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                <text>Margaret White </text>
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                <text>A handmade beaded necklace using a variety of turquoise silver and crème beads. The necklace is a modern replica of traditional necklaces from the Mohawk Tribe, specifically from the bear clan within this tribe. Beads originally sourced in Canada however from where is unknown. The necklace was made by Margaret White who is from London, Ontario, Canada and then passed down through the family. &#13;
&#13;
ID: A beaded necklace using a wire cord and a silver clasp. Beginning with 4 silver beads then a length of cylinder turquoise beads of varying sizes. A pattern of black metallic beads, turquoise stone beads and oval shaped cream-colored ceramic beads begins. The pattern is same on the left and right sides of the necklace. The center part of the necklace contains two cream-colored beads carved in the shape of roses surrounding a cream-colored ceramic bead carved in the shape of a 2-inch bear claw.&#13;
&#13;
Physical Dimensions: 13.5-inches </text>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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                <text>An Interview With Mr. and Mrs. Strangelove</text>
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                <text>Maude, MOTIVE Inc.</text>
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                <text>A hand-drawn vintage comic, featuring panels about a heterosexual couple being interviewed as though their sexuality is unusual, akin to how queer couples are ridiculed typically. The comic uses exaggerated expressions and satirical dialogue to reverse the stereotypes that are typically applied to queer people to show how unusual and invasive they are. Several panels depict a talk-show setting with awkward questions and playful commentary about relationships and identity, showing just how strange the invasive and inappropriate the questions directed at queer people can be. The overall tone of the comic is comedic and ironic, and those themes are used to be intentionally critical of social norms.&#13;
&#13;
ID:  A vintage comic strip drawn in a caricature style, with panels filled with exaggerated characters in a talk-show format. It is a satire that reverses the stereotypes used towards queer people by depicting a heterosexual couple being interrogated as though their orientation is unusual.&#13;
&#13;
Physical Dimensions: 16” x 11”</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>Weaver, Sydney</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>his material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                <text>McCall's the first PRINTED PATTERN: Women’s and Misses’ Evening Dress in Two Lengths for Half Sizes</text>
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            <description>The topic of the resource</description>
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                <text>marketing and sales, arts and design, Sewing, Fashion marketing, Mid-century Advertising, Fashion History, Commercial illustration</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>1954</text>
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                <text>Samples, Isabel</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>McCall’s printed pattern No. 3028</text>
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                <text>A photograph scan of a vintage 1954 McCalls Printed pattern No. 3028, to make Women’s and Misses’ Evening Dress in two lengths for Half sizes. Includes 9 pieces with instructions for cutting, sewing, and alterations. This is one of the many patterns produced by the popular sewing pattern company McCall Corporation that was founded in 1870. Providing seamstresses patterns to make clothing. This pattern includes a set of instructions with various numbers, measurements, and diagrams for the user to follow.&#13;
&#13;
ID:  Vintage worn paper packaging using intricate font design for the title “McCalls the first PRINTED PATTERN: Women’s and Misses’ Evening Dress in Two Lengths for Half Sizes”. The front features two women, one drawn into a floor length sliver gown styled in white gloves and jewelry, the other woman has her back shown in a mid-calf length blue gown. The back of the package includes directions to follow via your measurements and desired look. Also includes diagrams of the different styles of dresses to choose from.&#13;
&#13;
Physical Dimensions: 7in x 6in</text>
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ID:&#13;
&#13;
The image depicts a Mississippi State cowbell, characterized by its rectangular metal body, flared base, and attached handle designed for easy ringing. Its painted maroon-and-white surface reflects the university’s colors, a common aesthetic choice among fans. Cowbells vary widely in size, weight, and artistic decoration—from small handheld bells to large, personalized keepsakes given as graduation gifts or passed down between generations. Originating from local farm culture in Mississippi, the cowbell became a symbol of school spirit after students began bringing them to football games. Despite periods of regulation, they remain one of the most recognizable and culturally meaningful artifacts in SEC sports traditions.&#13;
&#13;
Physical Dimension: Typically 7”–12” tall depending on style and era</text>
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                <text>This material is provided for educational, research, and cultural study purposes. Contemporary cowbell designs are trademarked and protected under Mississippi State University licensing agreements.</text>
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                <text>English (decorative inscriptions often include slogans such as “Hail State”)</text>
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&#13;
ID: A much larger Pokémon card in size with the duo of Darkrai hovering over the Umbreon representing the face of the card as the tag team with the backround being that of a city at night. The card has 270 hp as labeled at the top right, the bottom text showing their damaging move “Black Lance” and can deal 150 points, and below that their Gx move named “Dark Moon GX.”&#13;
&#13;
Physical Dimensions: 5.2 Inches x 7.2 Inches</text>
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                <text>This artifact is a vintage 1960s Monarch hard-shell suitcase in a mid-sized form. It has a hard and sturdy blue exterior with running white stitches across the front and back. It features two metal latches at the top with small locks and keyholes on either side, and metal lettering with the Monarch logo near one of the latches, typically on the left side. In context, Monarch Luggage Company was a U.S.-based luggage manufacturer that originated in New York/Brooklyn, selling suitcases, travel bags, and other travel goods. Their product line included both hard- and soft-shell suitcases, carry-on bags, garment bags, and travel-sized bags. Monarch followed the mid-century rise in mass-market travel, a consumer culture trend that promoted leisure travel due to postwar prosperity and the implementation of the five-day workweek. This suitcase reflected the popularity of travel, and its sleek form allowed for stackability, easier handling, and storage. &#13;
&#13;
ID:&#13;
A medium-sized rectangular hard-shell suitcase with a soft blue outer shell. It includes two metal latches and a handle located at the top center. The design follows a curved edge pattern with a sleek and minimalist 1960s style that is smooth and rounded at the edges, better reflecting the modernistic aesthetic. It is compact and flat, without any pockets or outer zippers, enhancing its stackability. Wear marks are light, and scuffs are visible, indicating long-term use. There is a small square yellow sticker on the top half of the suitcase near the handle that says “Air France,” with the abbreviation “PAR” and numbers “00161” beneath it. There is another sticker on the top left of the front side and on the back side of the suitcase, split horizontally into sections of blue and white. The sticker has bold black-and-white letters that read “All Over the World BOAC takes care of you,” with the name “DONWORTH” handwritten in pen in the white section of the sticker.  &#13;
&#13;
Physical Dimensions: 22 in (W) × 14 in (H) × 7 in (D) – Mid-size</text>
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                <text>This poster shows pop culture media characters or public figures(notably animation and TV or public figures) that I believe embody the idea of intersectional feminism and how it has shaped their characters and ideals. Images inspired by various media companies and owners of animated versions of characters:  Disney, Netflix, Shonen Jump, Marvel Comics, Shueisha, Arc System Works, Game Freak, Nintendo, KADOKAWA.  Public figures 1. Maya Angelou  2. Barack Obama 3. Kat dennings 4. laurie Metcaif &#13;
&#13;
ID: This poster reflects the representation of (both representative binary genders/other categorized genders), whether fictional or a public figure that represents intersectional feminism. The “universal definition” is that everyone is a part of multiple social categories. Through sex, gender, social class, disability, religion and spirituality, and nationality, they come together to form a personal framework of discrimination and privilege.&#13;
&#13;
Physical Dimensions 11 inches x 17 inches</text>
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&#13;
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ID: A rectangular, hinge-based device that folds shut for mobility, the Nintendo 3DS XL features a blue exterior with two front cameras and copyright information on the bottom, and when opened reveals a top half with a large 4.88-inch screen, speakers, and a camera, and a bottom half with a 4.18-inch touchscreen surrounded by buttons, an analog stick, a small C-stick above the A/B/X/Y buttons, and ZL/ZR buttons next to the L/R buttons.&#13;
&#13;
Physical Dimensions: Closed Height: 3.68 inches; Open Height: 6.81 inches </text>
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Physical Dimensions: 5.3" x 2.9" x 0.8" </text>
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&#13;
ID:  Oliver typewriter (model No. 9) taking up the top two-thirds of the page which is large and centered. The machine is topped by a block of text stating the offer “FREE TRIAL — Over a Year To Pay” with circular badges saying “Was $100” (left) and “Now $55” (right). A bold, large headline stating “Send No Money!” is placed under the image and in large text, and goes from the left side of page to the right.   The headline is followed by a paragraph copy explaining the free trial and payment plan, smaller print with testimonial references and a boxed mail-order coupon at lower right for fields of name, address, city/state, and occupation. The left margin features “Famous Users of the Oliver” (various companies). Fine print discloses the trial period (five days), return policy, and installment terms ($3 after trial then $4/month). The whole layout makes use of strong typographic contrast to grab attention to price and the “no money” offer.&#13;
&#13;
Physical Dimensions: 11”x 8”</text>
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ID:  A beige box-shaped laptop presented in a white background. With a leather handle on top. When laid down, there are black rectangular clips with a blueish-black line that runs across the outer case. When opened, there is a square screen  with a fan on the right with a few buttons under and three rectangular slots on the left. Attached with a coiled wire is a keyboard. The interior surrounding these traits is blue.&#13;
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Physical Dimensions: Width: 20in, Length: 14in, Height: 8in, Weight: 28lb</text>
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        <name>Laptops</name>
      </tag>
      <tag tagId="1506">
        <name>Luggable Computers</name>
      </tag>
      <tag tagId="1503">
        <name>Portable Computers</name>
      </tag>
      <tag tagId="1505">
        <name>Retro Computers</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
