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                  <text>Vintage Books &amp;amp; Periodicals</text>
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                <text>Mechanical Engineers Handbook 4th edition 1941</text>
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                <text>Mechanical engineering, engineering reference, industrial tech, applied science</text>
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                <text>This artifact is a 1941 fourth edition copy of Mechanical Engineers Handbook by Lionel S Marks. The handbook is a big reference guide that covers many principles formulas and standards used in mechanical engineering. It shows the technology and industrial practices of the early 20th century, especially around World War 2 when engineering was very important. The book also includes charts diagrams and data that engineers used in school and jobs. which can be very helpful for current engineering students today.&#13;
&#13;
ID:&#13;
A large thick hardcover book with a worn-out cover. The cover has the title Mechanical Engineers Handbook and has gold lettering on it. The pages are old and kind of tan, with a lot of text formulas diagrams and tables. Inside it is organized into sections with headings and pictures and charts.&#13;
&#13;
Physical dimensions:&#13;
About 8-10 inches tall, 2274 pages, very thick</text>
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                <text>From the Collection of Lydia Ferguson</text>
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                <text>McGraw Hill</text>
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                <text>Mackenzie Morris</text>
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                <text>A Piece of the Berlin Wall</text>
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                <text>It is a small piece of the Berlin Wall about the size of a human hand. It is a rough texture with irregular shapes with one side that is flat with a layer of white chalky paint. The piece has a layer of white paint on one area of its surface, so we know that the piece originates from the inner sections of the wall since only the inside was painted to help guards to spot people trying too illegally cross.&#13;
&#13;
ID: A small irregular shaped piece of concrete with one flat side covered in chalky white paint, the piece is about the size of a person’s hand allowing for the piece to be moved and observed easily.&#13;
&#13;
Physical Dimensions: Approximately 12inches by 7inches by 6 inches</text>
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                <text>Floral Crystal Hair Clip Accessory  </text>
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                <text>Fashion Accessories, Personal Adornment, Beauty and Style, Special Occasions </text>
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                <text>These images show a rhinestone flower accessory placed on a lace fabric. The piece is made with small, shiny stones arranged in a floral shape, giving it an elegant and detailed appearance. This type of accessory can be used as a brooch, hair clip, or decoration for formal outfits, especially during events like weddings or other special occasions. In my family, this item is specifically used when girls are getting married, and it is passed down to be worn for that moment. Because of this, it holds a deeper meaning beyond just appearance, representing tradition, family connection, and important life events. Accessories like this are meaningful because they are tied to special memories and help make those moments feel even more significant.  &#13;
&#13;
ID: Silver metal clip with a decorative rhinestone design attached to the top. The design forms a flower shape made up of small, clear, crystal-like stones arranged in petal patterns. The clip is placed on a white lace fabric background with floral patterns. The rhinestones reflect light, giving the piece a shiny and detailed appearance. The structure of the clip appears thin and slightly curved to attach securely to hair or clothing. &#13;
&#13;
Physical Dimensions: Approximately 3–4 inches wide </text>
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                <text>Jiselle Salazar </text>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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                <text>Florida’s Seminole Indians Postcard Booklet (Souvenir)</text>
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                <text>Curt Teich &amp; Company</text>
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                <text>Tourism, Native American Representation, Florida History, Souvenir Culture, American Indians, Seminole Indians </text>
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                <text>The Florida Seminole Indians postcard booklet is a souvenir that tourists could buy when they went to Florida in the middle of the 20th century. It has a bunch of postcards that show Seminole people doing everyday things while wearing traditional clothes like patchwork clothes. Some pictures show chicken huts, handmade tools, and parts of Florida's natural environment, like plants and animals that live there.&#13;
&#13;
The booklet shows how Seminole culture was shown to tourists and the general public, often focusing on things that were visually appealing and unique to the culture. It is a record of cultural practices, but it is also a selective and commercialized view shaped by tourism and consumer interest. This means that the pictures might show some traditions but not the whole picture of Seminole life. Overall, the booklet shows how Native American culture was turned into a souvenir, which changed how people thought about and remembered the Seminole people.&#13;
&#13;
ID: Foldable paper booklet with a printed cover and multiple numbered postcard images (1–16), each with a short description</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>Curt Teich &amp; Company</text>
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                <text>Circa 1960s-1970s</text>
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                <text>Stephanie Omotohanmen</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                <text>The Playstation 5 Dualsense Controller is a modern video game controller released by Sony along side the PS5 console in 2020. It features a smooth white and black design with ergonomic grips and advanced haptic feedback technology that enhance player immersion by feeling physically responsive feedback to your in-game actions with dual actuators which replace traditional rumble motors with vibrations. Unlike past controllers, it includes adaptive triggers that provide levels of resistance depending on in-game actions. The controller represented a major evolution in gaming for emphasizing experience and user experience. &#13;
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ID: A handheld controller with a curved shape with mostly white and a black bottom. It has two analog sticks on the bottom with one on each side. It has the four basic directional buttons on the left and has four buttons with the symbols circle, triangle, x and square. In the middle at the top, there is a touchpad in the shape of a rectangle which is above the Playstation logo. Also, it has microphone holes in between the touchpad and logo. The back has 2 triggers and 2 shoulder buttons.&#13;
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Physical Dimensions: H 6 x L 16 x D 55 cm / H 2.36 x L 6.30 x D 21.65 inches.</text>
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                <text>The tasbih is made with beads which Muslims normally use to recite words like Subhana Allah, Allahu Akbar and Astaghfirulla in other to praise their God. It is widely use in Muslims households with every person having their individual tasbih to use when praying. It is used five times a day minimum by the end of every prayer the count the number of words said by a person.&#13;
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ID: The tasbih beads are pink in color and made with rose quartz beads that have a white thread that the beads are strung onto. The beads include silver metal that adds to the design of the tasbih beads.&#13;
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Physical Dimensions: 4mm, 45cm</text>
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                <text>Homemade Pinhole Camera</text>
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                <text>Neptune Mims</text>
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                <text>This artifact is a homemade pinhole film camera designed to capture images using light exposure through a small aperture. It is constructed from a lightproof box and functions without a traditional lens, relying instead on a tiny pinhole to project an inverted image onto light sensitive material. This type of camera represents one of the earliest and simplest forms of photography and demonstrates foundational principles of optics and image formation. It is commonly used in educational and experimental photography to explore how light behaves and how images are created. (For the best results usage during sunny days + shorter exposure time allows for better quality images).&#13;
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ID: A small rectangular camera made from a lightproof box, roughly shoebox sized. Exterior is black with space themed painted images and fully sealed to prevent light leaking within. A small pinhole aperture on one side covered by a sliding cover acting as a shutter. Inside, its completely black to reduce light reflection, with pieces to hold the film paper as it captures images. The structure is simple handmade and designed to allow light to enter only through the pinhole to create an image.&#13;
&#13;
Physical Dimensions: 5 1/2" x 4 3/4" x 8 1/2"&#13;
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              <description>A name given to the resource</description>
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                <text>Vintage Mickey Mouse Landline Telephone</text>
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                <text> Southern Bell Phone Company</text>
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            <description>An account of the resource</description>
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                <text>This artifact is a landline phone in the shape of the original Mickey Mouse. These types of phones were seen as decor and were a central part of everyone's everyday lives, as they were the only way they communicated other than word of mouth. Companies like Southern Bell, which AT&amp;T later bought, used to create these phones to make them more appealing and decorative to families.  The phone represents a time period when landlines were the most common form of communication, before mobile phones. It shows how popular Mickey Mouse was and still is in everyday life. This phone was gifted to an employee of Southern Bell Phone Company.&#13;
&#13;
ID: Mickey is shown in his signature round ears, gloves, and facial features(often smiling), and a keypad dialing area. It also shows a cord and a yellow phone. &#13;
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Physical Dimensions: Approx 14.75 inches tall</text>
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&#13;
ID: Vertical, color-tinted postcard showing a paved road leading through large, open black iron gates. Two tall, dark stone pillars flank the entrance, each adorned with a gold-colored eagle statue at the top. The scene is lush with green trees and a sunset sky of yellow and soft orange. A dark, ornate border surrounds the central image, featuring yellow corner squares with black silhouettes of crossed rifles and sabers. Small text at the top center reads "Fort Meyer Gate."&#13;
&#13;
Physical Dimensions: Standard Postcard size</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text> A 1942 civilian practice test booklet designed to help men prepare for U.S. Army Air Corps officer qualification exams. The cover features bold red, white, and blue design theme with a biplane illustration. It lists 10 specialty fields in which candidates could become officers: Pilots, Navigators, Bombardiers, Meteorologists, Communications, Photographers, Glider Pilots, Engineers, Armaments, and Mechanics. These types of booklets were important during World War 2 because as the US needed new highly skilled soldiers these booklets helped speed up training.&#13;
&#13;
 &#13;
&#13;
ID: The cover features a red background with a large cursive title "Air Corps" in white lettering, below "Practice Tests" appears in large letters. A black line drawing of a biplane is in the upper left corner. A vertical blue stripe on the right lists the 10 officer specialty fields in white text. The bottom reads "10 Fields in Which to Become an Officer in the Air Corps." There is a corner of the cover missing at the bottom left.&#13;
&#13;
Physical Dimensions: Approximately 8 x 10 x 1 inches.</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>Ezekiel Elias</text>
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&#13;
ID:&#13;
The artifact includes four rectangular paper tickets arranged in a slightly overlapping formation on a flat surface. Each ticket is predominantly yellow with a gradient background and features a bold black silhouette of a soccer player kicking a ball, surrounded by curved streaks of red, green, and yellow, reflecting the colors associated with South African identity. Printed text on the tickets includes match information such as “Netherlands vs Japan,” “Match 25,” and detailed seating information including section, row, and seat numbers. Along the right edge of each ticket is a vertically printed barcode used for entry scanning. Behind the tickets is a red and orange booklet labeled “2010 FIFA World Cup South Africa Official Ticket Guide,” decorated with flowing graphic lines and the official FIFA World Cup logo. Positioned next to the booklet is a small plush figure of Zakumi, the official World Cup mascot, characterized by its yellow body, green hair, and soccer-themed design. &#13;
&#13;
Physical Dimensions: Tickets: Approximately 6.5 inches by 3 inches each; Guide booklet: Approximately 5 x 7.5 inches</text>
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            <description>A name given to the resource</description>
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                <text>World War II Large-Caliber Bullet Casing</text>
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                <text>Unknown</text>
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                <text>This artifact is a large caliber bullet casing. This bullet casing was fired and used during World War 2 in the pacific theatre from a naval vessel. The casing is made of brass and is a large caliber, likely used for anti-air purposes. Much of the war in the pacific theatre was targeted towards the empire of Japan and eventually led to the dropping of atomic bombs on Hiroshima and Nagasaki. The bullets contained in these casings were the most common, and the weapons to use them were installed on almost every major naval ship used during the war.&#13;
&#13;
ID: Large bullet casing from the side, top and bottom. The color is brass and has some green/ blue coloring around the side, likely from heat. The bottom is round with 3 small circles and a dent, from where the hammer of the weapon struck the casing. The bottom has some words and numbers, but they are illegible due to the cleaning and shining of the casing. The top has a large hole in it from where the bullet resided and has a small lip around the top. Inside is a rod-shaped piece of metal, likely where the bullet was held in place before being fired. The inside is almost completely bluish green and has residue that looks like shavings from the metal. The bottom of the inside has slight scorch marks, likely left by the gunpowder that was ignited. The sides have some smudges and fingerprints.&#13;
&#13;
Physical Dimensions: 2.5in x 2.5in x 11.5in</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Ford Family Collection</text>
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                <text>1940-1945</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Jackson Crotsley</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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              <description>A name given to the resource</description>
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            <description>A name given to the resource</description>
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                <text>Walt Disney World Mickey Mouse Ear Patch hat (Souvenir Accessory)</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>The Walt Disney Company (licensed merchandise division)</text>
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            <description>The topic of the resource</description>
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                <text>Consumer Products, Theme Park Memorabilia, Branding, American Popular Culture, Tourism Studies</text>
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            <description>An account of the resource</description>
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                <text>This artifact consists of black plastic Mickey Mouse-style ears on a headband with a stitched "Walt Disney World" embroidered patch. A widely recognized souvenir and symbol of Disney theme park culture, it functions as both a wearable keepsake and identity marker. The Mickey ear hat originated in the 1950s with The Mickey Mouse Club, where on-screen Mouseketeers established the ears as a Disney symbol. Designed by Roy Williams and first sold at Disneyland in 1955, they evolved across decades: from television merchandise (1950s–70s) to standard park souvenir (1980s–90s) to fashion accessory and collectible (2010s onward). The object illustrates how commercial products become enduring cultural symbols tied to memory, experience, and consumer identity.&#13;
&#13;
ID:&#13;
A pair of black circular plastic ears mounted on a flexible headband. Between the ears is a rectangular embroidered fabric patch reading “Walt Disney World” in multicolored stitching. The ears are smooth, glossy, and symmetrical, designed to resemble the head of Mickey Mouse. The headband is lightweight and curved to fit comfortably on the head, making the object wearable. The overall design is intended for public display as a souvenir accessory and visual marker of Disney park participation. </text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Personal collection</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Circa 1990s–2000s</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Chauncey Anderson</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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        <name>Branding</name>
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        <name>Collectibles</name>
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        <name>Disney</name>
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        <name>Headwear</name>
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        <name>Licensed Merchandise</name>
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        <name>Media History</name>
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        <name>Mickey Mouse</name>
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        <name>nostalgia</name>
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        <name>Souvenir</name>
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        <name>Tourism</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <description>A name given to the resource</description>
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                <text>Vintage U.S. Coins; 1909 Indian Head Penny &amp; 1857 Flying Eagle Cent</text>
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                <text>United States Mint</text>
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                <text>History, Currency, American Culture</text>
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                <text>This artifact includes two old U.S. coins: a 1909 Indian Head Cent and an 1857 Flying Eagle Cent. These coins represent early American currency and show how money has changed over time. The 1857 coin is especially important because it was one of the first small cents made in the U.S., replacing larger coins. The 1909 Indian Head penny is also significant because it was one of the last years that design was made before switching to the Lincoln penny. These coins show the history of U.S. money and how designs and materials evolved.&#13;
&#13;
ID: The 1909 Indian Head penny shows a Native American figure wearing a feathered headdress on the front, with the year "1909." The 1857 Flying Eagle cent shows an eagle in flight on one side. Both coins are small, copper-colored, and have detailed designs that reflect the time period they were made in.&#13;
&#13;
Physical Dimensions: The diameter of the 1909 Indian Head Penny is 19.00 mm (about 0.748 inches) and it weighs 3.11 grams. The 1857 Flying Eagle Cent has a diameter of 19.00 mm (about 0.748 inches) and weighs 4.67-4.70 grams.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1857 and 1909</text>
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                <text>Zach Action</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>his material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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        <name>Currency</name>
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        <name>Flying Eagle Cent</name>
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        <name>Indian Head Penny</name>
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        <name>U.S. History</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Material Culture &amp; Object Studies</text>
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                <text>Machete from Guatemala </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown (Guatemala) &#13;
&#13;
</text>
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                <text>Military History, Gulf War, Operation Desert Storm, Weapons, Tools</text>
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                <text>This machete was obtained by a family member some time while deployed for Operation Desert Storm and passed down. The machete itself has a decorative leather sheath, a black handle, and a long slightly curved steel blade. The blade shows surface ware but seems fairly well maintained. The sheath is made of brown leather and features metal studs, braided cords, and tassels. The writing on the sheath makes out “Guatemala” maybe indicating where it was crafted. This machete was passed down through family members. &#13;
&#13;
ID: A single machete laid side by side with a brown leather sheath. The steel blade is 18 inches with a sharp curved edge. The sheath has a loop for carrying it on a belt and is decorated with metal studs, braided cords, tassels and engraved with “Guatemala” and some floral patterns.&#13;
&#13;
Physical Dimensions: 24” blade with matching 24” sheath. 6” black handle. 30” total</text>
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                <text>Personal Collection</text>
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                <text>Circa 1990-1991</text>
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                <text>Cody Garner</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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