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                <text>For the set of five Delta Air Lines trading cards commonly given by pilots or flight attendants to passengers, especially kids and aviation enthusiasts. Features a metallic finish photograph of a specific aircraft from Delta’s fleet. The back of each card includes detailed aircraft specifications such as speed, range, engine type, wingspan, tail height, and seating capacity, along with a three-view diagram (top, side, and front). At the bottom of each card, there is a short description of the aircraft’s production, operational history, and general takeoff performance.&#13;
&#13;
 &#13;
&#13;
ID:&#13;
&#13;
Five metallic holographic trading cards&#13;
&#13;
Card No. 51 (Airbus A220)&#13;
Card No. 53 (Boeing 737)&#13;
Card No. 55 (Boeing 767)&#13;
Card No. 58 (Airbus A321) &#13;
Card No. 59 (Airbus A330)&#13;
Each card features a reflective, iridescent surface that shifts between rainbow tones under direct light. &#13;
&#13;
Physical Dimensions: 2.5 inches by 3.5 inches (6.4 cm by 8.9 cm) per card</text>
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                <text>Vargas, Luis </text>
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                <text>Model Nissan Skyline GT-R R34 (Scale Replica)</text>
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                <text>Demon King </text>
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                <text>This artifact is a digital image set of a high-resolution 1:64 scale model of the Nissan Skyline GT-R R34. The model shows the outline and structure of the vehicle, right down to the spoiler and headlights, even the wheels. This scale model presents itself in a commonality of car collector worlds, as this is a piece of culture dedicated to a significant performance car of Japanese origin. Models like these are used for display purposes and photography, as well as documentation of car culture, which shows how much of an impact JDM cars have had in films and gaming, to more globalized, online communities.&#13;
&#13;
ID: A high-resolution scaled model image of a Nissan Skyline GT-R R34. Low and wide body with rounded front, rounded hood, rectangular headlights, and long back and raised spoiler. High metallic silver paint job with no flaws in the paint and minuscule separation in the panels. Slightly detailed rims with 5 spokes and 1/2 spoke detail of the brake assembly, windows tinted black and reflective. Neutral and flat background for image purposes, as this is a still image to get on display. Palm-sized with properly proportioned elements, all exterior with scaled proportions, no exaggeration or reduction of reality, all without imperfections at this size.&#13;
&#13;
Physical Dimensions: 1:64 Scale</text>
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                <text>Awesome Diecast</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Jenson Varghese</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                <text>Secret Potions to Make You Pretty  </text>
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                <text>Sara Breedlove, Madame C.J. Walker, American History,  Black History, Hot Comb, Walker Agents, Black Entrepreneurs, Women Entrepreneurs, Engineering</text>
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                <text>Sara Breedlove aka Madame C.J. Walker is driving a car with 3 other “Walker agents.” The article describes Walker’s young adult life, and the moment that inspired her inventions: hair care products for African Americans including 5 salves and a pressing comb for styling. In addition to her contributions to the advancement of African American hair care, she was also recognized as one of the first women, and the first black woman, to do door-to-door sales. The article also recognizes her as the first African American woman to become a millionaire. &#13;
&#13;
ID: A black and white photograph depicting four African American women wearing hats sitting in an old-school vehicle. The woman driving the car is identified as Madame C.J. Walker and the other three women are identified as Walker agents. The driver is holding the steering wheel and all of the subjects in the photograph are looking in the direction of the camera. &#13;
&#13;
Physical Dimensions: 13.5 inches  x 10.5 inches&#13;
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Donovan, Hadley</text>
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                <text>From the collection of Lydia E. Ferguson</text>
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                <text>Day, Oniola</text>
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            <elementTextContainer>
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                <text>This artifact is a vintage issue of Black Southerner Magazine, priced at $1.50 and published during a period that celebrated the cultural life of Southern Black communities. The cover highlights marching band culture, featuring band members and a majorette performing on a football field. The magazine also includes articles addressing social issues such as the Black underclass and national agendas for Black Americans. Its imagery and topics provide insight into cultural pride, performance traditions, and political concerns of the era. The back of the magazine displays a full-page advertisement for Black hair care products from the BB brand, arranged neatly against a blue background. The advertisement includes curl activator, curl fixer, moisturizer and styling products, placed beneath the phrase “with love” and the words “We are together” to emphasize unity and shared cultural identity. &#13;
&#13;
 ID: The image shows the cover of a magazine titled “Black Southerner Magazine.” At the top, a stylized illustration of a farmer with a mule is placed above a city skyline silhouette. Below, the cover features an illustrated scene of two marching band drum majors in red uniforms with tall white hats leaping midair, tapping their batons together. Centered below them stands a majorette in a red and white uniform, posing with one hand on her hip. Behind them, a full marching band performs on a football field marked with yard lines. Various article titles appear along the left side and top corner of the cover.&#13;
&#13;
Physical Dimensions: 8.5 x 11 inches</text>
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                <text>From the Collection of Lydia E. Ferguson </text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>Material Culture &amp; Object Studies</text>
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                <text>Edward G. Budd Manufacturing Company, Sparks Withington Co., Crosby Co., and the McCord Radiator Company</text>
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                <text>American Studies, History, International Affairs, International Conflict Management, Biomedical &amp; Health Systems Engineering, Mechanical Engineering, Mechanical Engineering, Military History, War, Military Technology</text>
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                <text>American World War 1 Helmet of Massa Gustave Adolf Svenson, modeled after the British Brodie Helmet. Consisted of a single piece of stamped 18-gauge manganese steel alloy and a wide brim. The exterior surface is paint mixed with sand, sawdust, or crushed cork to eliminate glare.&#13;
&#13;
ID:  Textured round olive green helmet with two-inch brim around the circumference. The outside of the helmet shows scratches and dents with areas the paint is chipped off allowing the shiny silver metal underneath to be seen. On the interior there is rubberized canvas where the head would sit with rubber stoppers around the edges to provide the wearer comfort. The chinstrap is missing as one of the metal buckles has broken off. Beneath the rubberized canvas there is a foam pad at the crown of the helmet.&#13;
&#13;
Physical Dimensions: 11 inches long by 9.5 inches wide and 7 inches deep</text>
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                <text>Personal collection of Jason Fernandez, great-grandson of Svenson</text>
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                <text>Nicholas Fernandez</text>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>America Listens In</text>
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                <text>Edwin Teale</text>
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                <text>This is an article that was written in 1941, a time where the U.S. had joined in the battle of World War II, the title reading "America Listens IN", indicating recording of European Radio Program, revealing propaganda in Germany. This article is only 4 pages in the month magazines named Popular Science, where it also includes ads and information on automobiles, home &amp; shops. and mechanics.&#13;
&#13;
ID: On the 1st page, it includes text describing the process of recording war propaganda, while showing a graph titled "Nazi propaganda Barometer" showing different level of propaganda at different points in the war. It goes on to show 2 images of recording machines being used by at least 2 people, having only one identified as Isotta Masoni, a translator, and also a third photo of 2 mean identified as Harold N. Graves, who is hunched over but standing to the left of J.R. Snedeker, who is sitting with headphones on listening and recording broadcasts. &#13;
&#13;
Physical Dimensions: 6.5 inches wide x 9.5 inches tall</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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ID:  The Buckley Deer Family consists of three flocked deer figurines made of molded plastic covered in a velvety material. All share tan-brown bodies, rounded heads, black circular eyes, and upright ears with pale heart-shaped markings inside. Their limbs are simply sculpted, consistent with Calico Critters/Sylvanian Families design conventions. &#13;
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&#13;
The teen deer (7 cm) is slightly smaller and wears a light blue dress with small green stems and pink flowers, trimmed with white lace along the straps and hem. &#13;
&#13;
The toddler/child deer (5 cm) is the smallest and is dressed in a light blue one-piece romper with short legs and a delicate white lace collar. &#13;
&#13;
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                <text>A Plate Full of Family</text>
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                <text>This still image depicts a white, 18 karat gold-trimmed porcelain plate. In the center is a hand painted depiction of Jesus, fashioned in a pink and white cloak, holding a cane and knocking on someone’s door. The painting is lined with a custom hand-painted wreath decorated with pink flowers and buds. The plate is about 100 years old. It is 8 inches wide, 8 inches tall (8 inches in diameter, 4 inches in radius)</text>
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            <description>Information about rights held in and over the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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        <name>family heirloom</name>
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              <description>A name given to the resource</description>
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          <name>Original Format</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Learning From A Father</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Technology, Circular Economy</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Felice, Pamela B.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This still image depicts a father showing his 9-month-old son the tools he is using to fix the kitchen sink. The child saw his dad working on the sink and ran over to see what his father was doing, what tools he was using, and how he could help.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Aegis Digital Museum</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Felice, Joseph</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2007">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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        <name>DIY</name>
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        <name>Education</name>
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        <name>family</name>
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        <name>Father-Son</name>
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        <name>Home Repair</name>
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        <name>Plumbing</name>
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        <name>Tradition</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <description>A name given to the resource</description>
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                <text>Randy Shilts (The Kid from Iowa)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Healthcare, Nursing, AIDS in the 1990s</text>
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            <description>An account of the resource</description>
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                <text>Produced by the International Magazine of Literature and Art AIDS with “Reinventing Eden” at the bottom. Pushes for the research of aids in LGBTQ communities and criticizes the Reagan administration for the lack of funding research. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Ferguson, Bundy</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>From the collection of Lydia E. Ferguson</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Herrera, Omayra</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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                <text>Magazine Article</text>
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        <name>Aids</name>
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        <name>CDC</name>
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        <name>Healthcare crisis</name>
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        <name>LGBTQ history</name>
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        <name>Public Health</name>
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        <name>Research funding</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Intangible Cultural Heritage</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Día de los Muertos in the United States</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Fernandez, Nely</text>
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            <description>The topic of the resource</description>
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                <text>Religion, Catholicism </text>
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            <description>An account of the resource</description>
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                <text>This still image shows a finished altar, called an ofrenda, an important aspect of Dia De Los Muertos. On the alter are five different photos: four photos are loved ones of the Fernandez-Martinez family and Mancillas family. Including in the alter is a photo (center) of the family dog, who passed away two years before. The altar is filled with food such as bananas and pan de Muertos (Bread of the Dead), mirroring each other, and a variety of dog treats all to represent favorite foods of those on the altar. The altar is decorated with Cempasuchil flowers, Aztec Marigolds,  in the background, which are accompanied by lit candles on each side. Other decorations include color banners above and, on the altar, a sugar skull, and pumpkins to match the Mexican tradition and fall season. </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Aegis Digital Museum </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>October 28, 2025 </text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Mancillas, Jorge</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Still Image</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>.JPEG</text>
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        <name>Day of the Dead</name>
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        <name>Día de los Muertos</name>
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        <name>family</name>
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        <name>Generations</name>
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        <name>Latino culture</name>
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        <name>Mexican Culture</name>
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        <name>Mexican-American</name>
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        <name>Ofrenda</name>
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        <name>Tradition</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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                <text>"Pounding Corn"</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Frank E. Ferrari</text>
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