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“Overjoyed Audrey” (Pp.143)&#13;
&#13;
[Order LtR] “Peter Finch”, “In their home the former Sister Luke (left) sits switch biographer Kathryn Hulme” (Pp. 144)&#13;
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Physical Dimensions: 10.5 inches x 14 inches</text>
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                <text>Credits for Cover and Movie sections:&#13;
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                <text>A hand-drawn vintage comic, featuring panels about a heterosexual couple being interviewed as though their sexuality is unusual, akin to how queer couples are ridiculed typically. The comic uses exaggerated expressions and satirical dialogue to reverse the stereotypes that are typically applied to queer people to show how unusual and invasive they are. Several panels depict a talk-show setting with awkward questions and playful commentary about relationships and identity, showing just how strange the invasive and inappropriate the questions directed at queer people can be. The overall tone of the comic is comedic and ironic, and those themes are used to be intentionally critical of social norms.&#13;
&#13;
ID:  A vintage comic strip drawn in a caricature style, with panels filled with exaggerated characters in a talk-show format. It is a satire that reverses the stereotypes used towards queer people by depicting a heterosexual couple being interrogated as though their orientation is unusual.&#13;
&#13;
Physical Dimensions: 16” x 11”</text>
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                <text>MOTIVE Inc.</text>
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                <text>Weaver, Sydney</text>
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                <text>his material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                <text>A collage of images of a Man and a Women in a car. The women has no eyes, the man is chasing the women beside the car. Underneath a poem says “Reminding us all the while that when driving down the highway with a friend who says he wants to get off at the next exit we should be very careful about the decision we make”.&#13;
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ID: Collage of people and a vintage car above a poem about making careful decisions when traveling with a friend who wants to take the next highway exit.&#13;
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                <text>Savannah Blalock</text>
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                <text>Frank Zaic</text>
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                <text>Architecture, Design, Engineering, Graphics, Construction </text>
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                <text>A formal instruction guide on how to make a model toy airplane from scratch with step-by-step examples  &#13;
&#13;
-ID: The first photo shows a kid about to throw the toy plane he just made using the template provided. The second photo shows a visual blueprint of the dimensions and units of the plane needed to create the toy plane. Lastly the third photo shows how to carve the main component of the plane; propellers, in order for the plane to glide through the air, using a piece of wood and material needed. &#13;
&#13;
Physical Dimensions of assembled model:&#13;
&#13;
Length 16”&#13;
Wing Width 21”&#13;
Height 3 1/4”&#13;
Rear Wing Width 2 1/2”&#13;
Propeller 2 1/3”</text>
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                <text>Black Southerner Magazine, Vol. 1 No. 2</text>
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                <text>Edward E. Rucker</text>
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                <text>This artifact is a vintage issue of Black Southerner Magazine, priced at $1.50 and published during a period that celebrated the cultural life of Southern Black communities. The cover highlights marching band culture, featuring band members and a majorette performing on a football field. The magazine also includes articles addressing social issues such as the Black underclass and national agendas for Black Americans. Its imagery and topics provide insight into cultural pride, performance traditions, and political concerns of the era. The back of the magazine displays a full-page advertisement for Black hair care products from the BB brand, arranged neatly against a blue background. The advertisement includes curl activator, curl fixer, moisturizer and styling products, placed beneath the phrase “with love” and the words “We are together” to emphasize unity and shared cultural identity. &#13;
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 ID: The image shows the cover of a magazine titled “Black Southerner Magazine.” At the top, a stylized illustration of a farmer with a mule is placed above a city skyline silhouette. Below, the cover features an illustrated scene of two marching band drum majors in red uniforms with tall white hats leaping midair, tapping their batons together. Centered below them stands a majorette in a red and white uniform, posing with one hand on her hip. Behind them, a full marching band performs on a football field marked with yard lines. Various article titles appear along the left side and top corner of the cover.&#13;
&#13;
Physical Dimensions: 8.5 x 11 inches</text>
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                <text>From the Collection of Lydia E. Ferguson </text>
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