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                  <text>Ephemera Digitization &amp; Preservation</text>
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                <text> Lablache Face Powder Advertisement </text>
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                <text>Ben Levy Co.</text>
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                <text>Gender &amp; Women’s Studies</text>
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                <text>This is an advertisement for Lablache Face Powder, a Ben Levy Company product, a French perfumery from Boston, Massachusetts, produced in the early 20th century. The ad is decorated with floral borders and a woman's profile portrait; it projects elegance and sophistication in beauty advertising during this time. In addition to the skin benefits of the product's application, "smooth, velvety skin" and its ability to protect from sunburn, the ad conveys the growing obsession with beauty products at this time, and the promotion of women's complexions as a sign of social distinction. Ads like this would have appeared in magazines published in the early 1900s, when face powders were sold as mass-produced products at a time when beauty standards around women's appearance underwent major changes.&#13;
&#13;
ID:  The picture is an antique black and white advertisement. The border spanning the top and sides is decorative and includes a vine and rose design. This particular ad features a circular portrait of a woman with a high and full hairstyle, looking just to the right. The bold word "LABLACHE," stretches across the lower half of the ad, and curves and vines decorate some of the letters. The ad also says "Face Powder" under the word "Lablanche" in a smaller font, and blocks of text surround both.&#13;
&#13;
Physical dimensions: 5"x4"</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>The Ladies' World</text>
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            <name>Date</name>
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                <text>July 1907</text>
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                <text>Kailyn Williams</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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        <name>Beauty</name>
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        <name>makeup</name>
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                <text>"Consider your Adam's Apple" Lucky Strike Ad</text>
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                <text>History, Drugs, Brands, Tobacco, Smoking, Health</text>
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                <text>A small pack of cigarettes that makes it safer to consume in your throat than other tobacco products. Lucky Strike exposes ultraviolet rays that expels certain harsh irritants that is shown in all raw tobacco products. Lucky Strike is a U.S. cigarette brand recognized for its red, white, and green package and the background it has in American tobacco history. Lucky Strike was started in the late 1800s but was a well-established brand through much of the 20th century primarily due to the slogan "It's Toasted," indicating that, when Lucky Strike cigars are manufactured, the tobacco inside is heat-cured instead of sun-dried. &#13;
&#13;
ID:  A woman is pointing towards her throat to symbolize that people should protect their Adam's apple and esophagus. Lucky strike shows they are a safe option because they don't irritate the throat at all and come in the package already heated to get rid of irritants and harsh chemicals that other tobacco products display. The box of the cigarettes is dark green with a lucky strike logo in bolded red with words bolded black saying lucky strike.&#13;
&#13;
Physical Dimensions: 14 inches in height and 6 inches in width</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>1931</text>
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                <text>Willie Harper</text>
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                <text>"Science shows why Old Dutch Cleaner costs less to use"</text>
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                <text>C.P. Co.</text>
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                <text>History, Advertisement, Science, Agriculture, Advertising, Marketing</text>
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                <text>The back of a farmer’s wife magazine that contains an advertisement. The advertisement is about cleaning powder which uses evidence from a microscope to explain why their product is better. It has a yellowish look of old paper. It is very similar to other advertisements from the 1930s. This magazine uses the strategy of logos in an attempt to persuade people to buy Old Dutch Cleaner. &#13;
&#13;
ID: main imagine with a blonde woman and brown hair man looking at a microscope with a can of Old Dutch cleaner next to the microscope. Two images, one on each part of the object. One is Old Dutch powder under a microscope showing finer particles, while the other one is grit under the microscope. &#13;
&#13;
Physical Dimensions: 15” x 11”  </text>
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                <text>From the Collection of Lydia E. Ferguson  </text>
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                <text>November 1932  </text>
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                <text>Darby Marsh  </text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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        <name>American advertisement</name>
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        <name>cleaning</name>
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        <name>Ephemera</name>
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        <name>Old Dutch cleaner</name>
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        <name>old paper products</name>
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        <name>the farmer's wife</name>
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                  <text>Ephemera Digitization &amp; Preservation</text>
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                <text>“The GM ODYSSEY: SCIENCE NOT FICTION” </text>
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                <text>General Motors Company </text>
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                <text>Automotive Engineering, General Motors, Advancements in Technology </text>
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                <text>Advertisement for General Motors or GM found inside of an American Visions Magazine from 1986, introducing new technology that will be used in and on future GM models. Including electronic navigation systems, instrument panels, and electronic POD systems soon to be added into new vehicles for better driving assistance. As well as computer simulated aerodynamic modeling, creating better designs, using “Magnequench” material to improve performance and reliability. Having new strategies to predict future needs for GM vehicles and machines that check for issues. Describing the new use of technology as “an odyssey into the unknown”, introducing new concepts in the year 1986. Trying to prepare the public for what is to come in future GM vehicles. &#13;
&#13;
ID: The overall color of the two pages is black. The left page has the subheading “Driving America Down Roads We’ve Never Been Before” with text underneath. The text wraps around an image of a person behind a computer. The title of the add is The GM Odyssey: Science Not Fiction is in a white futuristic font across the middle. With a blue square with “GM” underlined in a white font at the end of the title.  Covering both pages of the advertisement with small lines following the order of a rainbow going across with the title. Underneath on both pages, images of cars being manufactured, and digitized on a computer are seen. On the right of the add a large scan of a car can be seen with areas that show different air flow through colors. </text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>A photograph of a physical ticket for the 2008 NHL All Star Game hosted in Atlanta Georgia before the local team moved to Winnipeg. It is larger than the average NHL ticket of the day and was signed by a couple of players that are not identified. Number 11 was worn by Alfredsson and Kopitar and Number 22 was not worn by any of the players that year. It is possible that one of the rookies in the Young Stars game that was played the day before signed it.&#13;
&#13;
ID: A large commemorative NHL ticket with blue borders on the top and bottom. The main ticket is an orange background with a generic hockey goalie doing a save down in the butterfly position. The details of the ticket are on the bottom blue border and the details of the event are in the middle of the orange background. The logo of the all star game is above the goalie and there are two signatures in black marker across the main ticket.</text>
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                <text>This artifact consists of four original tickets from the 2010 FIFA World Cup along with an official ticket guide booklet. The tickets are for a Group E match between the Netherlands and Japan, representing entry into one of the most historically significant sporting events, as it was the first World Cup held on the African continent. Beyond their practical use, these tickets symbolize a moment of unity, national pride, and global recognition for South Africa following the end of apartheid. As someone originally from South Africa, this artifact holds deeper cultural meaning, reflecting not only a global event but also a defining moment in the country’s modern identity. The accompanying ticket guide provides insight into how the event was organized and experienced by fans.&#13;
&#13;
ID:&#13;
The artifact includes four rectangular paper tickets arranged in a slightly overlapping formation on a flat surface. Each ticket is predominantly yellow with a gradient background and features a bold black silhouette of a soccer player kicking a ball, surrounded by curved streaks of red, green, and yellow, reflecting the colors associated with South African identity. Printed text on the tickets includes match information such as “Netherlands vs Japan,” “Match 25,” and detailed seating information including section, row, and seat numbers. Along the right edge of each ticket is a vertically printed barcode used for entry scanning. Behind the tickets is a red and orange booklet labeled “2010 FIFA World Cup South Africa Official Ticket Guide,” decorated with flowing graphic lines and the official FIFA World Cup logo. Positioned next to the booklet is a small plush figure of Zakumi, the official World Cup mascot, characterized by its yellow body, green hair, and soccer-themed design. &#13;
&#13;
Physical Dimensions: Tickets: Approximately 6.5 inches by 3 inches each; Guide booklet: Approximately 5 x 7.5 inches</text>
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                <text>A Self-Lathering Brush: The Latest and the Greatest Shaving Aid </text>
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                <text>Warner-Patterson Co.</text>
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                <text>Full page featuring an ad. The advertisement is about a self-lathering brush in the weekly newspaper. Published at the end of WWI.&#13;
&#13;
Identifier: Three circular images at the top of the page demonstrate the three steps of using the brush. Step one shows a hand dipping the brush in a faucet filled with water. Step two is two hands holding onto the mechanism and indicating to turn the cap of the brush. Step three is a man holding and using the mechanism to his beard that is covered with soap lather. On the sides of the paper, there are two images of the self-lathering brush. The left one shows the inside of the mechanism with callouts and the right one shows the brush with its cover on. Between the two photos are two short columns that provide a detailed description of how to use the brush mechanism. At the bottom of the advertisement, from left to right, is the Legend explaining what every callout means, the logo of the company, and a cutout coupon. &#13;
&#13;
Physical Dimensions: Width: 10 ¾ inches, Length: 14 inches</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>This is a general menu for The African Grill. The African Grill was founded in 2012 and has used this menu during all hours of operation from 2018 to 2025. This menu displays a variety of Nigerian cuisine, with categories such as African Starters, African Soups*, Main Dishes, From The Grill, and Sides. An asterisk in the African Soups section alerts the reader that you can pick the type of meat you’d like in your soup. The options range from goat meat, fresh fish, which is catfish, fried fish, which is tilapia, chicken, and mixed meat, which is a mixture of cow stomach and goat meat. The menu has a front and back, with the main currency used on the menu being USD.&#13;
&#13;
ID: The front page of the menu is a shade of dark green and has "African Grill Restaurant" printed in a large, white font at the top. The menu is still split into 5 sections: African Starters, Main Dishes, African Soups*, From The Grill, and Sides. Each consists of two to seven items of food per category, with the price of the item listed next to it. The back of the menu contains a Nigerian flag, while right below it states, "Every Friday Night: Enjoy our 'GRILLZ &amp; JAMZ' with music by DJ Tee"</text>
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                <text>From the Collection of The African Grill</text>
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&#13;
ID: The image shows a section of drinking gourds used for various liquids decorated and displayed. They vary from size and length as seen from the left to the right. There are knitted sleeves on the two on the right, this is a common design choice common for gourds. They are displayed from Duke University in North Carolina and originated from West Africa. Drinking gourds were widely used by various African communities as portable containers for water, milk, palm wine, and herbal drinks, especially by farmers, travelers, and herders. They were also used in ceremonial contexts by elders and spiritual leaders, symbolizing tradition, utility, and cultural identity.&#13;
&#13;
Physical Dimension: 10" x 8.5"</text>
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