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                <text>Stevie Wonder (Lead Vocals; Producer; Arranger; Writer; Composer)</text>
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                <text>This edition of Songs in the Key of Life includes two 12-inch LPs, a 7-inch bonus EP, and an accompanying booklet. The booklet opens with a monochrome version of the album cover and a written introduction in which Stevie Wonder describes the album’s creation, expresses gratitude, and offers social reflections; it also features his signature and fingerprint. Full lyrics for all tracks are included, notated with pauses, phrasing cues, and performance markers that mirror Wonder’s intended vocal delivery. Several songs contain additional notes, such as biographical identifications in “Black Man” and translation credits for the Zulu and Spanish sections of “Ngiculela – Es Una Historia – I Am Singing.”&#13;
&#13;
The booklet credits co-writers, supporting musicians, engineers, synthesizer programmers, and other production personnel. It also lists studio information and includes extensive acknowledgments, dedications, and messages addressing civil rights and social justice. The final pages provide contact information for Wonder’s official fan club and conclude with a brief humorous anecdote titled “How We Got There.” Together, the LP set and booklet present the album as both a musical work and a curated cultural document, emphasizing Wonder’s collaborative process, community ties, and artistic intentions.&#13;
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&#13;
ID:&#13;
&#13;
The image shows a complete copy of Stevie Wonder’s Songs in the Key of Life album, consisting of the main record jacket, two full-size vinyl LPs, one smaller bonus EP, and a printed booklet. The main jacket is positioned on the left side of the image. It displays the album’s iconic cover art: concentric rings of orange, brown, and cream radiating outward from a central circular portrait of Stevie Wonder drawn in thin black linework. The title “Songs In The Key of Life” and the artist’s name “Stevie Wonder” appear in flowing script across the central rings. A small printed sticker in the top left corner reads: “Collector’s Album Includes Two Records, A Something’s Extra Bonus Record, A 24 Page Lyric Booklet.”&#13;
&#13;
To the right of the jacket, three individual discs extend outward in a fanned arrangement. Two of the discs are full-size 12-inch black vinyl LPs, housed in off-white paper inner sleeves. Each sleeve is slightly worn along the edges and shows visible creasing from age and handling. Behind them is a smaller 7-inch black vinyl EP in its own sleeve, distinguishable by its reduced diameter and positioned slightly closer to the booklet.&#13;
&#13;
Further to the right, partially visible behind the discs, is the accompanying booklet. Its visible outer page has a muted gradient of tan and brown tones forming a rectangular frame around a lighter central panel. Only the rightmost edge of the booklet is visible, showing its thickness and the contrast between the darker outer border and the lighter center. The entire set rests on a flat white background, with the lower edge of the image framed by a neutral gray surface.&#13;
&#13;
Physical Dimensions:&#13;
&#13;
Outer sleeve (gatefold): 12.3 × 12.3 in. (closed); 12.3 × 24.6 in. (open)&#13;
&#13;
Inner sleeves (2): 12.3 × 12.3 in.&#13;
&#13;
7-inch sleeve: 7.1 x 7.1 in.</text>
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                <text>T-Square: Precision Made Clear </text>
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&#13;
 &#13;
&#13;
ID: The 18-inch Acrylic Junior T-Square has a long, clear rectangular ruler blade connected at one end to a shorter, flat crosspiece, forming a perfect “T” shape. The blade is transparent with engraved black measurement markings in both inches and centimeters running along its edges. The shorter crosspiece, called the head, is also clear acrylic but slightly thicker. The overall appearance is sleek and simple, with smooth edges, a glossy finish, and a lightweight build made entirely from clear plastic. &#13;
&#13;
Physical Dimensions: Length: 19 3/4" Width: 7 1/2"</text>
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                <text>The Collection of Derick Saenz </text>
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                <text>Sheigh Cathey  </text>
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                <text>Walt Disney World Mickey Mouse Ear Patch hat (Souvenir Accessory)</text>
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                <text>This artifact consists of black plastic Mickey Mouse-style ears on a headband with a stitched "Walt Disney World" embroidered patch. A widely recognized souvenir and symbol of Disney theme park culture, it functions as both a wearable keepsake and identity marker. The Mickey ear hat originated in the 1950s with The Mickey Mouse Club, where on-screen Mouseketeers established the ears as a Disney symbol. Designed by Roy Williams and first sold at Disneyland in 1955, they evolved across decades: from television merchandise (1950s–70s) to standard park souvenir (1980s–90s) to fashion accessory and collectible (2010s onward). The object illustrates how commercial products become enduring cultural symbols tied to memory, experience, and consumer identity.&#13;
&#13;
ID:&#13;
A pair of black circular plastic ears mounted on a flexible headband. Between the ears is a rectangular embroidered fabric patch reading “Walt Disney World” in multicolored stitching. The ears are smooth, glossy, and symmetrical, designed to resemble the head of Mickey Mouse. The headband is lightweight and curved to fit comfortably on the head, making the object wearable. The overall design is intended for public display as a souvenir accessory and visual marker of Disney park participation. </text>
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                <text>Circa 1990s–2000s</text>
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                <text>Chauncey Anderson</text>
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&#13;
ID: Each chopstick is slim, straight, and silver in color. The upper part of the chopsticks contain floral designs with small pink blossoms and green stems that are arranged in a delicate pattern that wraps around the metal sticks. The lower halves are plain and are polished towards the tip. The overall appearance is sleek and minimal, but has a floral design at the top that contrasts with the plain tip.&#13;
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                <text>This book explains both the history of the American flag and how to properly display it. The book was released in 1968 and coincided with a period of heightened national focus on patriotism, especially during the Vietnam War. It was created for the purpose of educating Americans, especially Marines, on how to properly handle and display the American flag. It was handed out in Arlington and served both as a ceremonial and patriotic purpose, reinforcing national identity and military tradition. The Marine Corps used it to teach service members, ensuring uniformity and respect. It promoted awareness of flag etiquette, history, and symbolism to the public, aligning with broader patriotic campaigns of the time. Finally, the book provided instructions for flag use in official events, memorials, and daily life, helping maintain the flag’s dignity in both the military and civilian life. The book was a patriotic and instructional tool designed to preserve the flag’s meaning, teach correct usage, and instill the respect it deserves.&#13;
&#13;
ID: Flag photo one is the book cover, and it features a colorful format of multiple soldiers, wearing blue coats and white hats, marching while one carries a rifle, one carries a red flag with the words “Marine Corps” on it, and one carries the American flag. In the middle ground, there is a crowd of people watching the soldier’s march. In the background, there is green land, blue sky, and some orange depicting a sunrise, and on the cover is the title of the book, How to Respect and Display our Flag. Flag photo two, pages two and three, goes on to explain what the stars and strips of our flag represent, stating that, “the star is a symbol of the heavens and the divine goal to which man has aspired from time immemorial: the stripe is symbolic of the rays of light emanating from the sun,” (Percy Webb). Flag photo three, pages eight and nine, states how whenever a new state joins the Union; a new star is added to the blue part of the flag as of April 4th, 1818. It is also said that the flag became a symbol of both sovereignty and Liberty. Flag photo four, pages sixteen and seventeen, then explains how on June 12, 1961, the American flag is to be flown 24 hours a day at the Marine Corps Memorial in Arlington, Virginia. It serves as a memorial to the Iwo Jima campaign, one of the most significant battles of WWII, and “points out that the American flag… …is a symbol of courage and valor of the American fighting forces in war,” (Percy Webb). Finally, flag photos five and six, pages twenty-six – twenty-nine, shows how to display the flag during certain conditions such as, when it is displayed over the middle of a street it should be suspended vertically with the blue facing north, when it is displayed from an angled staff the blue should go to the peak of the staff, when it is carried with other flags it should be on the marching right, and when it is used to cover a casket the blue should be at the head and over the left shoulder.&#13;
&#13;
Physical Dimensions: 5.25 x 7.5 inches</text>
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                <text>Unidentified (Kostroma, Russia)</text>
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&#13;
ID: Two wooden icons held together by a hinge. The front of the first icon has a drawing of the orthodox cross. The first wooden icon on the front has a picture of the Virgin Mary of Kazan, with a caption below stating "Image of the Most Holy Mother of God of Kazan". The letters The front of the second icon has a picture of Jesus Christ, the Teacher; the caption below it states "Lord Almighty". On the Back of the second icon, it states “Save and Protect” in Church Slavonic. The letters around Jesus' halo are an acronym from the Greek "He Who Is". There are accents of gold that go around the icon drawings, and the halos indicate holy presence within the persons depicted on the icon.&#13;
&#13;
Physical Dimensions (closed): 13.2 cm x 11.2 cm x 2.3 cm; (open): 13.2 cm x 22.8 cm x 1.6 cm</text>
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                <text>Alex Rostovtsev</text>
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                <text>Vintage U.S. Coins; 1909 Indian Head Penny &amp; 1857 Flying Eagle Cent</text>
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                <text>History, Currency, American Culture</text>
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                <text>This artifact includes two old U.S. coins: a 1909 Indian Head Cent and an 1857 Flying Eagle Cent. These coins represent early American currency and show how money has changed over time. The 1857 coin is especially important because it was one of the first small cents made in the U.S., replacing larger coins. The 1909 Indian Head penny is also significant because it was one of the last years that design was made before switching to the Lincoln penny. These coins show the history of U.S. money and how designs and materials evolved.&#13;
&#13;
ID: The 1909 Indian Head penny shows a Native American figure wearing a feathered headdress on the front, with the year "1909." The 1857 Flying Eagle cent shows an eagle in flight on one side. Both coins are small, copper-colored, and have detailed designs that reflect the time period they were made in.&#13;
&#13;
Physical Dimensions: The diameter of the 1909 Indian Head Penny is 19.00 mm (about 0.748 inches) and it weighs 3.11 grams. The 1857 Flying Eagle Cent has a diameter of 19.00 mm (about 0.748 inches) and weighs 4.67-4.70 grams.</text>
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&#13;
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&#13;
ID: The object is a rectangular wooden poker chip box with a hinged lid that opens upward. The inside of the lid is lined with dark green felt, covering the entire interior surface. Below the lid, the base of the box is divided into four vertical compartments, each filled with a column of 25 uniformly sized, flat plastic poker chips. From left to right, the chips are red, black, white, and white, with each stack neatly organized and reaching close to the top edge of its compartment.&#13;
&#13;
Physical Dimensions: 7-3/4” x 4-1/4” x 2”</text>
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                <text>jewelry, rings, heirloom, South Africa </text>
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&#13;
ID: A triangular ring with a gold band attached to a silver head. The head has small slots to view the gemstones from underneath. On top of the head there are 8 diamonds in a circle held in place by 3 small prongs. In the center there is an elevated red ruby that is held in place by 4 prongs. &#13;
&#13;
Physical Dimensions: .9 x 1.1in </text>
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                <text>Meteorology, Navigation, Sailing, Boating, Glasswork, History</text>
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&#13;
Description (ID):&#13;
A rectangular wooden plank is attached to a wall vertically. The bottom of the plank has a small metal plate attached to it with four engraved pictures of different water elevations of the weather glass. Next to each image is a descriptor of the weather in French, English, Dutch, and German. If the water in the spout is lower than in the body, the weather is “fair”. If it has slightly more, it is “rain”. If it has much more, it’s a “storm”. If both have equal elevations, the weather is “variable”.&#13;
A circular metal plate sits above the information guide and is connected to a strip of metal that goes up to the top of the plate, where the hook sits. Attached to the hook is a see-through glass container with a thin top that widens out into a thick bottom. The top of the glass is shaped into a ring to fit the hook through it. Near the bottom of the container, where it slopes back inward, a spout goes up and outward, curving toward the glass. At the end of the spout, a short portion of it curves back outward. The very bottom is shaped into a glass ball to increase the barometer's weight. Water, colored dark blue for visibility, can be seen in the container. &#13;
&#13;
Physical Dimensions: ~6 inches (15.24 cm) by ~16.75 inches (42.55 cm)</text>
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                <text>Circa 20th century </text>
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                <text>Liam Austin Blair</text>
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                <text>This artifact is a large caliber bullet casing. This bullet casing was fired and used during World War 2 in the pacific theatre from a naval vessel. The casing is made of brass and is a large caliber, likely used for anti-air purposes. Much of the war in the pacific theatre was targeted towards the empire of Japan and eventually led to the dropping of atomic bombs on Hiroshima and Nagasaki. The bullets contained in these casings were the most common, and the weapons to use them were installed on almost every major naval ship used during the war.&#13;
&#13;
ID: Large bullet casing from the side, top and bottom. The color is brass and has some green/ blue coloring around the side, likely from heat. The bottom is round with 3 small circles and a dent, from where the hammer of the weapon struck the casing. The bottom has some words and numbers, but they are illegible due to the cleaning and shining of the casing. The top has a large hole in it from where the bullet resided and has a small lip around the top. Inside is a rod-shaped piece of metal, likely where the bullet was held in place before being fired. The inside is almost completely bluish green and has residue that looks like shavings from the metal. The bottom of the inside has slight scorch marks, likely left by the gunpowder that was ignited. The sides have some smudges and fingerprints.&#13;
&#13;
Physical Dimensions: 2.5in x 2.5in x 11.5in</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Ford Family Collection</text>
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                <text>Jackson Crotsley</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                  <text>Material Culture &amp; Object Studies</text>
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            <description>A name given to the resource</description>
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                <text>Floral Crystal Hair Clip Accessory  </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>These images show a rhinestone flower accessory placed on a lace fabric. The piece is made with small, shiny stones arranged in a floral shape, giving it an elegant and detailed appearance. This type of accessory can be used as a brooch, hair clip, or decoration for formal outfits, especially during events like weddings or other special occasions. In my family, this item is specifically used when girls are getting married, and it is passed down to be worn for that moment. Because of this, it holds a deeper meaning beyond just appearance, representing tradition, family connection, and important life events. Accessories like this are meaningful because they are tied to special memories and help make those moments feel even more significant.  &#13;
&#13;
ID: Silver metal clip with a decorative rhinestone design attached to the top. The design forms a flower shape made up of small, clear, crystal-like stones arranged in petal patterns. The clip is placed on a white lace fabric background with floral patterns. The rhinestones reflect light, giving the piece a shiny and detailed appearance. The structure of the clip appears thin and slightly curved to attach securely to hair or clothing. &#13;
&#13;
Physical Dimensions: Approximately 3–4 inches wide </text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Jiselle Salazar </text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                <text>Baro't Saya</text>
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                <text>This is a photo of a Filipina family friend wearing a more contemporary version of the national dress of The Philippines known as the baro't saya. A version of the baro't saya existed before Spanish colonization first started in the Philippines in 1565, being altered and evolved by Spanish religious ideals and designs over the following 300 years. Only mainly wealthier mestiza women wore the nicer baro't saya depicted here. The quality of the dress that a woman would wear, if she could afford one, was used to show her social class and modesty during the times of Spanish colonization in The Philippines.&#13;
&#13;
ID:  An older Filipino woman wearing the baro't saya (blouse and skirt), the traditional Filipino women’s attire and dress that evolved during the Spanish colonial period as a blend of Indigenous Filipino clothing and Spanish influences. It consists of a lightweight baro (blouse) paired with a long saya (skirt). It is also sometimes accompanied by a pañuelo (shoulder kerchief) and a tapis (overskirt).&#13;
&#13;
Physical dimensions: Size varies by wearer.</text>
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                <text>Riza Pagunsan Deguit</text>
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                <text>Natalie Prosceno</text>
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                <text>Tagalog</text>
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        <name>women in media</name>
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        <src>https://aegisdigitalmuseum.kennesaw.edu/files/original/718a287b233abbb6e56a49882cc772a2.jpg</src>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Material Culture &amp; Object Studies</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Handcrafted Red and Black Buster Sword</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown (Georgia Renaissance Festival)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Prop Weapons; Fantasy Media Artifacts; Decorative Crafts</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This artifact is a large, handcrafted fantasy sword modeled in an exaggerated style common to video game and anime weapon design specifically the buster sword from Final Fantasy which Cloud the main character uses frequently. The blade features a deep red stain with black, lightning-like fractal burn patterns, created by the use of a Lichtenberg wood-burning technique (high voltage electricity). Its handle is wrapped in a textured black grip, and the guard includes metallic decorative rivets. Though clearly non-functional as a real weapon, this type of item is typically created for cosplay, display, or craft experimentation, and it reflects contemporary fan culture’s engagement with fantasy aesthetics.&#13;
&#13;
ID: A tall, oversized, wooden sword resembling a buster sword. The blade is long, broad, and rectangular with a tapered point at the bottom. It is stained in a gradient of red hues with irregular black branching scorch patterns running vertically along the surface. Near the top of the blade are two circular cutouts placed one above the other. The guard is a simple black rectangular block with two rows of small silver studs. The handle is wrapped in a dark, textured material that spirals downward and ends in a small angled pommel. The sword appears to be roughly four to five feet in length.&#13;
&#13;
Physical Dimensions: Approx. 4–5 ft in length; width estimated around 8–10 inches at the widest point</text>
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            <name>Source</name>
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                <text>From the Collection of Joseph R. Wren</text>
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            <name>Date</name>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Joseph Wren</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2908">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG</text>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Physical Object</text>
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        <name>Black</name>
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        <name>Buster</name>
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      <tag tagId="1572">
        <name>Cloud</name>
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      <tag tagId="1569">
        <name>Cosplay</name>
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      <tag tagId="1564">
        <name>Fantasy Weapon</name>
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        <name>Final Fantasy</name>
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        <name>Handcrafted Prop</name>
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      <tag tagId="1568">
        <name>Lichtenberg Burning</name>
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      <tag tagId="1573">
        <name>Red</name>
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        <name>Sword</name>
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        <name>Wooden</name>
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      <tag tagId="1567">
        <name>Woodworking</name>
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