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                <text>Frank E. Ferrari</text>
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                <text>Historical Innovation, African Labor, Women's Labor, Mortar and Pestle, Labor Studies</text>
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                <text>An article found in the "Africa Report" published in 1985. The article is about two African women laboring in Africa and how they use their resources in agriculture to prepare food. The article describes the domestic responsibilities these women take in their roles in their families and societies.&#13;
&#13;
ID: Paper set up with a series of paragraphs and a picture in the middle. The picture has a caption describing "Pounding corn: The rhythmic thumping resounds throughout the village from early morning to late evening." There is a chicken in the black and white picture, and two African women with flower skirts outside using an ancient mortar and pestle.&#13;
&#13;
Physical Dimensions: 8.5 in x 11 in</text>
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                <text>Katherine Lorenzo-Cortez</text>
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                <text>Souvenir of the State Buildings at the Capital: Albany, N.Y.</text>
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                <text>Curt Teich &amp; Co., Chicago, U.S.A. (Production Number D-537)</text>
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                <text>Albany, Federal Architecture, foldout postcards</text>
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                <text>This postcard, exhibiting the civic architecture of Albany, N.Y., was created by a now discontinued postcard-publishing company that specialized in scenes from notable cities and parks in the United States. The company, Curt Teich &amp; Co., is most recognized by their “Greetings from…” cards that encapsulate scenes from a given location within the letters of the location’s name. The Newberry Library uploaded a guide to dating the Curt Teich postcards using the production numbers. This card, D-537, was published in a collection of foldout postcards, souvenir booklets, postcards, pamphlets, and brochures as the company branched out from postcards into other materials.&#13;
&#13;
Sixteen drawings in the collection depict various exterior and interior scenes of the New York State Capitol, Court of Appeals, New State Office Building, and New York State Education Building. The New York Court of Appeals was built in 1842 and followed the common Greek Revival style of American public architecture of the time. The use of Ionic columns, a rotunda, and stone arches, was meant to evoke a sense of justice and order within Western law by emulating Greek democratic architecture. The New York State Capitol building was under construction from 1867 to 1899, with multiple architects contributing to its design. The building reflects this, with design inconsistencies between floors and throughout the structure. There are influences from Romanesque, Renaissance Revival, and French château styles. Despite the long, disjointed building history, the building conveys a continuous theme of grandeur and authority. The New York State Education Building was built from 1908 to 1912 and followed a Beaux-Arts and Neoclassical style of architecture. There are heavy signs of classical influence, with a colonnade of 36 marble columns supporting a wide entablature. The style was meant to reflect order and civic virtue by mimicking classical democratic architecture. The New State Office Building is the newest in the collection. Construction for the New State Office Building began in 1927 and it was still under construction in 1929 when the postcard was published. The style of architecture reflects this, as it has a more modern look. At its completion, it became the tallest building in Albany. The Art Deco style interior heavily reflected the creative boom of the 1920s and was meant to emulate progress and modernity.&#13;
&#13;
The last two drawings depict scenes from the Iroquois Indian Exhibit that was located in the Museum of the State when the museum was housed in the Education building. The exhibit was first established in 1918, with sculpture work for the dioramas done by Henri Marchand. When the State Museum was moved into the State Plaza Cultural Education Center in 1973, the dioramas were not moved with it. The sculptures were made with fragile materials and built into the architecture of their site. By the 70s the sculptures would have been brittle, damaged, or structurally unsound, meaning trying to move them would have caused significant damage to the exhibit. Ultimately this left room for a more ethical, culturally aware design that moved away from the Euro-American perspective and worked towards archaeologically accurate, community-informed exhibit.&#13;
&#13;
Description (ID): Fold-out postcard comprised of a cover resembling an envelope and a long sheet of paper that folds up to fit into the postcard-sized cover. The folded sheet depicts 18 drawings of state buildings in Albany, N.Y. In the top left corner of the cover is the title of the postcard. Below the title on the left half of the page is a drawing of the New York State Capitol Building. On the right half of the cover are the lines for a message on the card. On the back is a drawing of the State Educational Building that fills the entire page. In the inside of the cover is a description of the development and history of the buildings included in the postcard collection. The collection of drawings is fixed to the inside of the cover above the descriptions and folds out in an accordion style to reveal nine drawings on the front, and nine drawings on the back.&#13;
&#13;
The front of the page, in order, depicts: 1) an aerial view of the state capitol building, new state office, and education buildings, 2) the senate chamber in the state capitol, 3) the assembly chamber in the state capitol, 4) the executive chamber in the state capitol, 5) the million dollar staircase in the state capitol, 6) a street view of the state capitol and education building, 7) a street view of the court of appeals, 8) a room inside of the court of appeals, 9) and a street view of the new state office building. The back of the page, in order, depicts: 1) an aerial view of the state buildings, emphasizing the capitol building, 2) a street view of the state education building, 3) the main entrance of the state education building, 4) the main staircase of the education building, 5) the rotunda in the state education building, 6) the general reading room in the state library, located in the state education building, 7) the hall of vertebrate paleontology in the state museum, located in the state education building, 8) the corn harvest scene of the Iroquois Indian Exhibit that used to be housed in the state education building, 9) the Seneca Hunter Group scene of the Iroquois Indian Exhibit that used to be housed in the state education building.&#13;
&#13;
Physical Dimensions: Cover – 4 in (10.16 cm) x 6 in (15.24 cm); Unfolded – 36 in (91.44 cm) x 6 in (15.24 cm)</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>C.W. Hughes &amp; Co., Inc., Mechanicville, N.Y.</text>
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                <text>Mary-Katherine Lewis</text>
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                <text>Nashville Tenn. The Athens of the South</text>
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                <text>This is a fold out postcard folder for Nashville, Tennessee, commonly sold to tourists in the 1930s-1950s. The title, “The Athens of the South”, seen on the front of the card, is referencing Tennessee’s popular nickname originating from its full-scale replica of the famous temple, Parthenon, originally located in Athens, Greece. The replica was built in 1897 for the Tennessee Centennial Exposition, which was a huge celebration for the 100th anniversary of the state.&#13;
&#13;
 &#13;
&#13;
ID:&#13;
&#13;
Front: A detailed drawing of Tennessee’s State Capitol on the left side with an illustration of 2 yellow irises in front of a black background on the left edge of the postcard. Above it, the title is shown in red, orange, and yellow, with a box to place a stamp on the top right. On the bottom right, three lines are shown for text to be written.&#13;
&#13;
Back: A detailed drawing of The Cumberland River on a sunny day shown with a large red and pink flower bush in the front partially covering the river. Behind it, the river is shown still with green foliage on each side. Vibrant hues of blue, pastel yellow, pink, and green, shine through.&#13;
&#13;
Physical Dimensions: Cover – 4 in (10.16 cm) x 6 in (15.24 cm); Unfolded – 36 in (91.44 cm) x 6 in (15.24 cm)</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>Kaylah Hester</text>
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ID:  A beige box-shaped laptop presented in a white background. With a leather handle on top. When laid down, there are black rectangular clips with a blueish-black line that runs across the outer case. When opened, there is a square screen  with a fan on the right with a few buttons under and three rectangular slots on the left. Attached with a coiled wire is a keyboard. The interior surrounding these traits is blue.&#13;
&#13;
Physical Dimensions: Width: 20in, Length: 14in, Height: 8in, Weight: 28lb</text>
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                <text>A vintage print advertisement promoting Champion Spark Plugs, featuring a four-engine propeller airliner, a spark plug illustration, and an orange automobile. The ad claims that most airlines specify Champion Spark Plugs due to their dependability. Also includes text that encouraging consumers to choose Champion for reliable vehicle performance.&#13;
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Description (ID): In the center of the page, there is a silver four-engine plane flying over mountains and an airport. To the left of the page there is a spark plug with orange writing saying, “CHAMPION PATENTED.” There is an arrow pointing at the spark plug that says "THEY'RE DENPENDALE" in orange letters. On the bottom of the ad, there is an orange post-World War II car. &#13;
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Physical Dimensions: 9 ½ in x 6 ½ in</text>
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                <text>Caden Downey</text>
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Description (ID):&#13;
A rectangular wooden plank is attached to a wall vertically. The bottom of the plank has a small metal plate attached to it with four engraved pictures of different water elevations of the weather glass. Next to each image is a descriptor of the weather in French, English, Dutch, and German. If the water in the spout is lower than in the body, the weather is “fair”. If it has slightly more, it is “rain”. If it has much more, it’s a “storm”. If both have equal elevations, the weather is “variable”.&#13;
A circular metal plate sits above the information guide and is connected to a strip of metal that goes up to the top of the plate, where the hook sits. Attached to the hook is a see-through glass container with a thin top that widens out into a thick bottom. The top of the glass is shaped into a ring to fit the hook through it. Near the bottom of the container, where it slopes back inward, a spout goes up and outward, curving toward the glass. At the end of the spout, a short portion of it curves back outward. The very bottom is shaped into a glass ball to increase the barometer's weight. Water, colored dark blue for visibility, can be seen in the container. &#13;
&#13;
Physical Dimensions: ~6 inches (15.24 cm) by ~16.75 inches (42.55 cm)</text>
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ID: Across the top of the page are three illustrated panels arranged horizontally, each showing a woman washing or drying dishes, accompanied by humorous captions questioning daily dishwashing routines. Below these illustrations is a large photograph of a mid-century GE kitchen, featuring an open dishwasher filled with neatly arranged dishes. Text blocks flank the image, describing the appliance’s benefits and convenience. The General Electric logo is positioned at the bottom center of the advertisement.&#13;
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Physical Dimensions: 8 in × 11 in</text>
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                <text>Shray Bhatnagar</text>
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                <text>A postcard with foldable photos of the U.S. state capital, Washington D.C. contained inside. The cover of the card has the phrase “Greetings from Washington D.C” on top of four historic government buildings, each divided into separate quadrants. Opening the top flap reveals a multi-folded page containing 9 photos on one side and 18 on the other. No text are written on the inside of the card, however, there is sufficient space provided beneath the photos to fill in one’s own message.&#13;
&#13;
ID: Postcard cover containing orange calligraphy writing of the words “Washington D.C.” over top of four photos, each on a different corner of the card. In the top left is a photo of the United States Capital taken from the front of the building slightly on the right of center. In the top right is a photo of the White House, taken from the front. On the Bottom left is a photo of the Lincoln Memorial, taken from the front right. And lastly, on the bottom right is a photo of the Thomas Jefferson Memorial taken from the front. &#13;
&#13;
Once opened, the card reveals 27 individual photos:&#13;
U.S. Capital at Night&#13;
Library of Congress Annex&#13;
Lincoln Memorial&#13;
Lincoln Memorial Reflecting Pool, Washington Monument and Capital from Lincoln Memorial&#13;
United States Supreme Court&#13;
National Gallery of Art&#13;
New Illuminated Fountain on Capital Plaza&#13;
Cherry Blossoms, Potomac Park&#13;
Washington’s Mansion, Mt. Vernon, Va.&#13;
White House&#13;
Jefferson Memorial by Moonlight&#13;
Union Station and Columbus Memorial Fountain&#13;
Department of Justice&#13;
Bureau of Engraving and Painting&#13;
National Archives Building&#13;
United States Treasury&#13;
The Smithsonian Institution&#13;
National Museum&#13;
U.S. Naval Medical Center, Bethesda, Md.&#13;
National Red Cross Building&#13;
Pan-American Union&#13;
Pentagon Building&#13;
Tomb of Unknown Soldier, Arlington National Cemetery, Arlington, Va&#13;
Terminal, Washington National Airport&#13;
George Washington Masonic National Memorial, Alexandria, Va&#13;
Custis Lee Mansion, Arlington, Va&#13;
Christ Church, Alexandria, Va.  (Where Washington Worshipped)&#13;
&#13;
Physical Dimensions: Unfolded – 10.16 cm x 15.24 cm, Unfolded – 91.44 cm x 15.24 cm</text>
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                <text> From the Collection of Lydia E. Ferguson</text>
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                <text>C. T. Art-Colorton</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>"Information Tests to Try on Your Children"</text>
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                <text>An article found in one publication of “The Parents’ Magazine”, published in February 1931. The article is about a series of tests that parents can use to determine if their children are properly developing according to their age. These assessments test children based on memory and knowledge of common information that peers their age would know. These tests are for children ages 5 to 18. &#13;
&#13;
Description ID: A black-and-white historical photo of a teacher and four early-elementary students seated at a table are partaking in an educational activity. One child is raising one hand while the teacher is looking down at a sheet of paper.&#13;
&#13;
Physical Dimensions: 8.5 in (21.59 cm) x 12 in (30.48 cm)</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>Babenko, Maria</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>A handmade decorative Easter egg lying on a wooden base with a circular depression in the center. The egg is made from ceramic and covered with suede fabric; then painted green and decorated with a traditional glitter design. Purchased as a tourist souvenir from a street vendor in Kraków’s (Poland) main market square in 2013. It serves as a collectible item, and typically sold at high prices.&#13;
&#13;
 &#13;
&#13;
ID: Displayed is a dark green egg with glitter decorations lying in a hand-carved square wooden stand with a circular depression in the center.  The egg itself contains three crosses that span the exterior of the egg; each cross is formed by a central black line surrounded by two gold lines, with the addition of small silver dots running across the black lines spaced ~0.19 inches apart. Between the crosses are swirling gold glitter patterns, with occasional green glitter dots scattered&#13;
&#13;
Physical Dimensions (W x H x D): Wooden stand: 2.5” x 0.65” x 2.5”; Egg: 1.5” x 2.3” x 1.5”</text>
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              <description>A name given to the resource</description>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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            <description>A name given to the resource</description>
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                <text>Black Southerner Magazine, Vol. 1 No. 2</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>This artifact is a vintage issue of Black Southerner Magazine, priced at $1.50 and published during a period that celebrated the cultural life of Southern Black communities. The cover highlights marching band culture, featuring band members and a majorette performing on a football field. The magazine also includes articles addressing social issues such as the Black underclass and national agendas for Black Americans. Its imagery and topics provide insight into cultural pride, performance traditions, and political concerns of the era. The back of the magazine displays a full-page advertisement for Black hair care products from the BB brand, arranged neatly against a blue background. The advertisement includes curl activator, curl fixer, moisturizer and styling products, placed beneath the phrase “with love” and the words “We are together” to emphasize unity and shared cultural identity. &#13;
&#13;
 ID: The image shows the cover of a magazine titled “Black Southerner Magazine.” At the top, a stylized illustration of a farmer with a mule is placed above a city skyline silhouette. Below, the cover features an illustrated scene of two marching band drum majors in red uniforms with tall white hats leaping midair, tapping their batons together. Centered below them stands a majorette in a red and white uniform, posing with one hand on her hip. Behind them, a full marching band performs on a football field marked with yard lines. Various article titles appear along the left side and top corner of the cover.&#13;
&#13;
Physical Dimensions: 8.5 x 11 inches</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>From the Collection of Lydia E. Ferguson </text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Rihana Williams</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2717">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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            <description>A name given to the resource</description>
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                <text> Lablache Face Powder Advertisement </text>
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                <text>This is an advertisement for Lablache Face Powder, a Ben Levy Company product, a French perfumery from Boston, Massachusetts, produced in the early 20th century. The ad is decorated with floral borders and a woman's profile portrait; it projects elegance and sophistication in beauty advertising during this time. In addition to the skin benefits of the product's application, "smooth, velvety skin" and its ability to protect from sunburn, the ad conveys the growing obsession with beauty products at this time, and the promotion of women's complexions as a sign of social distinction. Ads like this would have appeared in magazines published in the early 1900s, when face powders were sold as mass-produced products at a time when beauty standards around women's appearance underwent major changes.&#13;
&#13;
ID:  The picture is an antique black and white advertisement. The border spanning the top and sides is decorative and includes a vine and rose design. This particular ad features a circular portrait of a woman with a high and full hairstyle, looking just to the right. The bold word "LABLACHE," stretches across the lower half of the ad, and curves and vines decorate some of the letters. The ad also says "Face Powder" under the word "Lablanche" in a smaller font, and blocks of text surround both.&#13;
&#13;
Physical dimensions: 5"x4"</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>From the Collection of Lydia E. Ferguson</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>The Ladies' World</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Kailyn Williams</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2705">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
              </elementText>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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  <item itemId="250" public="1" featured="0">
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              <description>A name given to the resource</description>
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            <description>A name given to the resource</description>
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                <text>Model Nissan Skyline GT-R R34 (Scale Replica)</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Demon King </text>
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            <description>The topic of the resource</description>
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                <text>Automotive Culture, Japanese Domestic Market (JDM), Mechanical Engineering, Industrial Design, Car Enthusiast Communities, Film &amp; Media (Fast &amp; Furious, Initial D)</text>
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            <description>An account of the resource</description>
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                <text>This artifact is a digital image set of a high-resolution 1:64 scale model of the Nissan Skyline GT-R R34. The model shows the outline and structure of the vehicle, right down to the spoiler and headlights, even the wheels. This scale model presents itself in a commonality of car collector worlds, as this is a piece of culture dedicated to a significant performance car of Japanese origin. Models like these are used for display purposes and photography, as well as documentation of car culture, which shows how much of an impact JDM cars have had in films and gaming, to more globalized, online communities.&#13;
&#13;
ID: A high-resolution scaled model image of a Nissan Skyline GT-R R34. Low and wide body with rounded front, rounded hood, rectangular headlights, and long back and raised spoiler. High metallic silver paint job with no flaws in the paint and minuscule separation in the panels. Slightly detailed rims with 5 spokes and 1/2 spoke detail of the brake assembly, windows tinted black and reflective. Neutral and flat background for image purposes, as this is a still image to get on display. Palm-sized with properly proportioned elements, all exterior with scaled proportions, no exaggeration or reduction of reality, all without imperfections at this size.&#13;
&#13;
Physical Dimensions: 1:64 Scale</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Personal Collection </text>
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                <text>Awesome Diecast</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Jenson Varghese</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="2694">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
              </elementText>
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          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG</text>
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            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
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        <name>Collectibles</name>
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        <name>Material Culture</name>
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        <name>Model Cars</name>
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        <name>Movie</name>
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            <description>A name given to the resource</description>
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                <text>Ilẹkẹ (Beads)</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Handmade set of beads, strung together by a wire, the beads are made of coral and are reddish brown in color, around 2in in length and one each is 1in by .5. These are a type of bead worn during celebrations and other traditional events in the Yoruba culture, they were shipped from Nigeria around 2018.&#13;
&#13;
ID: A set of reddish beads, around 2ft in total, with each bead being 1in by .5in. Made of coral stacked on top in a circular pattern, sitting against a white background, with nothing around it. each beads having a different shade of red. Their cylindrical, hand-shaped form features natural texture and organic imperfections characteristic of coral. The set appears polished, with a glossy surface that reflects light, and no other objects are present in the image. &#13;
&#13;
Physical Dimensions: Approximately 2 ft in length, a singular bead is 1in in length and .5 in width</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Vintage 1960s Monarch Blue Hard-shell Suitcase</text>
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                <text>This artifact is a vintage 1960s Monarch hard-shell suitcase in a mid-sized form. It has a hard and sturdy blue exterior with running white stitches across the front and back. It features two metal latches at the top with small locks and keyholes on either side, and metal lettering with the Monarch logo near one of the latches, typically on the left side. In context, Monarch Luggage Company was a U.S.-based luggage manufacturer that originated in New York/Brooklyn, selling suitcases, travel bags, and other travel goods. Their product line included both hard- and soft-shell suitcases, carry-on bags, garment bags, and travel-sized bags. Monarch followed the mid-century rise in mass-market travel, a consumer culture trend that promoted leisure travel due to postwar prosperity and the implementation of the five-day workweek. This suitcase reflected the popularity of travel, and its sleek form allowed for stackability, easier handling, and storage. &#13;
&#13;
ID:&#13;
A medium-sized rectangular hard-shell suitcase with a soft blue outer shell. It includes two metal latches and a handle located at the top center. The design follows a curved edge pattern with a sleek and minimalist 1960s style that is smooth and rounded at the edges, better reflecting the modernistic aesthetic. It is compact and flat, without any pockets or outer zippers, enhancing its stackability. Wear marks are light, and scuffs are visible, indicating long-term use. There is a small square yellow sticker on the top half of the suitcase near the handle that says “Air France,” with the abbreviation “PAR” and numbers “00161” beneath it. There is another sticker on the top left of the front side and on the back side of the suitcase, split horizontally into sections of blue and white. The sticker has bold black-and-white letters that read “All Over the World BOAC takes care of you,” with the name “DONWORTH” handwritten in pen in the white section of the sticker.  &#13;
&#13;
Physical Dimensions: 22 in (W) × 14 in (H) × 7 in (D) – Mid-size</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Conner Salgado-Ramirez </text>
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                <text>This is a photo of a Filipina family friend wearing a more contemporary version of the national dress of The Philippines known as the baro't saya. A version of the baro't saya existed before Spanish colonization first started in the Philippines in 1565, being altered and evolved by Spanish religious ideals and designs over the following 300 years. Only mainly wealthier mestiza women wore the nicer baro't saya depicted here. The quality of the dress that a woman would wear, if she could afford one, was used to show her social class and modesty during the times of Spanish colonization in The Philippines.&#13;
&#13;
ID:  An older Filipino woman wearing the baro't saya (blouse and skirt), the traditional Filipino women’s attire and dress that evolved during the Spanish colonial period as a blend of Indigenous Filipino clothing and Spanish influences. It consists of a lightweight baro (blouse) paired with a long saya (skirt). It is also sometimes accompanied by a pañuelo (shoulder kerchief) and a tapis (overskirt).&#13;
&#13;
Physical dimensions: Size varies by wearer.</text>
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                <text>Riza Pagunsan Deguit</text>
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                <text>Natalie Prosceno</text>
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                <text>The AMD Radeon R7 240 is a small, low-profile graphics card made for basic display and light computer tasks. It became common in budget and office PCs because it used very little power and didn’t need an extra power cable. While not built for heavy gaming, it offered an affordable upgrade during its time. Today, it’s mostly seen in older systems as a modest but reliable piece of hardware from the early 2010s. &#13;
&#13;
ID: The graphics card features a red printed circuit board with various chipsets and soldered pins, and it is missing its original black hard cover. Along the lower edge is the connector array that attaches to the motherboard. The top side holds a black fan with a plastic shroud, fed by a red, yellow, and black mixed wire on its left, and to the right of the fan sit five visible capacitors. The upper edge displays the “ASUS” logo. On the left side are the display ports arranged from top to bottom: HDMI, VGA, and DVI. The underside shows another “ASUS” logo in the upper-right corner beneath the product key label. On the back of the card, centered, are four screw slots, with one screw missing. &#13;
&#13;
Physical Dimensions: 144 x 69 x 33mm </text>
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                <text>Oct 8th, 2013 </text>
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                <text>Dilan Mitchell</text>
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                <text>his material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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        <name>Computer Component</name>
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        <name>electronic</name>
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        <name>Gaming</name>
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        <name>Graphics processor</name>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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                <text>The back of a farmer’s wife magazine that contains an advertisement. The advertisement is about cleaning powder which uses evidence from a microscope to explain why their product is better. It has a yellowish look of old paper. It is very similar to other advertisements from the 1930s. This magazine uses the strategy of logos in an attempt to persuade people to buy Old Dutch Cleaner. &#13;
&#13;
ID: main imagine with a blonde woman and brown hair man looking at a microscope with a can of Old Dutch cleaner next to the microscope. Two images, one on each part of the object. One is Old Dutch powder under a microscope showing finer particles, while the other one is grit under the microscope. &#13;
&#13;
Physical Dimensions: 15” x 11”  </text>
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                <text>From the Collection of Lydia E. Ferguson  </text>
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                <text>November 1932  </text>
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                <text>Darby Marsh  </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2623">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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                <text>PNG</text>
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        <name>cleaning</name>
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        <name>Marketing</name>
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