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                <text>The man on stage is RuPaul, who is a famous for his show, RuPaul's Drag Race, and for being a major influence in drag performance and the LGBTQ+ community. He is talking about a book that he wrote to an audience of people. </text>
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                <text>Aegis Digital Museum</text>
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                <text>From the collection of Lydia E. Ferguson</text>
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                <text>A photograph of a green and orange box weathered by time, a picture can be seen of a man using the device and are given a visual representation of how the device is used. On the inside it comes with a black metal stand with a lip on top where you can slide in a "C" shaped black metal beam. At the top of the "C" you're able to slide the actual mirror box in with a peep hole in the top. it also come with two additional sheets of black paper that you can practice with. On the back it comes with a detailed description of how to use the device and even a helpful tips section despite the small size of the package. &#13;
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ID: Five photos, three of them being an orange and green triangular box with a man looking down at the device pointed towards the woman, the woman is being illuminated by a orange light. The last two being the contents inside which are two sheets of black paper, the black base, the stand, and the mirror. &#13;
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                <text>This edition of Songs in the Key of Life includes two 12-inch LPs, a 7-inch bonus EP, and an accompanying booklet. The booklet opens with a monochrome version of the album cover and a written introduction in which Stevie Wonder describes the album’s creation, expresses gratitude, and offers social reflections; it also features his signature and fingerprint. Full lyrics for all tracks are included, notated with pauses, phrasing cues, and performance markers that mirror Wonder’s intended vocal delivery. Several songs contain additional notes, such as biographical identifications in “Black Man” and translation credits for the Zulu and Spanish sections of “Ngiculela – Es Una Historia – I Am Singing.”&#13;
&#13;
The booklet credits co-writers, supporting musicians, engineers, synthesizer programmers, and other production personnel. It also lists studio information and includes extensive acknowledgments, dedications, and messages addressing civil rights and social justice. The final pages provide contact information for Wonder’s official fan club and conclude with a brief humorous anecdote titled “How We Got There.” Together, the LP set and booklet present the album as both a musical work and a curated cultural document, emphasizing Wonder’s collaborative process, community ties, and artistic intentions.&#13;
&#13;
&#13;
ID:&#13;
&#13;
The image shows a complete copy of Stevie Wonder’s Songs in the Key of Life album, consisting of the main record jacket, two full-size vinyl LPs, one smaller bonus EP, and a printed booklet. The main jacket is positioned on the left side of the image. It displays the album’s iconic cover art: concentric rings of orange, brown, and cream radiating outward from a central circular portrait of Stevie Wonder drawn in thin black linework. The title “Songs In The Key of Life” and the artist’s name “Stevie Wonder” appear in flowing script across the central rings. A small printed sticker in the top left corner reads: “Collector’s Album Includes Two Records, A Something’s Extra Bonus Record, A 24 Page Lyric Booklet.”&#13;
&#13;
To the right of the jacket, three individual discs extend outward in a fanned arrangement. Two of the discs are full-size 12-inch black vinyl LPs, housed in off-white paper inner sleeves. Each sleeve is slightly worn along the edges and shows visible creasing from age and handling. Behind them is a smaller 7-inch black vinyl EP in its own sleeve, distinguishable by its reduced diameter and positioned slightly closer to the booklet.&#13;
&#13;
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&#13;
Physical Dimensions:&#13;
&#13;
Outer sleeve (gatefold): 12.3 × 12.3 in. (closed); 12.3 × 24.6 in. (open)&#13;
&#13;
Inner sleeves (2): 12.3 × 12.3 in.&#13;
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7-inch sleeve: 7.1 x 7.1 in.</text>
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&#13;
ID: Small black MP3 player, rectangular in shape and divided into two parts, with a screen in the upper area and three circular buttons in the lower area. The buttons are different sizes, with the larger button in the middle and two smaller buttons at the top of the larger button, like bear ears. A squiggly W design, which is the Walkman logo, is located in the bottom right corner of the device.&#13;
&#13;
Physical Dimensions: 86.8mm(H) x 44mm(L) x 9.3mm(W)</text>
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                <text>A postcard with foldable photos of the U.S. state capital, Washington D.C. contained inside. The cover of the card has the phrase “Greetings from Washington D.C” on top of four historic government buildings, each divided into separate quadrants. Opening the top flap reveals a multi-folded page containing 9 photos on one side and 18 on the other. No text are written on the inside of the card, however, there is sufficient space provided beneath the photos to fill in one’s own message.&#13;
&#13;
ID: Postcard cover containing orange calligraphy writing of the words “Washington D.C.” over top of four photos, each on a different corner of the card. In the top left is a photo of the United States Capital taken from the front of the building slightly on the right of center. In the top right is a photo of the White House, taken from the front. On the Bottom left is a photo of the Lincoln Memorial, taken from the front right. And lastly, on the bottom right is a photo of the Thomas Jefferson Memorial taken from the front. &#13;
&#13;
Once opened, the card reveals 27 individual photos:&#13;
U.S. Capital at Night&#13;
Library of Congress Annex&#13;
Lincoln Memorial&#13;
Lincoln Memorial Reflecting Pool, Washington Monument and Capital from Lincoln Memorial&#13;
United States Supreme Court&#13;
National Gallery of Art&#13;
New Illuminated Fountain on Capital Plaza&#13;
Cherry Blossoms, Potomac Park&#13;
Washington’s Mansion, Mt. Vernon, Va.&#13;
White House&#13;
Jefferson Memorial by Moonlight&#13;
Union Station and Columbus Memorial Fountain&#13;
Department of Justice&#13;
Bureau of Engraving and Painting&#13;
National Archives Building&#13;
United States Treasury&#13;
The Smithsonian Institution&#13;
National Museum&#13;
U.S. Naval Medical Center, Bethesda, Md.&#13;
National Red Cross Building&#13;
Pan-American Union&#13;
Pentagon Building&#13;
Tomb of Unknown Soldier, Arlington National Cemetery, Arlington, Va&#13;
Terminal, Washington National Airport&#13;
George Washington Masonic National Memorial, Alexandria, Va&#13;
Custis Lee Mansion, Arlington, Va&#13;
Christ Church, Alexandria, Va.  (Where Washington Worshipped)&#13;
&#13;
Physical Dimensions: Unfolded – 10.16 cm x 15.24 cm, Unfolded – 91.44 cm x 15.24 cm</text>
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                <text> From the Collection of Lydia E. Ferguson</text>
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                <text>Souvenir of the State Buildings at the Capital: Albany, N.Y.</text>
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                <text>Curt Teich &amp; Co., Chicago, U.S.A. (Production Number D-537)</text>
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                <text>This postcard, exhibiting the civic architecture of Albany, N.Y., was created by a now discontinued postcard-publishing company that specialized in scenes from notable cities and parks in the United States. The company, Curt Teich &amp; Co., is most recognized by their “Greetings from…” cards that encapsulate scenes from a given location within the letters of the location’s name. The Newberry Library uploaded a guide to dating the Curt Teich postcards using the production numbers. This card, D-537, was published in a collection of foldout postcards, souvenir booklets, postcards, pamphlets, and brochures as the company branched out from postcards into other materials.&#13;
&#13;
Sixteen drawings in the collection depict various exterior and interior scenes of the New York State Capitol, Court of Appeals, New State Office Building, and New York State Education Building. The New York Court of Appeals was built in 1842 and followed the common Greek Revival style of American public architecture of the time. The use of Ionic columns, a rotunda, and stone arches, was meant to evoke a sense of justice and order within Western law by emulating Greek democratic architecture. The New York State Capitol building was under construction from 1867 to 1899, with multiple architects contributing to its design. The building reflects this, with design inconsistencies between floors and throughout the structure. There are influences from Romanesque, Renaissance Revival, and French château styles. Despite the long, disjointed building history, the building conveys a continuous theme of grandeur and authority. The New York State Education Building was built from 1908 to 1912 and followed a Beaux-Arts and Neoclassical style of architecture. There are heavy signs of classical influence, with a colonnade of 36 marble columns supporting a wide entablature. The style was meant to reflect order and civic virtue by mimicking classical democratic architecture. The New State Office Building is the newest in the collection. Construction for the New State Office Building began in 1927 and it was still under construction in 1929 when the postcard was published. The style of architecture reflects this, as it has a more modern look. At its completion, it became the tallest building in Albany. The Art Deco style interior heavily reflected the creative boom of the 1920s and was meant to emulate progress and modernity.&#13;
&#13;
The last two drawings depict scenes from the Iroquois Indian Exhibit that was located in the Museum of the State when the museum was housed in the Education building. The exhibit was first established in 1918, with sculpture work for the dioramas done by Henri Marchand. When the State Museum was moved into the State Plaza Cultural Education Center in 1973, the dioramas were not moved with it. The sculptures were made with fragile materials and built into the architecture of their site. By the 70s the sculptures would have been brittle, damaged, or structurally unsound, meaning trying to move them would have caused significant damage to the exhibit. Ultimately this left room for a more ethical, culturally aware design that moved away from the Euro-American perspective and worked towards archaeologically accurate, community-informed exhibit.&#13;
&#13;
Description (ID): Fold-out postcard comprised of a cover resembling an envelope and a long sheet of paper that folds up to fit into the postcard-sized cover. The folded sheet depicts 18 drawings of state buildings in Albany, N.Y. In the top left corner of the cover is the title of the postcard. Below the title on the left half of the page is a drawing of the New York State Capitol Building. On the right half of the cover are the lines for a message on the card. On the back is a drawing of the State Educational Building that fills the entire page. In the inside of the cover is a description of the development and history of the buildings included in the postcard collection. The collection of drawings is fixed to the inside of the cover above the descriptions and folds out in an accordion style to reveal nine drawings on the front, and nine drawings on the back.&#13;
&#13;
The front of the page, in order, depicts: 1) an aerial view of the state capitol building, new state office, and education buildings, 2) the senate chamber in the state capitol, 3) the assembly chamber in the state capitol, 4) the executive chamber in the state capitol, 5) the million dollar staircase in the state capitol, 6) a street view of the state capitol and education building, 7) a street view of the court of appeals, 8) a room inside of the court of appeals, 9) and a street view of the new state office building. The back of the page, in order, depicts: 1) an aerial view of the state buildings, emphasizing the capitol building, 2) a street view of the state education building, 3) the main entrance of the state education building, 4) the main staircase of the education building, 5) the rotunda in the state education building, 6) the general reading room in the state library, located in the state education building, 7) the hall of vertebrate paleontology in the state museum, located in the state education building, 8) the corn harvest scene of the Iroquois Indian Exhibit that used to be housed in the state education building, 9) the Seneca Hunter Group scene of the Iroquois Indian Exhibit that used to be housed in the state education building.&#13;
&#13;
Physical Dimensions: Cover – 4 in (10.16 cm) x 6 in (15.24 cm); Unfolded – 36 in (91.44 cm) x 6 in (15.24 cm)</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>C.W. Hughes &amp; Co., Inc., Mechanicville, N.Y.</text>
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                <text>Mary-Katherine Lewis</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Stella Artois Beer Sign</text>
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            <description>An account of the resource</description>
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                <text>Produced by Anheuser-Busch in 2004 with “La Biere Fine de Luxe” at the bottom. Translates to Fine Luxury Beer in French to signify French Influences with the Beer.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Jones Knowles Richie</text>
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                <text>Personal Collection</text>
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        <name>Drunkeness</name>
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        <name>History</name>
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        <name>Luxury Beer</name>
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        <name>Marketing</name>
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        <name>Spousal Abuse</name>
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        <name>World Culture</name>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Bolliger &amp; Maillard</text>
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                <text>Two photos capturing the entrance and themed plaza of Six Flags Over Georgia’s Superman: Ultimate Flight roller coaster. The images highlight the large entrance sign featuring classic Superman comic style art, Superman’s signature colors (red, blue, and yellow), roller coaster track looping up above, and a wide-open courtyard decorated with comic-style panels. The area’s open design allows an abundance of sunlight to pour in visually referencing Superman’s dependence on solar energy for strength, and the roller coaster tracks simulate a flight path like one superman may take.&#13;
 &#13;
ID: Shows the Superman: Ultimate Flight entrance sign with Superman depicted in mid-flight with tracks behind him simulating a flight path. The red coaster track curves overhead while the sun shines through the clouds, emphasizing the bright, heroic tone of the themed area.&#13;
&#13;
Physical Dimensions: 24 MP — 4284 x 5712 — 2.5 MB</text>
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                <text>Darvin Hill</text>
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            <description>Information about rights held in and over the resource</description>
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            <description>A name given to the resource</description>
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                <text>T-Square: Precision Made Clear </text>
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                <text>The 18-inch Acrylic Junior T-Square is made from clear acrylic with a rigid, transparent blade attached perpendicularly to a solid acrylic head. Its smooth surface allows precise measurements and straight edges without visual obstruction. Inch and centimeter markings are engraved along the blade for accuracy. It is lightweight to ensure stability and easy handling during drafting or design work. &#13;
&#13;
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&#13;
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                <text>This is a magazine article that confronts public health and social justice issues. It captures the quiet grief of losing a loved one, while confronting societal indifference and institutional neglect. It reflects the urgency and fear of the early AIDS crisis, yet also reveals moments of love, solidarity, and human connection. This article invites readers to engage with the ongoing emotional and political impact of AIDS.&#13;
&#13;
ID: Beige colored pages from a magazine, first page has a large blue headline in the middle of the page with the words "The Culture of Aids". The next seven pages are also beige and contain a couple of photographs, one being three males holding towels infront of them. Above is another picture showing a women and a man facing each other while the woman is holding a large dog stuffed animal. There are also adds which numbers you can call to seek assistance and support for people with HIV/ AIDS.&#13;
&#13;
Physical Dimensions: 10.5 inches x 8.5 inches</text>
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            <name>Creator</name>
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                <text>Pasture, Judith Lawrence</text>
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                <text>From the collection of Lydia E. Ferguson</text>
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            <name>Date</name>
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                <text>1993</text>
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                <text>Perez, Natalia</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                <text>International Magazine of Literature and Art</text>
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