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                <text>Fort Meyer Gate Postcard </text>
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                <text>Curt Teich &amp; Co.</text>
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                <text>History, Military Architecture, Commemorative Art, Civil Engineering, Landscape Architecture, Cultural Geography</text>
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                <text>This postcard from the early 1900s shows the Fort Meyer Gate entrance to Arlington National Cemetery in Virginia. It belongs to a souvenir pack called "Views of Beautiful Arlington, VA," which includes other famous spots like the Tomb of the Unknown Soldier. The picture shows a detailed iron gate and stone posts with eagle statues on top, all surrounded by a border decorated with crossed rifles. It was made by the Curt Teich Company, a famous maker of postcards that documented American travel and history during that time. &#13;
&#13;
ID: Vertical, color-tinted postcard showing a paved road leading through large, open black iron gates. Two tall, dark stone pillars flank the entrance, each adorned with a gold-colored eagle statue at the top. The scene is lush with green trees and a sunset sky of yellow and soft orange. A dark, ornate border surrounds the central image, featuring yellow corner squares with black silhouettes of crossed rifles and sabers. Small text at the top center reads "Fort Meyer Gate."&#13;
&#13;
Physical Dimensions: Standard Postcard size</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>B.S. Reynolds Co., Washington, D.C. </text>
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                <text>Circa 1920–1930 </text>
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                <text>Tyasia Hines</text>
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        <name>the temple of fame</name>
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                <text>Souvenir Folder of our Nation’s Capital: Washington D.C.</text>
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                <text>Curt Teich &amp; Co., Chicago, U.S.A.</text>
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                <text>American history, architecture, foldout postcard</text>
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                <text>A postcard with foldable photos of the U.S. state capital, Washington D.C. contained inside. The cover of the card has the phrase “Greetings from Washington D.C” on top of four historic government buildings, each divided into separate quadrants. Opening the top flap reveals a multi-folded page containing 9 photos on one side and 18 on the other. No text are written on the inside of the card, however, there is sufficient space provided beneath the photos to fill in one’s own message.&#13;
&#13;
ID: Postcard cover containing orange calligraphy writing of the words “Washington D.C.” over top of four photos, each on a different corner of the card. In the top left is a photo of the United States Capital taken from the front of the building slightly on the right of center. In the top right is a photo of the White House, taken from the front. On the Bottom left is a photo of the Lincoln Memorial, taken from the front right. And lastly, on the bottom right is a photo of the Thomas Jefferson Memorial taken from the front. &#13;
&#13;
Once opened, the card reveals 27 individual photos:&#13;
U.S. Capital at Night&#13;
Library of Congress Annex&#13;
Lincoln Memorial&#13;
Lincoln Memorial Reflecting Pool, Washington Monument and Capital from Lincoln Memorial&#13;
United States Supreme Court&#13;
National Gallery of Art&#13;
New Illuminated Fountain on Capital Plaza&#13;
Cherry Blossoms, Potomac Park&#13;
Washington’s Mansion, Mt. Vernon, Va.&#13;
White House&#13;
Jefferson Memorial by Moonlight&#13;
Union Station and Columbus Memorial Fountain&#13;
Department of Justice&#13;
Bureau of Engraving and Painting&#13;
National Archives Building&#13;
United States Treasury&#13;
The Smithsonian Institution&#13;
National Museum&#13;
U.S. Naval Medical Center, Bethesda, Md.&#13;
National Red Cross Building&#13;
Pan-American Union&#13;
Pentagon Building&#13;
Tomb of Unknown Soldier, Arlington National Cemetery, Arlington, Va&#13;
Terminal, Washington National Airport&#13;
George Washington Masonic National Memorial, Alexandria, Va&#13;
Custis Lee Mansion, Arlington, Va&#13;
Christ Church, Alexandria, Va.  (Where Washington Worshipped)&#13;
&#13;
Physical Dimensions: Unfolded – 10.16 cm x 15.24 cm, Unfolded – 91.44 cm x 15.24 cm</text>
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                <text> From the Collection of Lydia E. Ferguson</text>
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                <text>C. T. Art-Colorton</text>
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                <text>1945</text>
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                <text>Samuel Paxton Ball</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                <text>Souvenir of the State Buildings at the Capital: Albany, N.Y.</text>
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                <text>Curt Teich &amp; Co., Chicago, U.S.A. (Production Number D-537)</text>
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                <text>Albany, Federal Architecture, foldout postcards</text>
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                <text>This postcard, exhibiting the civic architecture of Albany, N.Y., was created by a now discontinued postcard-publishing company that specialized in scenes from notable cities and parks in the United States. The company, Curt Teich &amp; Co., is most recognized by their “Greetings from…” cards that encapsulate scenes from a given location within the letters of the location’s name. The Newberry Library uploaded a guide to dating the Curt Teich postcards using the production numbers. This card, D-537, was published in a collection of foldout postcards, souvenir booklets, postcards, pamphlets, and brochures as the company branched out from postcards into other materials.&#13;
&#13;
Sixteen drawings in the collection depict various exterior and interior scenes of the New York State Capitol, Court of Appeals, New State Office Building, and New York State Education Building. The New York Court of Appeals was built in 1842 and followed the common Greek Revival style of American public architecture of the time. The use of Ionic columns, a rotunda, and stone arches, was meant to evoke a sense of justice and order within Western law by emulating Greek democratic architecture. The New York State Capitol building was under construction from 1867 to 1899, with multiple architects contributing to its design. The building reflects this, with design inconsistencies between floors and throughout the structure. There are influences from Romanesque, Renaissance Revival, and French château styles. Despite the long, disjointed building history, the building conveys a continuous theme of grandeur and authority. The New York State Education Building was built from 1908 to 1912 and followed a Beaux-Arts and Neoclassical style of architecture. There are heavy signs of classical influence, with a colonnade of 36 marble columns supporting a wide entablature. The style was meant to reflect order and civic virtue by mimicking classical democratic architecture. The New State Office Building is the newest in the collection. Construction for the New State Office Building began in 1927 and it was still under construction in 1929 when the postcard was published. The style of architecture reflects this, as it has a more modern look. At its completion, it became the tallest building in Albany. The Art Deco style interior heavily reflected the creative boom of the 1920s and was meant to emulate progress and modernity.&#13;
&#13;
The last two drawings depict scenes from the Iroquois Indian Exhibit that was located in the Museum of the State when the museum was housed in the Education building. The exhibit was first established in 1918, with sculpture work for the dioramas done by Henri Marchand. When the State Museum was moved into the State Plaza Cultural Education Center in 1973, the dioramas were not moved with it. The sculptures were made with fragile materials and built into the architecture of their site. By the 70s the sculptures would have been brittle, damaged, or structurally unsound, meaning trying to move them would have caused significant damage to the exhibit. Ultimately this left room for a more ethical, culturally aware design that moved away from the Euro-American perspective and worked towards archaeologically accurate, community-informed exhibit.&#13;
&#13;
Description (ID): Fold-out postcard comprised of a cover resembling an envelope and a long sheet of paper that folds up to fit into the postcard-sized cover. The folded sheet depicts 18 drawings of state buildings in Albany, N.Y. In the top left corner of the cover is the title of the postcard. Below the title on the left half of the page is a drawing of the New York State Capitol Building. On the right half of the cover are the lines for a message on the card. On the back is a drawing of the State Educational Building that fills the entire page. In the inside of the cover is a description of the development and history of the buildings included in the postcard collection. The collection of drawings is fixed to the inside of the cover above the descriptions and folds out in an accordion style to reveal nine drawings on the front, and nine drawings on the back.&#13;
&#13;
The front of the page, in order, depicts: 1) an aerial view of the state capitol building, new state office, and education buildings, 2) the senate chamber in the state capitol, 3) the assembly chamber in the state capitol, 4) the executive chamber in the state capitol, 5) the million dollar staircase in the state capitol, 6) a street view of the state capitol and education building, 7) a street view of the court of appeals, 8) a room inside of the court of appeals, 9) and a street view of the new state office building. The back of the page, in order, depicts: 1) an aerial view of the state buildings, emphasizing the capitol building, 2) a street view of the state education building, 3) the main entrance of the state education building, 4) the main staircase of the education building, 5) the rotunda in the state education building, 6) the general reading room in the state library, located in the state education building, 7) the hall of vertebrate paleontology in the state museum, located in the state education building, 8) the corn harvest scene of the Iroquois Indian Exhibit that used to be housed in the state education building, 9) the Seneca Hunter Group scene of the Iroquois Indian Exhibit that used to be housed in the state education building.&#13;
&#13;
Physical Dimensions: Cover – 4 in (10.16 cm) x 6 in (15.24 cm); Unfolded – 36 in (91.44 cm) x 6 in (15.24 cm)</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>C.W. Hughes &amp; Co., Inc., Mechanicville, N.Y.</text>
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            <description>An account of the resource</description>
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                <text>For the set of five Delta Air Lines trading cards commonly given by pilots or flight attendants to passengers, especially kids and aviation enthusiasts. Features a metallic finish photograph of a specific aircraft from Delta’s fleet. The back of each card includes detailed aircraft specifications such as speed, range, engine type, wingspan, tail height, and seating capacity, along with a three-view diagram (top, side, and front). At the bottom of each card, there is a short description of the aircraft’s production, operational history, and general takeoff performance.&#13;
&#13;
 &#13;
&#13;
ID:&#13;
&#13;
Five metallic holographic trading cards&#13;
&#13;
Card No. 51 (Airbus A220)&#13;
Card No. 53 (Boeing 737)&#13;
Card No. 55 (Boeing 767)&#13;
Card No. 58 (Airbus A321) &#13;
Card No. 59 (Airbus A330)&#13;
Each card features a reflective, iridescent surface that shifts between rainbow tones under direct light. &#13;
&#13;
Physical Dimensions: 2.5 inches by 3.5 inches (6.4 cm by 8.9 cm) per card</text>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>A language of the resource</description>
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        <name>Collectibles</name>
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        <name>Delta Air Lines</name>
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        <name>Holographic Cards.</name>
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        <name>Trading Cards</name>
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            <description>A name given to the resource</description>
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                <text>Model Nissan Skyline GT-R R34 (Scale Replica)</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>This artifact is a digital image set of a high-resolution 1:64 scale model of the Nissan Skyline GT-R R34. The model shows the outline and structure of the vehicle, right down to the spoiler and headlights, even the wheels. This scale model presents itself in a commonality of car collector worlds, as this is a piece of culture dedicated to a significant performance car of Japanese origin. Models like these are used for display purposes and photography, as well as documentation of car culture, which shows how much of an impact JDM cars have had in films and gaming, to more globalized, online communities.&#13;
&#13;
ID: A high-resolution scaled model image of a Nissan Skyline GT-R R34. Low and wide body with rounded front, rounded hood, rectangular headlights, and long back and raised spoiler. High metallic silver paint job with no flaws in the paint and minuscule separation in the panels. Slightly detailed rims with 5 spokes and 1/2 spoke detail of the brake assembly, windows tinted black and reflective. Neutral and flat background for image purposes, as this is a still image to get on display. Palm-sized with properly proportioned elements, all exterior with scaled proportions, no exaggeration or reduction of reality, all without imperfections at this size.&#13;
&#13;
Physical Dimensions: 1:64 Scale</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2691">
                <text>Awesome Diecast</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2025</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Jenson Varghese</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2694">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The nature or genre of the resource</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Vintage Books &amp;amp; Periodicals</text>
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    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Secret Potions to Make You Pretty  </text>
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            <description>The topic of the resource</description>
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                <text>Sara Breedlove, Madame C.J. Walker, American History,  Black History, Hot Comb, Walker Agents, Black Entrepreneurs, Women Entrepreneurs, Engineering</text>
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            <description>An account of the resource</description>
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                <text>Sara Breedlove aka Madame C.J. Walker is driving a car with 3 other “Walker agents.” The article describes Walker’s young adult life, and the moment that inspired her inventions: hair care products for African Americans including 5 salves and a pressing comb for styling. In addition to her contributions to the advancement of African American hair care, she was also recognized as one of the first women, and the first black woman, to do door-to-door sales. The article also recognizes her as the first African American woman to become a millionaire. &#13;
&#13;
ID: A black and white photograph depicting four African American women wearing hats sitting in an old-school vehicle. The woman driving the car is identified as Madame C.J. Walker and the other three women are identified as Walker agents. The driver is holding the steering wheel and all of the subjects in the photograph are looking in the direction of the camera. &#13;
&#13;
Physical Dimensions: 13.5 inches  x 10.5 inches&#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Donovan, Hadley</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>From the collection of Lydia E. Ferguson</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="1165">
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1167">
                <text>Day, Oniola</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1168">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1171">
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        <name>African American</name>
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        <name>American History</name>
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      <tag tagId="426">
        <name>Beauty</name>
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      <tag tagId="598">
        <name>Black Entrepreneurs</name>
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        <name>Black History</name>
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      <tag tagId="593">
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      <tag tagId="599">
        <name>Haircare</name>
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      <tag tagId="430">
        <name>Historical Magazines</name>
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        <name>History of Tuberculosis</name>
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        <name>Inventions by Women</name>
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        <name>Life Magazine</name>
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      <tag tagId="558">
        <name>Magazines</name>
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        <name>Women</name>
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        <name>Women in STEM</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Intangible Cultural Heritage</text>
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          <name>Local URL</name>
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                <text>This website offers a visual gallery of tools used for hunting and trophies taken from hunts, accompanied by brief descriptions of every artifact.</text>
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                <text>Aegis Digital Musuem</text>
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        <name>Animals</name>
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        <name>Bow</name>
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        <name>Camping</name>
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        <name>Deer</name>
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        <name>Game</name>
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        <name>Hunting</name>
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        <name>Knife</name>
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 ID: The image shows the cover of a magazine titled “Black Southerner Magazine.” At the top, a stylized illustration of a farmer with a mule is placed above a city skyline silhouette. Below, the cover features an illustrated scene of two marching band drum majors in red uniforms with tall white hats leaping midair, tapping their batons together. Centered below them stands a majorette in a red and white uniform, posing with one hand on her hip. Behind them, a full marching band performs on a football field marked with yard lines. Various article titles appear along the left side and top corner of the cover.&#13;
&#13;
Physical Dimensions: 8.5 x 11 inches</text>
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                <text>From the Collection of Lydia E. Ferguson </text>
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                <text>American World War 1 Helmet of Massa Gustave Adolf Svenson, modeled after the British Brodie Helmet. Consisted of a single piece of stamped 18-gauge manganese steel alloy and a wide brim. The exterior surface is paint mixed with sand, sawdust, or crushed cork to eliminate glare.&#13;
&#13;
ID:  Textured round olive green helmet with two-inch brim around the circumference. The outside of the helmet shows scratches and dents with areas the paint is chipped off allowing the shiny silver metal underneath to be seen. On the interior there is rubberized canvas where the head would sit with rubber stoppers around the edges to provide the wearer comfort. The chinstrap is missing as one of the metal buckles has broken off. Beneath the rubberized canvas there is a foam pad at the crown of the helmet.&#13;
&#13;
Physical Dimensions: 11 inches long by 9.5 inches wide and 7 inches deep</text>
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ID: On the 1st page, it includes text describing the process of recording war propaganda, while showing a graph titled "Nazi propaganda Barometer" showing different level of propaganda at different points in the war. It goes on to show 2 images of recording machines being used by at least 2 people, having only one identified as Isotta Masoni, a translator, and also a third photo of 2 mean identified as Harold N. Graves, who is hunched over but standing to the left of J.R. Snedeker, who is sitting with headphones on listening and recording broadcasts. &#13;
&#13;
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>This book explores the role of women in Viet Nam’s history and their fight for liberation. It starts by discussing the early history of patriarchal oppression and highlights legendary women generals, cultural traditions, and folk songs that shaped women’s roles in society. The book also examines the effects of U.S. policies on Vietnamese women, including the Pentagon’s unofficial policy of mass and systematic rape during the war.&#13;
&#13;
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                <text>The Buckley Deer Family is a set of Calico Critters figurines produced by Epoch, known for their flocked texture, miniature clothing, and emphasis on gentle woodland storytelling. Originally released in Japan in 2009 and later in the United States in 2012, the family reflects the franchise’s focus on nurturing play and domestic narratives. These figures serve as material culture objects that highlight how toys communicate cultural values related to family life, childhood, imagination, and collectibility. &#13;
&#13;
**Hit return after description paragraph &#13;
&#13;
**Add 2nd Description field, labeled “ID:” &#13;
&#13;
ID:  The Buckley Deer Family consists of three flocked deer figurines made of molded plastic covered in a velvety material. All share tan-brown bodies, rounded heads, black circular eyes, and upright ears with pale heart-shaped markings inside. Their limbs are simply sculpted, consistent with Calico Critters/Sylvanian Families design conventions. &#13;
&#13;
The mother deer (adult, 9 cm) is the tallest. She wears a sleeveless dress with a white background and blue-and-green floral pattern, featuring a fitted bodice and gathered skirt. &#13;
&#13;
The teen deer (7 cm) is slightly smaller and wears a light blue dress with small green stems and pink flowers, trimmed with white lace along the straps and hem. &#13;
&#13;
The toddler/child deer (5 cm) is the smallest and is dressed in a light blue one-piece romper with short legs and a delicate white lace collar. &#13;
&#13;
Despite size differences, the figures share a coordinated color palette, flocked texture, and unified aesthetic typical of the Buckley Deer Family set. &#13;
&#13;
Physical dimensions: Mother deer: 9 cm; Teen deer: 7 cm; Toddler/child deer: 5 cm</text>
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                <text>Communication, History, Electrical Engineering, Mechanical Engineering Technology, Industrial Engineering Technology</text>
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                <text>This Ericsson telephone model was made in Brazil, it features a heavy Bakelite body, a coiled handset cord, and the iconic circular dial with finger holes used to manually input numbers. The brand Ericsson is originally from Sweden, and over the years, it became known as one of the major names in global telecommunication. Although simple on the surface, this model was known for its durability and became widely used in both homes and government offices around the world. The DBH 1001 was part of Ericsson’s global line of standardized phones, adapted locally depending on the country of manufacture.&#13;
&#13;
ID: Six images of a black Ericsson rotary dial telephone with a matching handset and coiled cord, featuring a gold-toned number dial and a synthetic plastic body. The images show the telephone resting on a plain white surface from multiple angles (front, left, back, and right views). The fifth image shows the handset next to the phone’s body, and the last image shows the metal underside plate with the Ericsson logo.&#13;
&#13;
Physical Dimensions: 5¹⁄₈ in (H) × 6 in (W) ×  7¹⁄₈ in (D)</text>
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                <text>From the Collection of Liliam da Cunha</text>
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                <text>The 1858 Remington New Model Army reproduction by F.lli Pietta is a six-shot black powder revolver featuring an eight-inch blue-steel barrel and a brass trigger guard. Following the 1864 Colt factory fire, the Remington New Model Army became the standard issue firearm for the Union army, replacing the Colt 1860 due to stunted production. The revolver was renowned for its solid-frame design — favored among soldiers for its durability — and became a staple following the war for frontiersmen during the Westward Expansion. Its sturdy construction set the standard for the iconic solid-frame revolvers that would eventually dominate the American frontier — most keenly, the Colt Single-Action Army ‘Peacemaker.’ This particular model was originally owned by Paul Watkins, but it has since passed through the Watkins family as an heirloom.&#13;
&#13;
ID: A single-action, black powder, percussion revolver. Weight: 2lb, 13oz (1.27kg); Total Length: 13.25 in (337mm); Barrel Length: 8 in (203mm); Cartridge: Powder and ball; Caliber: .44</text>
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                <text>F.lli Pietta Reproduction: Late 20th - Early 21st Century. Original Patent: September 14, 1858; Original Production: 1863–1875;  Exact date of specimen unknown.</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
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            </elementTextContainer>
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        </elementContainer>
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        <name>19th Century Firearms</name>
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      <tag tagId="1688">
        <name>American Civil War</name>
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      <tag tagId="1689">
        <name>American Frontier</name>
      </tag>
      <tag tagId="399">
        <name>American History</name>
      </tag>
      <tag tagId="1696">
        <name>F.lli Pietta</name>
      </tag>
      <tag tagId="1692">
        <name>Firearms</name>
      </tag>
      <tag tagId="284">
        <name>Military</name>
      </tag>
      <tag tagId="1693">
        <name>Military History</name>
      </tag>
      <tag tagId="1695">
        <name>Union Army</name>
      </tag>
      <tag tagId="1694">
        <name>United States Military History</name>
      </tag>
      <tag tagId="1690">
        <name>Weaponry</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="155" public="1" featured="0">
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      <file fileId="999">
        <src>https://aegisdigitalmuseum.kennesaw.edu/files/original/42304dd369d713af9439cf85edf2c4bf.jpg</src>
        <authentication>df6b0df8605e3e14e4166e9b3ac85b5d</authentication>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Intangible Cultural Heritage</text>
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              </elementTextContainer>
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          </elementContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
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              <text>.JPG</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="1978">
              <text>Physical plate is 8 inches wide, 8 inches tall (8 inches in diameter, 4 inches in radius)</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1682">
                <text>A Plate Full of Family</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1683">
                <text>Fannin, Kimberly</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1744">
                <text>This still image depicts a white, 18 karat gold-trimmed porcelain plate. In the center is a hand painted depiction of Jesus, fashioned in a pink and white cloak, holding a cane and knocking on someone’s door. The painting is lined with a custom hand-painted wreath decorated with pink flowers and buds. The plate is about 100 years old. It is 8 inches wide, 8 inches tall (8 inches in diameter, 4 inches in radius)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1746">
                <text>Aegis Digital Museum</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1747">
                <text>November 5, 2025</text>
              </elementText>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Rigdon, Logan</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1749">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1750">
                <text>JPG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="1751">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="1752">
                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3055">
                <text>Antiques, Collectibles</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1335">
        <name>Antique</name>
      </tag>
      <tag tagId="1172">
        <name>Decorative art</name>
      </tag>
      <tag tagId="1257">
        <name>family heirloom</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
