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                <text>Machete from Guatemala </text>
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                <text>Unknown (Guatemala) &#13;
&#13;
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                <text>Military History, Gulf War, Operation Desert Storm, Weapons, Tools</text>
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                <text>This machete was obtained by a family member some time while deployed for Operation Desert Storm and passed down. The machete itself has a decorative leather sheath, a black handle, and a long slightly curved steel blade. The blade shows surface ware but seems fairly well maintained. The sheath is made of brown leather and features metal studs, braided cords, and tassels. The writing on the sheath makes out “Guatemala” maybe indicating where it was crafted. This machete was passed down through family members. &#13;
&#13;
ID: A single machete laid side by side with a brown leather sheath. The steel blade is 18 inches with a sharp curved edge. The sheath has a loop for carrying it on a belt and is decorated with metal studs, braided cords, tassels and engraved with “Guatemala” and some floral patterns.&#13;
&#13;
Physical Dimensions: 24” blade with matching 24” sheath. 6” black handle. 30” total</text>
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                <text>Personal Collection</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Circa 1990-1991</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cody Garner</text>
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        <name>family heirloom</name>
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              <description>A name given to the resource</description>
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            <description>A name given to the resource</description>
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                <text>Oud Burner</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown (Morocco) </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Middle eastern and North African studies, Asian Studies, Anthropology, Art History, Religious studies</text>
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                <text>A burner used to heat and burn oud chips or oud wood chips to be able to release their fragrance. They are shaped differently, some are like vases and blend in with your home décor.  This one uses charcoal. You heat the charcoal on the stove and then in the middle of the burner you place the coal and then set the oud on top. It has been used for over 3000 years, many different demographics use it including but not limited to Arabs, Persians, and Indians&#13;
&#13;
ID:  A tall, golden, metallic incense holder with a twisting, hourglass like shape. The texture of the holder is golden sparkles similar to glitter. The top of the opening is curved down like a U and back up where the corners meet.&#13;
&#13;
Physical Dimensions: ~10-14 inches in height, ~4-6 inches in width and the base is about 3 to 4 inches</text>
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                <text>Circa 20th century</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Rehondra Davidson</text>
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            <description>Information about rights held in and over the resource</description>
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              <description>A name given to the resource</description>
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                  <text>Material Culture &amp; Object Studies</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Decorative Polish Souvenir Egg</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown (Polish)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk Art, Tourism, Souvenirs, Contemporary craft, Easter, Anthropology</text>
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            <description>An account of the resource</description>
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                <text>A handmade decorative Easter egg lying on a wooden base with a circular depression in the center. The egg is made from ceramic and covered with suede fabric; then painted green and decorated with a traditional glitter design. Purchased as a tourist souvenir from a street vendor in Kraków’s (Poland) main market square in 2013. It serves as a collectible item, and typically sold at high prices.&#13;
&#13;
 &#13;
&#13;
ID: Displayed is a dark green egg with glitter decorations lying in a hand-carved square wooden stand with a circular depression in the center.  The egg itself contains three crosses that span the exterior of the egg; each cross is formed by a central black line surrounded by two gold lines, with the addition of small silver dots running across the black lines spaced ~0.19 inches apart. Between the crosses are swirling gold glitter patterns, with occasional green glitter dots scattered&#13;
&#13;
Physical Dimensions (W x H x D): Wooden stand: 2.5” x 0.65” x 2.5”; Egg: 1.5” x 2.3” x 1.5”</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Personal Collection</text>
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                <text>Circa 2013</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Adrian Zagorowski</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>21st century</name>
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        <name>Art</name>
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        <name>Arts &amp; Culture</name>
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        <name>decoration</name>
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        <name>Easter</name>
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        <name>European Art</name>
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        <name>Folk Art</name>
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        <name>handmade</name>
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        <name>Poland</name>
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        <name>Polish</name>
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        <name>Tourism</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Material Culture &amp; Object Studies</text>
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            <description>A name given to the resource</description>
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                <text>Tasbih Beads</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown (Somali Plaza, Stone Mountain, GA)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tasbih Beads, Muslim Culture, Muslim Counting Beads, Islam Religion</text>
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            <description>An account of the resource</description>
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                <text>The tasbih is made with beads which Muslims normally use to recite words like Subhana Allah, Allahu Akbar and Astaghfirulla in other to praise their God. It is widely use in Muslims households with every person having their individual tasbih to use when praying. It is used five times a day minimum by the end of every prayer the count the number of words said by a person.&#13;
&#13;
ID: The tasbih beads are pink in color and made with rose quartz beads that have a white thread that the beads are strung onto. The beads include silver metal that adds to the design of the tasbih beads.&#13;
&#13;
Physical Dimensions: 4mm, 45cm</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>21st Century</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Remmeh Njie</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Handmade set of beads, strung together by a wire, the beads are made of coral and are reddish brown in color, around 2in in length and one each is 1in by .5. These are a type of bead worn during celebrations and other traditional events in the Yoruba culture, they were shipped from Nigeria around 2018.&#13;
&#13;
ID: A set of reddish beads, around 2ft in total, with each bead being 1in by .5in. Made of coral stacked on top in a circular pattern, sitting against a white background, with nothing around it. each beads having a different shade of red. Their cylindrical, hand-shaped form features natural texture and organic imperfections characteristic of coral. The set appears polished, with a glossy surface that reflects light, and no other objects are present in the image. &#13;
&#13;
Physical Dimensions: Approximately 2 ft in length, a singular bead is 1in in length and .5 in width</text>
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                <text>Oluwatoyin Souza</text>
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            <description>Information about rights held in and over the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>This handcrafted Kenyan beaded wristband, featuring the country’s flag colors: black, red, green, and white, is a testament to Kenya’s rich heritage. The tight weave of tiny plastic beads forms a solid circle, symbolizing pride, unity, and cultural identity. The beaded bracelets are commonly made and sold by Kenyan artisans, particularly in Maasai communities, where beadwork is a long-standing cultural practice tied to identity, economy, and artistic expression. My cousin gifted it to me in February 2018, just before my grandpa’s passing. Every time I look at it, it reminds me of the significance of my roots, especially during challenging times. &#13;
&#13;
ID: The bracelet comprises several lines of tiny, round plastic beads, each representing a specific color of Kenya’s flag. At the top, the black beads signify the skin color of the nation’s people. Below, the red beads are edged with a thin white line, representing the struggle for freedom during the colonial era. At the bottom, the green beads point to the country’s soil and natural beauty. In the center, beads form a white Maasai shield adorned with spears, further emphasizing the country’s cultural heritage. The bracelet is tightly woven from hundreds of small plastic beads stitched together using strong nylon thread, forming a flexible loop that wraps snugly yet comfortably on your wrist. &#13;
&#13;
Physical Dimensions: Approximately 7 inches long, 0.75 inches wide</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>A related resource</description>
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                <text>Ndege, Robina</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Non-verbal item; cultural symbolism conveyed through the colors and designs</text>
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            <description>The nature or genre of the resource</description>
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        <name>Kenyan Heritage; Beaded Art; Beaded Jewelry; Jewelry Design; Maasai Beadwork; Handmade Craft; Artisanal Techniques; Symbolism in Art; Memory and Objects; Personal Artifacts; Small Business; Microeconomics; East African Craft Markets; Cultural Symbolism</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Material Culture &amp; Object Studies</text>
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                <text>Cowboy Hats (Not a Fashion Statement)</text>
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                <text>Hat owner worked on a farm during childhood where he developed a practical use for a cowboy hat. Cowboy hat was worn during the late 80s and 90s in Cutbank Montana.&#13;
&#13;
ID: A white cowboy hat made from straw like material that has endured discoloration as well as slight bending at the brim. A thin brown leather hatband, with white stitching and simple silver metal work, circle the base of the hat. The decorative hat band consists of alternating metal diamonds between each cross stitch, all located on either side of the front half of the hat. A central thin knob of metal sits in the center front of the hat band, separating the sections of stitching and metal dimonds. Three black metal rings with openings can be found on either length of the hat to provide ventilation. &#13;
&#13;
Physical Dimensions: 16in L x 14 ½ in W x 7in H</text>
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                <text>Personal Collection</text>
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                <text>Madeline Lindberg</text>
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              <description>A name given to the resource</description>
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                  <text>Intangible Cultural Heritage</text>
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              <text>Recipe</text>
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                <text> Cooking a Traditional Greek Avgolemono Soup</text>
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                <text>Greek Orthodox Easter</text>
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                <text>This image is of a recipe of Avgolemono soup a traditional Greek dish that is commonly made and served on Greek Orthodox Easter.</text>
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                <text>ID: The image presents a hand-written recipe for a traditional Greek Avgolemono soup, showing the traditional ingredients of chicken, rice, carrots, celery, lemons, room temperature eggs, bay leaf, and vegetable broth. Under the preparation of ingredients shows the cooking steps needed to cook the meal.</text>
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                <text>This Waltham pocket watch features a white enamel dial with black Arabic numerals, red five-minute indicators, and a seconds sub-dial positioned at the bottom of the face. The case is gold-toned and includes a looped bow and crown at the top for winding. The back of the case is engraved with text referencing a boxing championship event, including the weight class, the name “James Doolittle,” and the date “Nov. 7, 1912.” The watch demonstrates early 20th-century American craftsmanship in mechanical timekeeping and represents both personal memorabilia and functional design from its era.&#13;
&#13;
ID: A gold-toned Waltham pocket watch, including the engraved back of the case displaying award text related to a boxing championship. The watch face showing the enamel dial with Arabic numerals and a seconds sub-dial.</text>
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                <text>Mr. Panda's Qingming Jie</text>
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&#13;
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&#13;
The second image is Mr. Panda preparing his ancestors’ favorite dishes at home. The table is filled with many dishes, and two candles are lit. On the table, there is a plate of bright and fresh oranges. Mr. Panda is bringing a plate of three red apples to the table. In the background, there is a window looking out to the blue, cloudy sky.</text>
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                <text>Aegis Digital Museum</text>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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                <text>Full page featuring an ad. The advertisement is about a self-lathering brush in the weekly newspaper. Published at the end of WWI.&#13;
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Identifier: Three circular images at the top of the page demonstrate the three steps of using the brush. Step one shows a hand dipping the brush in a faucet filled with water. Step two is two hands holding onto the mechanism and indicating to turn the cap of the brush. Step three is a man holding and using the mechanism to his beard that is covered with soap lather. On the sides of the paper, there are two images of the self-lathering brush. The left one shows the inside of the mechanism with callouts and the right one shows the brush with its cover on. Between the two photos are two short columns that provide a detailed description of how to use the brush mechanism. At the bottom of the advertisement, from left to right, is the Legend explaining what every callout means, the logo of the company, and a cutout coupon. &#13;
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                <text>From the Collection of Lydia E. Ferguson</text>
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            <description>A name given to the resource</description>
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                <text>The Spirit in the Soil</text>
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                <text>Watt, Jaylen</text>
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                <text>How do natural landscapes preserve memory? This is the core idea of "The Spirit in the Soil." It goes over the story of a spirit and its life before and while humans lived on its land. It goes deeper into how it does everything in its power to get the attention of the people living near it in hopes of getting the help its needs before it’s too late.   </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Rolling Stone's 1980 Rock and Roll Awards</text>
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            <description>The topic of the resource</description>
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                <text>Rock and Roll, Music, Popular Culture</text>
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            <description>An account of the resource</description>
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                <text>The 1980 Rolling Stone Magazine Fan Voted Awards. Each year the magazine would have fans vote in different categories for their favorite musicians.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Wenner, Jann</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>From the collection from Lydia E. Ferguson</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Nchako, Justin</text>
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            <description>Information about rights held in and over the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Magazine Article</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Rolling Stone Magazine</text>
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        <name>Magazines</name>
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        <name>Music</name>
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        <name>Music Awards</name>
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        <name>Rolling Stones</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Material Culture &amp; Object Studies</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cable-Knit Cardigan with Embroidered Star Detail</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>West End Knitwear</text>
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            </elementTextContainer>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Fashion History, Knitwear, Textile Arts, 21st Century Apparel, Social History, Military Garment Evolution, Mass-Market Merchandising, Irish Textile Tradition</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This artifact is an oversized, cream-colored cable-knit cardigan featuring navy blue trim and silver embroidered stars on the elbows. The garment is a modern iteration of the cardigan, which originated during the Crimean War as functional military wear for British troops. Originally valued for its mobility and utility in survival conditions, the cardigan has transitioned in the 21st century into a cultural symbol of domestic comfort and emotional regulation. The heavy knit construction and specific star detailing associate this specimen with the 2020 "Folklore" cultural era, representing a convergence of historical textile traditions and contemporary remote-work material culture.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Stevie Walker</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Crimean War (Historical Origin)</text>
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            <description>A language of the resource</description>
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                <text>Physical Object</text>
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        <src>https://aegisdigitalmuseum.kennesaw.edu/files/original/a968a13b9ef5d72cdf5abbe19895ad23.jpeg</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Intangible Cultural Heritage</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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              <text>.JPG</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>899px X 958 px</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Frankincense and Mrryh</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Wilks, Kymani</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An image of frankincense and myrrh prepared to be lit to ward off duppies or malevolent spirits from a home that has yet to be moved into.</text>
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                <text>ID: This is an image of frankincense and myrrh placed inside a plastic lid and set on a lightly patterned green cloth bandana. Inside the lid, two distinct textures are visible: one pale yellow and the other burnt orange. The former, frankincense, has a texture resembling small golden raisins and appears approximately three to four times more abundant. The latter, myrrh, has a rougher, more defined texture with sharper edges and a deeper color, providing a striking contrast to the frankincense. It possesses the appearance of a small translucent pebble, or an unpolished gem. Although the myrrh is mixed with the frankincense, it is present in a smaller proportion, creating the arrangement shown in the image. The light source positioned directly above the scene reflects off the white glossy sheen of the plastic lid, amplifying the contrast between the two substances.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Traditional Medicine</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Aegis Digital Museum</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Kennesaw State University</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>November 18, 2024</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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                <text>Winsome Walters</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="657">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
              </elementText>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Still Image</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>21st Century</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>.JPG</text>
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        <name>medicine</name>
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        <name>spirtuality</name>
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        <name>traditional medicine</name>
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