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                <text>This artifact is an iPhone 6s. It was released by Apple in 2015. The iPhone 6s marked a notable point in smartphone development with features such as 3D Touch, Touch ID, Live Photos, and an improved camera system. Its design reflects Apple’s mid-2010s style, with rounded edges, a single rear camera, antenna bands, and a headphone jack of features that have since disappeared in newer models. &#13;
&#13;
Description (ID): &#13;
A rectangular smartphone with a white front bezel and a black display screen. It has rounded corners. The front glass is heavily cracked, especially in the top left and bottom right corners, where small pieces are missing, and fracture lines spread across the surface. A circular home button with Touch ID is located beneath the screen. The back of the device is metallic rose gold with visible scratches, chipped paint, and worn areas. It features the Apple logo in the center, the word “iPhone” near the bottom, and a small “s” badge indicating the 6s model, and it has a white outline around the top and bottom. A single rear camera and flash are positioned near the top left corner of the phone’s backside. It also includes a headphone jack on the bottom side, to the left of the charging port.&#13;
&#13;
Physical Dimensions:  Approximately 138 mm × 67 mm × 7 mm</text>
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                <text>This handcrafted Kenyan beaded wristband, featuring the country’s flag colors: black, red, green, and white, is a testament to Kenya’s rich heritage. The tight weave of tiny plastic beads forms a solid circle, symbolizing pride, unity, and cultural identity. The beaded bracelets are commonly made and sold by Kenyan artisans, particularly in Maasai communities, where beadwork is a long-standing cultural practice tied to identity, economy, and artistic expression. My cousin gifted it to me in February 2018, just before my grandpa’s passing. Every time I look at it, it reminds me of the significance of my roots, especially during challenging times. &#13;
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                <text>This still image depicts a father showing his 9-month-old son the tools he is using to fix the kitchen sink. The child saw his dad working on the sink and ran over to see what his father was doing, what tools he was using, and how he could help.</text>
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                <text>Aegis Digital Museum</text>
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                <text>This artifact is an interview by Othello Brandy explaining the history and culture of Liberian jollof rice and how it has adapted to modern day and new environments. Othello was born in Liberia and experienced the preparation of the dish by his mother and aunts. He explains the ingredients and how the taste has evolved over time. This artifact also displays the cultural significance of the dish during Christmas celebrations. It illustrates how Liberians connect not only with their families but people all over the world and show their personal memories. </text>
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                <text>This still image depicts a family at a restaurant during their Lunar New Year dinner. The table has pots with steaming broth and ingredients for hotpot, and the restaurant is decorated for Valentine’s Day.</text>
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                <text>ID: This still image depicts a five-person family smiling for a photo during their Lunar New Year dinner. On the left sits the father in a red jacket and the youngest daughter in a brown jacket and grey hat. On the right sits the mother with short brown hair, the middle daughter wearing a black hat, and the oldest daughter in a white jacket. The table has five pots for each person, with multicolored bowls and cups around for their hotpot dinner. In the background, the restaurant is very well lit and the glass panels separating each table is strewn with red hearts, Valentine’s day decorations for February. </text>
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                <text>Yang, Angelina</text>
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                <text>Sherry Lai</text>
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                <text>This is a transcribed interview of Erik Uhler regarding his childhood experience with the German tradition of adorning a Christmas tree in lighted candles.</text>
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                <text>Aegis Digital Museum</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                  <text>Material Culture &amp; Object Studies</text>
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                <text>Edward G. Budd Manufacturing Company, Sparks Withington Co., Crosby Co., and the McCord Radiator Company</text>
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                <text>American World War 1 Helmet of Massa Gustave Adolf Svenson, modeled after the British Brodie Helmet. Consisted of a single piece of stamped 18-gauge manganese steel alloy and a wide brim. The exterior surface is paint mixed with sand, sawdust, or crushed cork to eliminate glare.&#13;
&#13;
ID:  Textured round olive green helmet with two-inch brim around the circumference. The outside of the helmet shows scratches and dents with areas the paint is chipped off allowing the shiny silver metal underneath to be seen. On the interior there is rubberized canvas where the head would sit with rubber stoppers around the edges to provide the wearer comfort. The chinstrap is missing as one of the metal buckles has broken off. Beneath the rubberized canvas there is a foam pad at the crown of the helmet.&#13;
&#13;
Physical Dimensions: 11 inches long by 9.5 inches wide and 7 inches deep</text>
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                <text>Wizards of the Coast, a subsidiary of Hasbro, Inc.</text>
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Description (ID):&#13;
A rectangular wooden plank is attached to a wall vertically. The bottom of the plank has a small metal plate attached to it with four engraved pictures of different water elevations of the weather glass. Next to each image is a descriptor of the weather in French, English, Dutch, and German. If the water in the spout is lower than in the body, the weather is “fair”. If it has slightly more, it is “rain”. If it has much more, it’s a “storm”. If both have equal elevations, the weather is “variable”.&#13;
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Physical Dimensions: ~6 inches (15.24 cm) by ~16.75 inches (42.55 cm)</text>
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