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                <text>A French weatherglass that uses the elevation of water to predict changes in weather. It is designed to hang off a hook attached to the wall of a boat. The hook is connected to a wooden base with a metal plate on it that explains the implications of the varying water elevations. The water levels adjust based on the humidity of the air, which changes the pressure applied to the water on both portions of the glass. Sailors would use the glass as a form of barometer to predict the weather.&#13;
&#13;
Description (ID):&#13;
A rectangular wooden plank is attached to a wall vertically. The bottom of the plank has a small metal plate attached to it with four engraved pictures of different water elevations of the weather glass. Next to each image is a descriptor of the weather in French, English, Dutch, and German. If the water in the spout is lower than in the body, the weather is “fair”. If it has slightly more, it is “rain”. If it has much more, it’s a “storm”. If both have equal elevations, the weather is “variable”.&#13;
A circular metal plate sits above the information guide and is connected to a strip of metal that goes up to the top of the plate, where the hook sits. Attached to the hook is a see-through glass container with a thin top that widens out into a thick bottom. The top of the glass is shaped into a ring to fit the hook through it. Near the bottom of the container, where it slopes back inward, a spout goes up and outward, curving toward the glass. At the end of the spout, a short portion of it curves back outward. The very bottom is shaped into a glass ball to increase the barometer's weight. Water, colored dark blue for visibility, can be seen in the container. &#13;
&#13;
Physical Dimensions: ~6 inches (15.24 cm) by ~16.75 inches (42.55 cm)</text>
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                <text>A vintage print advertisement promoting Champion Spark Plugs, featuring a four-engine propeller airliner, a spark plug illustration, and an orange automobile. The ad claims that most airlines specify Champion Spark Plugs due to their dependability. Also includes text that encouraging consumers to choose Champion for reliable vehicle performance.&#13;
&#13;
Description (ID): In the center of the page, there is a silver four-engine plane flying over mountains and an airport. To the left of the page there is a spark plug with orange writing saying, “CHAMPION PATENTED.” There is an arrow pointing at the spark plug that says "THEY'RE DENPENDALE" in orange letters. On the bottom of the ad, there is an orange post-World War II car. &#13;
&#13;
Physical Dimensions: 9 ½ in x 6 ½ in</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>The Osborne Executive was released in 1982. A briefcase-like portable computer that was designed to be the upgraded and more powerful version of its predecessor.  However, before the computer could make its mark, the company filed for bankruptcy and the Osborne Executive became discontinued.&#13;
&#13;
ID:  A beige box-shaped laptop presented in a white background. With a leather handle on top. When laid down, there are black rectangular clips with a blueish-black line that runs across the outer case. When opened, there is a square screen  with a fan on the right with a few buttons under and three rectangular slots on the left. Attached with a coiled wire is a keyboard. The interior surrounding these traits is blue.&#13;
&#13;
Physical Dimensions: Width: 20in, Length: 14in, Height: 8in, Weight: 28lb</text>
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                <text>This is a fold out postcard folder for Nashville, Tennessee, commonly sold to tourists in the 1930s-1950s. The title, “The Athens of the South”, seen on the front of the card, is referencing Tennessee’s popular nickname originating from its full-scale replica of the famous temple, Parthenon, originally located in Athens, Greece. The replica was built in 1897 for the Tennessee Centennial Exposition, which was a huge celebration for the 100th anniversary of the state.&#13;
&#13;
 &#13;
&#13;
ID:&#13;
&#13;
Front: A detailed drawing of Tennessee’s State Capitol on the left side with an illustration of 2 yellow irises in front of a black background on the left edge of the postcard. Above it, the title is shown in red, orange, and yellow, with a box to place a stamp on the top right. On the bottom right, three lines are shown for text to be written.&#13;
&#13;
Back: A detailed drawing of The Cumberland River on a sunny day shown with a large red and pink flower bush in the front partially covering the river. Behind it, the river is shown still with green foliage on each side. Vibrant hues of blue, pastel yellow, pink, and green, shine through.&#13;
&#13;
Physical Dimensions: Cover – 4 in (10.16 cm) x 6 in (15.24 cm); Unfolded – 36 in (91.44 cm) x 6 in (15.24 cm)</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Kaylah Hester</text>
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            <description>Information about rights held in and over the resource</description>
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        <name>Americana</name>
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        <name>Tennessee State Capitol</name>
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        <name>Tourism</name>
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                  <text>Material Culture &amp; Object Studies</text>
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            <name>Title</name>
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                <text>Souvenir of the State Buildings at the Capital: Albany, N.Y.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Curt Teich &amp; Co., Chicago, U.S.A. (Production Number D-537)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Albany, Federal Architecture, foldout postcards</text>
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                <text>This postcard, exhibiting the civic architecture of Albany, N.Y., was created by a now discontinued postcard-publishing company that specialized in scenes from notable cities and parks in the United States. The company, Curt Teich &amp; Co., is most recognized by their “Greetings from…” cards that encapsulate scenes from a given location within the letters of the location’s name. The Newberry Library uploaded a guide to dating the Curt Teich postcards using the production numbers. This card, D-537, was published in a collection of foldout postcards, souvenir booklets, postcards, pamphlets, and brochures as the company branched out from postcards into other materials.&#13;
&#13;
Sixteen drawings in the collection depict various exterior and interior scenes of the New York State Capitol, Court of Appeals, New State Office Building, and New York State Education Building. The New York Court of Appeals was built in 1842 and followed the common Greek Revival style of American public architecture of the time. The use of Ionic columns, a rotunda, and stone arches, was meant to evoke a sense of justice and order within Western law by emulating Greek democratic architecture. The New York State Capitol building was under construction from 1867 to 1899, with multiple architects contributing to its design. The building reflects this, with design inconsistencies between floors and throughout the structure. There are influences from Romanesque, Renaissance Revival, and French château styles. Despite the long, disjointed building history, the building conveys a continuous theme of grandeur and authority. The New York State Education Building was built from 1908 to 1912 and followed a Beaux-Arts and Neoclassical style of architecture. There are heavy signs of classical influence, with a colonnade of 36 marble columns supporting a wide entablature. The style was meant to reflect order and civic virtue by mimicking classical democratic architecture. The New State Office Building is the newest in the collection. Construction for the New State Office Building began in 1927 and it was still under construction in 1929 when the postcard was published. The style of architecture reflects this, as it has a more modern look. At its completion, it became the tallest building in Albany. The Art Deco style interior heavily reflected the creative boom of the 1920s and was meant to emulate progress and modernity.&#13;
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The last two drawings depict scenes from the Iroquois Indian Exhibit that was located in the Museum of the State when the museum was housed in the Education building. The exhibit was first established in 1918, with sculpture work for the dioramas done by Henri Marchand. When the State Museum was moved into the State Plaza Cultural Education Center in 1973, the dioramas were not moved with it. The sculptures were made with fragile materials and built into the architecture of their site. By the 70s the sculptures would have been brittle, damaged, or structurally unsound, meaning trying to move them would have caused significant damage to the exhibit. Ultimately this left room for a more ethical, culturally aware design that moved away from the Euro-American perspective and worked towards archaeologically accurate, community-informed exhibit.&#13;
&#13;
Description (ID): Fold-out postcard comprised of a cover resembling an envelope and a long sheet of paper that folds up to fit into the postcard-sized cover. The folded sheet depicts 18 drawings of state buildings in Albany, N.Y. In the top left corner of the cover is the title of the postcard. Below the title on the left half of the page is a drawing of the New York State Capitol Building. On the right half of the cover are the lines for a message on the card. On the back is a drawing of the State Educational Building that fills the entire page. In the inside of the cover is a description of the development and history of the buildings included in the postcard collection. The collection of drawings is fixed to the inside of the cover above the descriptions and folds out in an accordion style to reveal nine drawings on the front, and nine drawings on the back.&#13;
&#13;
The front of the page, in order, depicts: 1) an aerial view of the state capitol building, new state office, and education buildings, 2) the senate chamber in the state capitol, 3) the assembly chamber in the state capitol, 4) the executive chamber in the state capitol, 5) the million dollar staircase in the state capitol, 6) a street view of the state capitol and education building, 7) a street view of the court of appeals, 8) a room inside of the court of appeals, 9) and a street view of the new state office building. The back of the page, in order, depicts: 1) an aerial view of the state buildings, emphasizing the capitol building, 2) a street view of the state education building, 3) the main entrance of the state education building, 4) the main staircase of the education building, 5) the rotunda in the state education building, 6) the general reading room in the state library, located in the state education building, 7) the hall of vertebrate paleontology in the state museum, located in the state education building, 8) the corn harvest scene of the Iroquois Indian Exhibit that used to be housed in the state education building, 9) the Seneca Hunter Group scene of the Iroquois Indian Exhibit that used to be housed in the state education building.&#13;
&#13;
Physical Dimensions: Cover – 4 in (10.16 cm) x 6 in (15.24 cm); Unfolded – 36 in (91.44 cm) x 6 in (15.24 cm)</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>C.W. Hughes &amp; Co., Inc., Mechanicville, N.Y.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Mary-Katherine Lewis</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>"Pounding Corn"</text>
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                <text>Frank E. Ferrari</text>
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                <text>Historical Innovation, African Labor, Women's Labor, Mortar and Pestle, Labor Studies</text>
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            <description>An account of the resource</description>
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                <text>An article found in the "Africa Report" published in 1985. The article is about two African women laboring in Africa and how they use their resources in agriculture to prepare food. The article describes the domestic responsibilities these women take in their roles in their families and societies.&#13;
&#13;
ID: Paper set up with a series of paragraphs and a picture in the middle. The picture has a caption describing "Pounding corn: The rhythmic thumping resounds throughout the village from early morning to late evening." There is a chicken in the black and white picture, and two African women with flower skirts outside using an ancient mortar and pestle.&#13;
&#13;
Physical Dimensions: 8.5 in x 11 in</text>
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                <text>March-April, 1985</text>
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                <text>Katherine Lorenzo-Cortez</text>
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        <name>African History</name>
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                <text>Sony Walkman PMP (E440 Series)</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Sony Group Corporation</text>
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                <text>July 2009</text>
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                <text>Michaela McGhee</text>
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            <description>A language of the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>The Sony Walkman E440 is a PMP (portable media player) that is part of Sony’s Walkman E series. This device allows both video and audio playing features and has an FM radio and voice recorder function. It also allows photos to be imported onto the device. It includes a headphone port for personal listening and a charging port. Earphones (not shown) were sold along with the PMP player.&#13;
&#13;
ID: Small black MP3 player, rectangular in shape and divided into two parts, with a screen in the upper area and three circular buttons in the lower area. The buttons are different sizes, with the larger button in the middle and two smaller buttons at the top of the larger button, like bear ears. A squiggly W design, which is the Walkman logo, is located in the bottom right corner of the device.&#13;
&#13;
Physical Dimensions: 86.8mm(H) x 44mm(L) x 9.3mm(W)</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>S.S. Kresge Company</text>
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                <text>Optical Instrument, Scientific Equipment, STEM Education</text>
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            <description>An account of the resource</description>
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                <text>The Focal Microscope was a house branded product from Kmart which was a rebranded product originally manufactured in Japan. The Focal Microscope from Kmart was a mass-market educational microscope sold during the mid-to-late 20th century as part of Kmart’s affordable science kit line. Designed for beginners and young students, it typically offered magnification levels around 100×–300× and came with basic tools for viewing prepared slides. Although not a professional laboratory instrument, it introduced many users to hands-on scientific observation at a low cost. Today, it’s considered a nostalgic example of accessible consumer science equipment from big-box retail stores.&#13;
&#13;
ID: A basic education microscope with a seafoam green colorway. The microscope was constructed with a metal base and upright arm. It has a black eyepiece tube at the top, a rotating silver nosepiece with two or three short objective lenses, and a flat black stage with metal slide clips. Below the stage is a small mirror used to reflect light upward. Also, the focusing knobs are positioned on the side of the microscope arm, roughly halfway between the eyepiece and the stage. &#13;
&#13;
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            <description>A related resource from which the described resource is derived</description>
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                <text>From the Collection of Lydia E. Ferguson</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Anh Nguyen</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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        <name>student microscope</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Material Culture &amp; Object Studies</text>
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            <description>A name given to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Bergamot Brass Works</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>This is a belt buckle that is made to look like a smiling man, or by many people “the man in the moon.” It is made from pewter, has a silver finish, and shows signs of tarnishing and erosion. This belt buckle was made in Wisconsin in 1976 by a company called Bergamot Brass Works that specialized in belt buckles. &#13;
&#13;
ID: 1: The front of a circular silver belt buckle in the shape of an older man’s face, showing signs of wear and tarnish. The face is smiling and has wrinkles around the mouth and eyes&#13;
&#13;
2: the back of the belt buckle. There is a nub to put in the belt hole and a loop to attach the belt onto. There is writing that says made in USA, and copyright 1979 Bergamot Brass Works. There is also a logo of the company’s initials, BBW with the letters intertwined in an ornamental font.&#13;
&#13;
Physical Dimensions: Diameter: 2 ⅜” (6.03 cm), Width: ⅞” (2.22 cm)</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Isaac Robson</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2865">
                <text>This material is subject to copyright law and is made available for private study,scholarship, and research purposes only.</text>
              </elementText>
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          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Diptych of Virgin Mary of Kazan and Jesus Christ the Teacher</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Unidentified (Kostroma, Russia)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Christian iconography, Byzantine artistic tradition, Orthodox worship practices</text>
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                <text>A wooden Orthodox diptych composed of two panels joined by a hinge. The first panel shows the Virgin Mary of Kazan, and the second panel depicts Jesus Christ the Teacher, both framed with gold accents around the perimeter of the imagery. Both of the religious figures depicted have a halo, signifying their holy status. This piece reflects traditional Russian devotional iconography and was likely used for prayer and divine intervention/protection.&#13;
&#13;
ID: Two wooden icons held together by a hinge. The front of the first icon has a drawing of the orthodox cross. The first wooden icon on the front has a picture of the Virgin Mary of Kazan, with a caption below stating "Image of the Most Holy Mother of God of Kazan". The letters The front of the second icon has a picture of Jesus Christ, the Teacher; the caption below it states "Lord Almighty". On the Back of the second icon, it states “Save and Protect” in Church Slavonic. The letters around Jesus' halo are an acronym from the Greek "He Who Is". There are accents of gold that go around the icon drawings, and the halos indicate holy presence within the persons depicted on the icon.&#13;
&#13;
Physical Dimensions (closed): 13.2 cm x 11.2 cm x 2.3 cm; (open): 13.2 cm x 22.8 cm x 1.6 cm</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Personal Collection</text>
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                <text>Circa 20th century</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Alex Rostovtsev</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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                <text>Russian</text>
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            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
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        <name>Christ the Teacher</name>
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        <name>Church Slavic inscription</name>
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        <name>Cyrillic</name>
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        <name>Devotional object</name>
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        <name>Jesus Christ</name>
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        <name>Wooden icon</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Material Culture &amp; Object Studies</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Yeti Stainless Steel Bottle</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Roy and Ryan Seiders</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Sustainability , Environmental Science and Ecology, Health Promotion, Public Health</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text> A silver colored Yeti rambler that is made of 18/8 grade stainless steel. It is 26 ounces with double- wall vacuum insulation that keeps drinks hot or cold. This Yeti rambler does not contain any BPA. The Yeti brand specifically started to make drinkware that was durable enough for serious outdoor use.&#13;
&#13;
ID: A silver colored stainless steel bottle, that is cylinder shaped, with a black cap that also has a carry handle on it, with the word YETI engraved on the bottom.&#13;
&#13;
Physical Dimensions: 3.4” W (8.6 CM W)  x 10.9” H (27.7 CM H), 1.40 Lbs.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="2883">
                <text>Personal Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Yeti Co.</text>
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            <name>Date</name>
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                <text>2020</text>
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="2886">
                <text>Amandeep Singh</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2887">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG</text>
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            <description>A language of the resource</description>
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                <text>Physical Object</text>
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        <name>Consumer Products</name>
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        <name>Drinkware</name>
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        <name>Outdoors</name>
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        <name>Reusable Water-bottle</name>
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        <name>Sustainability</name>
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            <description>A name given to the resource</description>
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                <text>Jimmy Buffett 2007 Bama Breeze Tour Shirt</text>
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                <text>Concert T-Shirt, Music Paraphernalia, Collectibles </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text> A t-shirt from Jimmy Buffett's 2007 Bama Breeze tour. On this tour he played lots of covers as well as his fans favorite songs. It is an orange shirt with a sun-faded look. The shirt looks worn with a relaxed fit. The front shows an image of a beach, and the back lists all of the tour locations and dates.&#13;
&#13;
ID: An orange Jimmy Buffett shirt from his 2007 Bama Breeze tour depicting palm trees being blown in heavy wind on a beach on the front of the shirt, and the back contains a list of tour dates and locations on a pile of palm leaves.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Personal Collection</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cian Vandergrinten</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2897">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>apparel</name>
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        <name>Bama Breeze Tour</name>
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        <name>clothing</name>
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        <name>Collectors</name>
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        <name>Concert</name>
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        <name>Concert Shirt</name>
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        <name>Jimmy Buffett</name>
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        <name>Margaritaville</name>
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        <name>Music</name>
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        <name>Vintage</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Handcrafted Red and Black Buster Sword</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="2902">
                <text>Unknown (Georgia Renaissance Festival)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Prop Weapons; Fantasy Media Artifacts; Decorative Crafts</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This artifact is a large, handcrafted fantasy sword modeled in an exaggerated style common to video game and anime weapon design specifically the buster sword from Final Fantasy which Cloud the main character uses frequently. The blade features a deep red stain with black, lightning-like fractal burn patterns, created by the use of a Lichtenberg wood-burning technique (high voltage electricity). Its handle is wrapped in a textured black grip, and the guard includes metallic decorative rivets. Though clearly non-functional as a real weapon, this type of item is typically created for cosplay, display, or craft experimentation, and it reflects contemporary fan culture’s engagement with fantasy aesthetics.&#13;
&#13;
ID: A tall, oversized, wooden sword resembling a buster sword. The blade is long, broad, and rectangular with a tapered point at the bottom. It is stained in a gradient of red hues with irregular black branching scorch patterns running vertically along the surface. Near the top of the blade are two circular cutouts placed one above the other. The guard is a simple black rectangular block with two rows of small silver studs. The handle is wrapped in a dark, textured material that spirals downward and ends in a small angled pommel. The sword appears to be roughly four to five feet in length.&#13;
&#13;
Physical Dimensions: Approx. 4–5 ft in length; width estimated around 8–10 inches at the widest point</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>From the Collection of Joseph R. Wren</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>April 2025</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Joseph Wren</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2908">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2909">
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            <description>The nature or genre of the resource</description>
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        <name>Cosplay</name>
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      <tag tagId="1564">
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        <name>Final Fantasy</name>
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      <tag tagId="1568">
        <name>Lichtenberg Burning</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Home by Lunch"</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Rusty Money</text>
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            <name>Subject</name>
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                <text>Plates, Ceramics, Collectors, Art</text>
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            <description>An account of the resource</description>
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                <text>This plate titled “Home by Lunch” was created by Rusty Money. It is the second edition of the series titled, “Seems Like Yesterday.” The artist was a well-known watercolorist who focused primarily on outdoor, nature scenes. This plate was created May 1, 1982. It is limited addition and is no longer made.&#13;
&#13;
ID: This plate features a little boy dressed in blue holding a brown teddy bear by the arm. He is depicted walking in the middle of the train tracks covered with overgrown flowers, out in the country near a beige house. The back of the plate provides information on who it was made by and that it was produced by R.J. Ernst Enterprises Inc.&#13;
&#13;
Physical Dimensions: Diameter: ~8.5 inches (21.59cm), Radius: ~4.25 inches (10.795cm)</text>
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                <text>Personal Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>R.J. Ernst Enterprises Inc.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cohen Zertuche </text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2919">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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        <name>Vintage</name>
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ID: Shows the Superman: Ultimate Flight entrance sign with Superman depicted in mid-flight with tracks behind him simulating a flight path. The red coaster track curves overhead while the sun shines through the clouds, emphasizing the bright, heroic tone of the themed area.&#13;
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Physical Dimensions: 24 MP — 4284 x 5712 — 2.5 MB</text>
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                <text> Buckley Deer Family Figurines (Calico Critters / Sylvanian Families) </text>
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                <text>The Buckley Deer Family is a set of Calico Critters figurines produced by Epoch, known for their flocked texture, miniature clothing, and emphasis on gentle woodland storytelling. Originally released in Japan in 2009 and later in the United States in 2012, the family reflects the franchise’s focus on nurturing play and domestic narratives. These figures serve as material culture objects that highlight how toys communicate cultural values related to family life, childhood, imagination, and collectibility. &#13;
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**Hit return after description paragraph &#13;
&#13;
**Add 2nd Description field, labeled “ID:” &#13;
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ID:  The Buckley Deer Family consists of three flocked deer figurines made of molded plastic covered in a velvety material. All share tan-brown bodies, rounded heads, black circular eyes, and upright ears with pale heart-shaped markings inside. Their limbs are simply sculpted, consistent with Calico Critters/Sylvanian Families design conventions. &#13;
&#13;
The mother deer (adult, 9 cm) is the tallest. She wears a sleeveless dress with a white background and blue-and-green floral pattern, featuring a fitted bodice and gathered skirt. &#13;
&#13;
The teen deer (7 cm) is slightly smaller and wears a light blue dress with small green stems and pink flowers, trimmed with white lace along the straps and hem. &#13;
&#13;
The toddler/child deer (5 cm) is the smallest and is dressed in a light blue one-piece romper with short legs and a delicate white lace collar. &#13;
&#13;
Despite size differences, the figures share a coordinated color palette, flocked texture, and unified aesthetic typical of the Buckley Deer Family set. &#13;
&#13;
Physical dimensions: Mother deer: 9 cm; Teen deer: 7 cm; Toddler/child deer: 5 cm</text>
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                <text>Sofía Castillo </text>
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                <text>4k UHD Akira Steelbook</text>
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                <text>Katsuhimo Otomo</text>
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&#13;
ID: A red metal DVD case. On the front is the film's protagonist, Caneda, sitting on a throne of debris and looking forward. Above him, in a darker red, is in big bold font, AKIRA. On the back is the same red background and AKIRA text, but Caneda is closer. Shows his shoulders up, and he is wearing a red biker jacket with goggles around his neck. The right side of his face blends into a city skyline, and his right shoulder turns into debris of rubble and pipes. The spine of the case is red with AKIRA in text, and adjacent to it is Akira in Japanese. On the inside of the case, on the left there is the Blu-ray disc, which is primarily green and shows what seems to be the start of a nuclear explosion. The disc on the right is the 4k Ultra HD Blu-Ray, which is primarily red and has what looks like a star in the center of it.&#13;
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                <text> Manufactured on behalf of Crunchyroll, LLC under license Kodansha Ltd.</text>
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                <text>1988 MASH - ROOM / AKIRA COMMITTEE All Rights Reserved</text>
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                <text>This is a RELI-A-PAK kit that used to fasten pipes together. It contains 4 5/8-11x3 bolts and 4 5/8-11 finished hex nuts as well as 3 inch GARLOCK 700 ring style 1/16 inch thick gasket. The contents of the kit is packed into a foldable box. The kit will also come with a label which is not pictured that say’s the customers name, the kind of kit, the description of the parts, as well as the customers PO#.&#13;
&#13;
ID: This is a kit in a 6x6x2 box that his 4 zinc plated silver bolts as well as 4 nuts. The kit contains a green three-inch ring style gasket.&#13;
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Physical Dimensions: 6in x6in x2in&#13;
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2966">
                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1222">
        <name>Architecture</name>
      </tag>
      <tag tagId="1600">
        <name>Civil Engineering</name>
      </tag>
      <tag tagId="1223">
        <name>Construction Management</name>
      </tag>
      <tag tagId="1598">
        <name>Fasteners</name>
      </tag>
      <tag tagId="383">
        <name>Marketing</name>
      </tag>
      <tag tagId="1597">
        <name>material test</name>
      </tag>
      <tag tagId="1599">
        <name>Piping</name>
      </tag>
      <tag tagId="1043">
        <name>Plumbing</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
