Object Studies</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Handcrafted Red and Black Buster Sword</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Unknown (Georgia Renaissance Festival)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Prop Weapons; Fantasy Media Artifacts; Decorative Crafts</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This artifact is a large, handcrafted fantasy sword modeled in an exaggerated style common to video game and anime weapon design specifically the buster sword from Final Fantasy which Cloud the main character uses frequently. The blade features a deep red stain with black, lightning-like fractal burn patterns, created by the use of a Lichtenberg wood-burning technique (high voltage electricity). Its handle is wrapped in a textured black grip, and the guard includes metallic decorative rivets. Though clearly non-functional as a real weapon, this type of item is typically created for cosplay, display, or craft experimentation, and it reflects contemporary fan culture’s engagement with fantasy aesthetics.&#13;
&#13;
ID: A tall, oversized, wooden sword resembling a buster sword. The blade is long, broad, and rectangular with a tapered point at the bottom. It is stained in a gradient of red hues with irregular black branching scorch patterns running vertically along the surface. Near the top of the blade are two circular cutouts placed one above the other. The guard is a simple black rectangular block with two rows of small silver studs. The handle is wrapped in a dark, textured material that spirals downward and ends in a small angled pommel. The sword appears to be roughly four to five feet in length.&#13;
&#13;
Physical Dimensions: Approx. 4–5 ft in length; width estimated around 8–10 inches at the widest point</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>From the Collection of Joseph R. Wren</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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        <name>Buster</name>
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        <name>Cloud</name>
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        <name>Cosplay</name>
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        <name>Fantasy Weapon</name>
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        <name>Final Fantasy</name>
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        <name>Lichtenberg Burning</name>
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        <name>Red</name>
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                <text>A burner used to heat and burn oud chips or oud wood chips to be able to release their fragrance. They are shaped differently, some are like vases and blend in with your home décor.  This one uses charcoal. You heat the charcoal on the stove and then in the middle of the burner you place the coal and then set the oud on top. It has been used for over 3000 years, many different demographics use it including but not limited to Arabs, Persians, and Indians&#13;
&#13;
ID:  A tall, golden, metallic incense holder with a twisting, hourglass like shape. The texture of the holder is golden sparkles similar to glitter. The top of the opening is curved down like a U and back up where the corners meet.&#13;
&#13;
Physical Dimensions: ~10-14 inches in height, ~4-6 inches in width and the base is about 3 to 4 inches</text>
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                <text>A handmade decorative Easter egg lying on a wooden base with a circular depression in the center. The egg is made from ceramic and covered with suede fabric; then painted green and decorated with a traditional glitter design. Purchased as a tourist souvenir from a street vendor in Kraków’s (Poland) main market square in 2013. It serves as a collectible item, and typically sold at high prices.&#13;
&#13;
 &#13;
&#13;
ID: Displayed is a dark green egg with glitter decorations lying in a hand-carved square wooden stand with a circular depression in the center.  The egg itself contains three crosses that span the exterior of the egg; each cross is formed by a central black line surrounded by two gold lines, with the addition of small silver dots running across the black lines spaced ~0.19 inches apart. Between the crosses are swirling gold glitter patterns, with occasional green glitter dots scattered&#13;
&#13;
Physical Dimensions (W x H x D): Wooden stand: 2.5” x 0.65” x 2.5”; Egg: 1.5” x 2.3” x 1.5”</text>
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            <description>Information about rights held in and over the resource</description>
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              <description>A name given to the resource</description>
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                <text>Ilẹkẹ (Beads)</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown (Yoruba)</text>
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                <text>Handmade set of beads, strung together by a wire, the beads are made of coral and are reddish brown in color, around 2in in length and one each is 1in by .5. These are a type of bead worn during celebrations and other traditional events in the Yoruba culture, they were shipped from Nigeria around 2018.&#13;
&#13;
ID: A set of reddish beads, around 2ft in total, with each bead being 1in by .5in. Made of coral stacked on top in a circular pattern, sitting against a white background, with nothing around it. each beads having a different shade of red. Their cylindrical, hand-shaped form features natural texture and organic imperfections characteristic of coral. The set appears polished, with a glossy surface that reflects light, and no other objects are present in the image. &#13;
&#13;
Physical Dimensions: Approximately 2 ft in length, a singular bead is 1in in length and .5 in width</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Oluwatoyin Souza</text>
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              <description>A name given to the resource</description>
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                <text>This handcrafted Kenyan beaded wristband, featuring the country’s flag colors: black, red, green, and white, is a testament to Kenya’s rich heritage. The tight weave of tiny plastic beads forms a solid circle, symbolizing pride, unity, and cultural identity. The beaded bracelets are commonly made and sold by Kenyan artisans, particularly in Maasai communities, where beadwork is a long-standing cultural practice tied to identity, economy, and artistic expression. My cousin gifted it to me in February 2018, just before my grandpa’s passing. Every time I look at it, it reminds me of the significance of my roots, especially during challenging times. &#13;
&#13;
ID: The bracelet comprises several lines of tiny, round plastic beads, each representing a specific color of Kenya’s flag. At the top, the black beads signify the skin color of the nation’s people. Below, the red beads are edged with a thin white line, representing the struggle for freedom during the colonial era. At the bottom, the green beads point to the country’s soil and natural beauty. In the center, beads form a white Maasai shield adorned with spears, further emphasizing the country’s cultural heritage. The bracelet is tightly woven from hundreds of small plastic beads stitched together using strong nylon thread, forming a flexible loop that wraps snugly yet comfortably on your wrist. &#13;
&#13;
Physical Dimensions: Approximately 7 inches long, 0.75 inches wide</text>
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                <text>Ndege, Robina</text>
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                <text>Hat owner worked on a farm during childhood where he developed a practical use for a cowboy hat. Cowboy hat was worn during the late 80s and 90s in Cutbank Montana.&#13;
&#13;
ID: A white cowboy hat made from straw like material that has endured discoloration as well as slight bending at the brim. A thin brown leather hatband, with white stitching and simple silver metal work, circle the base of the hat. The decorative hat band consists of alternating metal diamonds between each cross stitch, all located on either side of the front half of the hat. A central thin knob of metal sits in the center front of the hat band, separating the sections of stitching and metal dimonds. Three black metal rings with openings can be found on either length of the hat to provide ventilation. &#13;
&#13;
Physical Dimensions: 16in L x 14 ½ in W x 7in H</text>
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                <text> Cooking a Traditional Greek Avgolemono Soup</text>
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                <text>This image is of a recipe of Avgolemono soup a traditional Greek dish that is commonly made and served on Greek Orthodox Easter.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Arroz con Gandules</text>
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        <name>foodways</name>
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