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                    <text>After many years of borrowing from many haggadot, members of the Hetzel family designed this personalized Passover Haggadah to be inclusive, interfaith, and intergenerational so that as their family’s Seder table grew, the celebration could be more welcoming guests of all backgrounds, beliefs, identities, and ages. The Haggadah blends traditional structure and symbolism with modern commentary, gender-neutral, and universal themes of memory, justice, and liberation. With space for personal reflections, poems, and stories, it invites meaningful participation from everyone at the table.</text>
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ID: The first photo is a little girl named Leticia wearing white graduating pre-k, her and her teacher, who is also wearing a white dress, are facing the camera while they shake hands. The second photo is her, around 20 years old, and her family at her older brother’s wedding. The third photo is of Leticia with her friends from high school, sitting on a bench watching the boys from her class play basketball. The fourth photo is Leticia, wearing a white dress smiling, and her teacher wearing a black suit shaking hands, she was receiving her diploma from college. The fifth photo is from that same day, with her family celebrating her graduation. The sixth photo is a family portrait with her and all her 8 siblings. They are posing and smiling at the camera.&#13;
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                <text>From the Personal Collection of the Acosta-Palma Family</text>
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                <text>This moving image displays a group of people dancing at a family reunion. This video shows six people dancing on the dance floor at our family reunion while wearing white dresses. At one point in the video there is a little boy walking with white and gold balloons in his hands. There are people laughing and smiling in the video while music is playing. The video also has different age groups and generations in the video. </text>
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                <text>Fireworks of Tradition </text>
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                <text> Patel, Karnik </text>
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                <text>Southeast Asia, Traditions </text>
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                <text>The moving image is a painting showing an explosion of fireworks in a dimly lit driveway  </text>
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                <text>Aegis Digital Museum </text>
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                <text>November 12, 2025 </text>
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                <text> Patel, Karnik </text>
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                <text>Floral Crystal Hair Clip Accessory  </text>
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                <text>These images show a rhinestone flower accessory placed on a lace fabric. The piece is made with small, shiny stones arranged in a floral shape, giving it an elegant and detailed appearance. This type of accessory can be used as a brooch, hair clip, or decoration for formal outfits, especially during events like weddings or other special occasions. In my family, this item is specifically used when girls are getting married, and it is passed down to be worn for that moment. Because of this, it holds a deeper meaning beyond just appearance, representing tradition, family connection, and important life events. Accessories like this are meaningful because they are tied to special memories and help make those moments feel even more significant.  &#13;
&#13;
ID: Silver metal clip with a decorative rhinestone design attached to the top. The design forms a flower shape made up of small, clear, crystal-like stones arranged in petal patterns. The clip is placed on a white lace fabric background with floral patterns. The rhinestones reflect light, giving the piece a shiny and detailed appearance. The structure of the clip appears thin and slightly curved to attach securely to hair or clothing. &#13;
&#13;
Physical Dimensions: Approximately 3–4 inches wide </text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Jiselle Salazar </text>
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            <description>Information about rights held in and over the resource</description>
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              <description>A name given to the resource</description>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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            <description>A name given to the resource</description>
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                <text>Florida’s Seminole Indians Postcard Booklet (Souvenir)</text>
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                <text>Curt Teich &amp; Company</text>
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            <description>The topic of the resource</description>
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                <text>Tourism, Native American Representation, Florida History, Souvenir Culture, American Indians, Seminole Indians </text>
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                <text>The Florida Seminole Indians postcard booklet is a souvenir that tourists could buy when they went to Florida in the middle of the 20th century. It has a bunch of postcards that show Seminole people doing everyday things while wearing traditional clothes like patchwork clothes. Some pictures show chicken huts, handmade tools, and parts of Florida's natural environment, like plants and animals that live there.&#13;
&#13;
The booklet shows how Seminole culture was shown to tourists and the general public, often focusing on things that were visually appealing and unique to the culture. It is a record of cultural practices, but it is also a selective and commercialized view shaped by tourism and consumer interest. This means that the pictures might show some traditions but not the whole picture of Seminole life. Overall, the booklet shows how Native American culture was turned into a souvenir, which changed how people thought about and remembered the Seminole people.&#13;
&#13;
ID: Foldable paper booklet with a printed cover and multiple numbered postcard images (1–16), each with a short description</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>From the Collection of Lydia E. Ferguson</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Stephanie Omotohanmen</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                <text>Flower Printed Floral Stainless Steel Chopsticks</text>
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                <text>THY Collectibiles</text>
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                <text>Chopsticks, Kitchenware, East Asian Utensils</text>
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                <text>These pairs of silver chopsticks are composed of stainless silver that feature delicate floral patterns along the upper portion. It’s noted to be durable, mycete resistant, non-toxic, and easy to use. They are designed to resist wear and maintain long-term usability. These chopsticks are used traditionally as eating utensils across East Asian culture, but in modern times, can also be used for decorative purposes such as hairpins. Their floral design combined with the stainless steel composition blends aesthetic and functional everyday use.&#13;
&#13;
ID: Each chopstick is slim, straight, and silver in color. The upper part of the chopsticks contain floral designs with small pink blossoms and green stems that are arranged in a delicate pattern that wraps around the metal sticks. The lower halves are plain and are polished towards the tip. The overall appearance is sleek and minimal, but has a floral design at the top that contrasts with the plain tip.&#13;
&#13;
Physical Dimensions: 0.2 in (W) x 9 in (H)</text>
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                <text>Personal Collection</text>
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                <text>Pham, Jason</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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        <name>Consumer goods</name>
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        <name>Domestic life</name>
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        <name>Kitchen utensils</name>
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        <name>Tableware</name>
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                <text>Music, Music History, Radio, Art History, Cold War, Set Design</text>
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                <text>This prop was used in the 1990 live performance of The Wall in Berlin, by Roger Waters and guest performers. The concert commemorated the fall of the Berlin wall, which occurred eight months before.&#13;
As noted by the plaque attached, the prop was stolen by Barry Chase and Scott Woodside, who were hosts of the Z93 radio show in Atlanta at the time. Chase and Woodside were broadcasting live from Berlin during the concert, and stole the prop to bring it back to the United States after the concert was finished. Back in Atlanta, the radio program hosted a theater viewing of the concert, where they raffled off the brick to one of the attendees. &#13;
&#13;
ID: The first photo shows the front face of a 58 inch tall, 32 inch wide, and 23 inch deep white Styrofoam brick. The front face has 2 stickers, and one metal plate attached. The second image is a zoomed in image of the plate detailing the event the prop was used in, and the names of the two people who stole the brick after the concert. The third image shows the top profile of the brick, where the slot in the long faces are visible, which allowed multiple of the bricks to stack on top of each other.&#13;
&#13;
Physical Dimensions: 58” x 32” x 23″</text>
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            <description>A related resource</description>
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                <text>Event Props</text>
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                <text>Optical Instrument, Scientific Equipment, STEM Education</text>
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                <text>The Focal Microscope was a house branded product from Kmart which was a rebranded product originally manufactured in Japan. The Focal Microscope from Kmart was a mass-market educational microscope sold during the mid-to-late 20th century as part of Kmart’s affordable science kit line. Designed for beginners and young students, it typically offered magnification levels around 100×–300× and came with basic tools for viewing prepared slides. Although not a professional laboratory instrument, it introduced many users to hands-on scientific observation at a low cost. Today, it’s considered a nostalgic example of accessible consumer science equipment from big-box retail stores.&#13;
&#13;
ID: A basic education microscope with a seafoam green colorway. The microscope was constructed with a metal base and upright arm. It has a black eyepiece tube at the top, a rotating silver nosepiece with two or three short objective lenses, and a flat black stage with metal slide clips. Below the stage is a small mirror used to reflect light upward. Also, the focusing knobs are positioned on the side of the microscope arm, roughly halfway between the eyepiece and the stage. &#13;
&#13;
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>Anh Nguyen</text>
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            <description>Information about rights held in and over the resource</description>
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        <name>student microscope</name>
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        <name>vintage microscope</name>
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              <description>A name given to the resource</description>
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                <text>Forging Her Path: Women in Jewelry and Metalwork</text>
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            <description>The topic of the resource</description>
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                <text>Women in STEM, Feminist Labor History, Gender and Technical Craft, Second Wave Feminist Movement</text>
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            <description>An account of the resource</description>
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                <text>This magazine spread from motive (Lesbian Feminist Issue, Vol. 32 No. 1) really stood out to me because it shows two women, Leslie and Judy, stepping away from traditional jobs like waitressing and typing to pursue something hands-on and creative like jewelry making. </text>
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                <text>From the collection of Lydia E. Ferguson</text>
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                <text>Jackson, Kennedi </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study scholarship and research purposes only.</text>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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                <text>Fort Meyer Gate Postcard </text>
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                <text>Curt Teich &amp; Co.</text>
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                <text>This postcard from the early 1900s shows the Fort Meyer Gate entrance to Arlington National Cemetery in Virginia. It belongs to a souvenir pack called "Views of Beautiful Arlington, VA," which includes other famous spots like the Tomb of the Unknown Soldier. The picture shows a detailed iron gate and stone posts with eagle statues on top, all surrounded by a border decorated with crossed rifles. It was made by the Curt Teich Company, a famous maker of postcards that documented American travel and history during that time. &#13;
&#13;
ID: Vertical, color-tinted postcard showing a paved road leading through large, open black iron gates. Two tall, dark stone pillars flank the entrance, each adorned with a gold-colored eagle statue at the top. The scene is lush with green trees and a sunset sky of yellow and soft orange. A dark, ornate border surrounds the central image, featuring yellow corner squares with black silhouettes of crossed rifles and sabers. Small text at the top center reads "Fort Meyer Gate."&#13;
&#13;
Physical Dimensions: Standard Postcard size</text>
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