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                <text>Pictured  in this still image is Charles Waits standing in the middle of Mission Road in Cartersville, Georgia. Behind Charles, there is a pale-colored truck also on the road. In the distance, the road disappears into many large, green trees. There is a bright green field on the left side which has a dirt road that connects to Mission Road. On the right side, there about seven cows that are walking to the left side of the road. They are of assorted colors including black, white, and brown. Most of the cows are looking in Charles’ direction, except one white cow in the front of the herd which is looking the opposite direction. The sky is cloudy and grey. In the bottom left is a white sticker with the handwritten title "moving the cows across" with the remaining words cut off.</text>
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                <text>ID: The image shows a young girl (the quincenera) at the age of 15 wearing a fancy sky-blue dress dancing with another young man (her cousin) in a suit and tie with their hands held raised to shoulder height. This dance is taken place in a formal ball room with flowers of many kinds and decorations that fit the theme of an elegant celebration.</text>
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                <text>Alma Mata Loredo</text>
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&#13;
 &#13;
&#13;
ID: Displayed is a dark green egg with glitter decorations lying in a hand-carved square wooden stand with a circular depression in the center.  The egg itself contains three crosses that span the exterior of the egg; each cross is formed by a central black line surrounded by two gold lines, with the addition of small silver dots running across the black lines spaced ~0.19 inches apart. Between the crosses are swirling gold glitter patterns, with occasional green glitter dots scattered&#13;
&#13;
Physical Dimensions (W x H x D): Wooden stand: 2.5” x 0.65” x 2.5”; Egg: 1.5” x 2.3” x 1.5”</text>
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                <text>For the set of five Delta Air Lines trading cards commonly given by pilots or flight attendants to passengers, especially kids and aviation enthusiasts. Features a metallic finish photograph of a specific aircraft from Delta’s fleet. The back of each card includes detailed aircraft specifications such as speed, range, engine type, wingspan, tail height, and seating capacity, along with a three-view diagram (top, side, and front). At the bottom of each card, there is a short description of the aircraft’s production, operational history, and general takeoff performance.&#13;
&#13;
 &#13;
&#13;
ID:&#13;
&#13;
Five metallic holographic trading cards&#13;
&#13;
Card No. 51 (Airbus A220)&#13;
Card No. 53 (Boeing 737)&#13;
Card No. 55 (Boeing 767)&#13;
Card No. 58 (Airbus A321) &#13;
Card No. 59 (Airbus A330)&#13;
Each card features a reflective, iridescent surface that shifts between rainbow tones under direct light. &#13;
&#13;
Physical Dimensions: 2.5 inches by 3.5 inches (6.4 cm by 8.9 cm) per card</text>
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                <text>2020–2023 (Modern holographic series)</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Vargas, Luis </text>
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        <name>Airbus A220</name>
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        <name>Airbus A321</name>
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        <name>Airbus A330</name>
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        <name>Aircraft</name>
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        <name>Aviation</name>
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        <name>Boeing 737</name>
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        <name>Boeing 767</name>
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        <name>Collectibles</name>
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        <name>Commercial Aviation</name>
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        <name>Delta Air Lines</name>
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        <name>Holographic Cards.</name>
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        <name>Trading Cards</name>
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            <description>A name given to the resource</description>
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                <text>Día de los Muertos in the United States</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Fernandez, Nely</text>
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            <description>The topic of the resource</description>
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                <text>Religion, Catholicism </text>
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            <description>An account of the resource</description>
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                <text>This still image shows a finished altar, called an ofrenda, an important aspect of Dia De Los Muertos. On the alter are five different photos: four photos are loved ones of the Fernandez-Martinez family and Mancillas family. Including in the alter is a photo (center) of the family dog, who passed away two years before. The altar is filled with food such as bananas and pan de Muertos (Bread of the Dead), mirroring each other, and a variety of dog treats all to represent favorite foods of those on the altar. The altar is decorated with Cempasuchil flowers, Aztec Marigolds,  in the background, which are accompanied by lit candles on each side. Other decorations include color banners above and, on the altar, a sugar skull, and pumpkins to match the Mexican tradition and fall season. </text>
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                <text>Aegis Digital Museum </text>
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                <text>Mancillas, Jorge</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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                <text>Still Image</text>
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        <name>Altar</name>
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        <name>Day of the Dead</name>
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        <name>Día de los Muertos</name>
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        <name>family</name>
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        <name>Mexican Culture</name>
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        <name>Ofrenda</name>
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              <description>A name given to the resource</description>
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            <description>A name given to the resource</description>
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                <text>Diptych of Virgin Mary of Kazan and Jesus Christ the Teacher</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Unidentified (Kostroma, Russia)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Christian iconography, Byzantine artistic tradition, Orthodox worship practices</text>
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                <text>A wooden Orthodox diptych composed of two panels joined by a hinge. The first panel shows the Virgin Mary of Kazan, and the second panel depicts Jesus Christ the Teacher, both framed with gold accents around the perimeter of the imagery. Both of the religious figures depicted have a halo, signifying their holy status. This piece reflects traditional Russian devotional iconography and was likely used for prayer and divine intervention/protection.&#13;
&#13;
ID: Two wooden icons held together by a hinge. The front of the first icon has a drawing of the orthodox cross. The first wooden icon on the front has a picture of the Virgin Mary of Kazan, with a caption below stating "Image of the Most Holy Mother of God of Kazan". The letters The front of the second icon has a picture of Jesus Christ, the Teacher; the caption below it states "Lord Almighty". On the Back of the second icon, it states “Save and Protect” in Church Slavonic. The letters around Jesus' halo are an acronym from the Greek "He Who Is". There are accents of gold that go around the icon drawings, and the halos indicate holy presence within the persons depicted on the icon.&#13;
&#13;
Physical Dimensions (closed): 13.2 cm x 11.2 cm x 2.3 cm; (open): 13.2 cm x 22.8 cm x 1.6 cm</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Alex Rostovtsev</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
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        <name>Wooden icon</name>
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              <description>A name given to the resource</description>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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            <name>Title</name>
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                <text>Drinking Gourds</text>
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                <text>Drinking Gourds, African American Studies, African Culture</text>
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                <text>The drinking gourd is typically made from the dried shell of a calabash or bottle gourd plant. After hollowing and drying, the gourd becomes a lightweight, durable vessel used for drinking water, palm wine, milk, and other beverages. In many regions, the gourd is polished, dyed, carved, or decorated to reflect local artistry.&#13;
&#13;
ID: The image shows a section of drinking gourds used for various liquids decorated and displayed. They vary from size and length as seen from the left to the right. There are knitted sleeves on the two on the right, this is a common design choice common for gourds. They are displayed from Duke University in North Carolina and originated from West Africa. Drinking gourds were widely used by various African communities as portable containers for water, milk, palm wine, and herbal drinks, especially by farmers, travelers, and herders. They were also used in ceremonial contexts by elders and spiritual leaders, symbolizing tradition, utility, and cultural identity.&#13;
&#13;
Physical Dimension: 10" x 8.5"</text>
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                <text>1992</text>
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                <text>Jonathan Atwine</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2517">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>The nature or genre of the resource</description>
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      <tag tagId="1349">
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        <name>Black Southern Identity</name>
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        <name>Print Media</name>
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        <name>Southern History</name>
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                  <text>Material Culture &amp; Object Studies</text>
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                <text>The Playstation 5 Dualsense Controller is a modern video game controller released by Sony along side the PS5 console in 2020. It features a smooth white and black design with ergonomic grips and advanced haptic feedback technology that enhance player immersion by feeling physically responsive feedback to your in-game actions with dual actuators which replace traditional rumble motors with vibrations. Unlike past controllers, it includes adaptive triggers that provide levels of resistance depending on in-game actions. The controller represented a major evolution in gaming for emphasizing experience and user experience. &#13;
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ID: A handheld controller with a curved shape with mostly white and a black bottom. It has two analog sticks on the bottom with one on each side. It has the four basic directional buttons on the left and has four buttons with the symbols circle, triangle, x and square. In the middle at the top, there is a touchpad in the shape of a rectangle which is above the Playstation logo. Also, it has microphone holes in between the touchpad and logo. The back has 2 triggers and 2 shoulder buttons.&#13;
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Physical Dimensions: H 6 x L 16 x D 55 cm / H 2.36 x L 6.30 x D 21.65 inches.</text>
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                <text>Jah, Anam </text>
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                <text>Religion, Islam, Africa </text>
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                <text>These two images shows how families in Gambia and Egypt celebrate Eid, a major Islamic holiday marking the end of Ramadan, Eid is celebrated differently. The Egyptian gathering is indoors with people seated and sharing sweets and conversation. The Gambian celebration is outdoors, &#13;
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                <text>Aegis Digital Museum</text>
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                <text>This Ericsson telephone model was made in Brazil, it features a heavy Bakelite body, a coiled handset cord, and the iconic circular dial with finger holes used to manually input numbers. The brand Ericsson is originally from Sweden, and over the years, it became known as one of the major names in global telecommunication. Although simple on the surface, this model was known for its durability and became widely used in both homes and government offices around the world. The DBH 1001 was part of Ericsson’s global line of standardized phones, adapted locally depending on the country of manufacture.&#13;
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ID: Six images of a black Ericsson rotary dial telephone with a matching handset and coiled cord, featuring a gold-toned number dial and a synthetic plastic body. The images show the telephone resting on a plain white surface from multiple angles (front, left, back, and right views). The fifth image shows the handset next to the phone’s body, and the last image shows the metal underside plate with the Ericsson logo.&#13;
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Physical Dimensions: 5¹⁄₈ in (H) × 6 in (W) ×  7¹⁄₈ in (D)</text>
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&#13;
ID: The image shows a book that appears to be worn from age and use. The front cover reads "Especially for Women" with Ellington Darden, Ph.D. at the bottom. It also has a selection of pictures with women running and working out. The back cover shows various quotes of elite level female bodybuilders and athletes giving kudos to Dr. Darden's book along with the words "Featuring Nautilus Conditioning Principles" at the bottom. Both the back and front cover have considerable scratching, with the edges of the book having rubbing damage.</text>
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                <text>From the collection of Lydia E. Ferguson</text>
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                <text>The 1858 Remington New Model Army reproduction by F.lli Pietta is a six-shot black powder revolver featuring an eight-inch blue-steel barrel and a brass trigger guard. Following the 1864 Colt factory fire, the Remington New Model Army became the standard issue firearm for the Union army, replacing the Colt 1860 due to stunted production. The revolver was renowned for its solid-frame design — favored among soldiers for its durability — and became a staple following the war for frontiersmen during the Westward Expansion. Its sturdy construction set the standard for the iconic solid-frame revolvers that would eventually dominate the American frontier — most keenly, the Colt Single-Action Army ‘Peacemaker.’ This particular model was originally owned by Paul Watkins, but it has since passed through the Watkins family as an heirloom.&#13;
&#13;
ID: A single-action, black powder, percussion revolver. Weight: 2lb, 13oz (1.27kg); Total Length: 13.25 in (337mm); Barrel Length: 8 in (203mm); Cartridge: Powder and ball; Caliber: .44</text>
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                <text>F.lli Pietta Reproduction: Late 20th - Early 21st Century. Original Patent: September 14, 1858; Original Production: 1863–1875;  Exact date of specimen unknown.</text>
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                <text>Faces &amp; Characters of Intersectional Feminism </text>
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                <text>This poster shows pop culture media characters or public figures(notably animation and TV or public figures) that I believe embody the idea of intersectional feminism and how it has shaped their characters and ideals. Images inspired by various media companies and owners of animated versions of characters:  Disney, Netflix, Shonen Jump, Marvel Comics, Shueisha, Arc System Works, Game Freak, Nintendo, KADOKAWA.  Public figures 1. Maya Angelou  2. Barack Obama 3. Kat dennings 4. laurie Metcaif &#13;
&#13;
ID: This poster reflects the representation of (both representative binary genders/other categorized genders), whether fictional or a public figure that represents intersectional feminism. The “universal definition” is that everyone is a part of multiple social categories. Through sex, gender, social class, disability, religion and spirituality, and nationality, they come together to form a personal framework of discrimination and privilege.&#13;
&#13;
Physical Dimensions 11 inches x 17 inches</text>
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                <text>Respect</text>
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                <text>A still image of family and friends together, exercising respect and kindness for each other.</text>
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                <text>ID: A still image of a group of seven smiling family and friends, sitting down in a living room, with a kitchen behind them. From left to right, (1) A middle-aged white man that is bald, with sharp facial features and stubble on his chin, wearing a black shirt; (2) a white teenage boy with wavy blonde hair, wearing a green shirt, (3) a 10-year-old white girl with brown hair and round facial features, wearing a leopard-print sweatshirt, (4) a white man in his mid 40s, wearing glasses and a grey cap, (5) a brown-haired white woman in her mid 40s, wearing a black, sleeveless shirt and blue jeans, (6) a 16-year-old white girl with strawberry-blonde hair and freckles on her cheeks, wearing a baggy, gray shirt, (7) a 20-year-old man with long, brown hair and a short goatee,  wearing headphones around his neck, a black shirt, and khaki pants, (8) a 18-year-old white boy with tousled brown hair, wearing a black shirt.</text>
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                <text>McGuire, Aidan</text>
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                <text>Aegis Digital Museum</text>
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                <text>Kennesaw State University</text>
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