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                  <text>Fashion &amp; Accessories</text>
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                <text>Floral Crystal Hair Clip Accessory  </text>
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                <text>Unknown</text>
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                <text>Fashion Accessories, Personal Adornment, Beauty and Style, Special Occasions </text>
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                <text>These images show a rhinestone flower accessory placed on a lace fabric. The piece is made with small, shiny stones arranged in a floral shape, giving it an elegant and detailed appearance. This type of accessory can be used as a brooch, hair clip, or decoration for formal outfits, especially during events like weddings or other special occasions. In my family, this item is specifically used when girls are getting married, and it is passed down to be worn for that moment. Because of this, it holds a deeper meaning beyond just appearance, representing tradition, family connection, and important life events. Accessories like this are meaningful because they are tied to special memories and help make those moments feel even more significant.  &#13;
&#13;
ID: Silver metal clip with a decorative rhinestone design attached to the top. The design forms a flower shape made up of small, clear, crystal-like stones arranged in petal patterns. The clip is placed on a white lace fabric background with floral patterns. The rhinestones reflect light, giving the piece a shiny and detailed appearance. The structure of the clip appears thin and slightly curved to attach securely to hair or clothing. &#13;
&#13;
Physical Dimensions: Approximately 3–4 inches wide </text>
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                <text>Personal Family Collection</text>
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                <text>Circa 1926 or earlier (documented use 1926) </text>
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                <text>Jiselle Salazar </text>
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                <text>Durag as a Cultural and Grooming Artifact</text>
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                <text>William J. Dowdy</text>
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                <text>Cultural Studies, Sociology, Fashion Studies, African American Studies, Anthropology, Identity Studies, Popular Culture, Textile Studies, Media Studies, Gender Studies</text>
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                <text>This headwear serves a duality as both a hairstyling accessory, keeping hair in place and compressed (used often for waves, braids, cornrows), and as a significant cultural identifier, especially within Black communities. The durag appears frequently in music, sports, and fashion, contributing to a broader discussion about aesthetics, cultural expression, identity formation, and cultural acceptance across different social spaces.&#13;
&#13;
ID: Consists of a piece of fabric, typically made from materials such as silk, satin, polyester, or velvet. The durag has a central cap section that fits over the head, with extended straps attached at the sides that are tied at the back to secure it in place. A long flap, often called a tail, extends from the back to cover the neck. The smooth texture of the material helps reduce friction and maintain hairstyle patterns. Some variations include reinforced seams, decorative stitching, or branding elements.&#13;
&#13;
Physical Dimensions: Approximately 36” in total length (varies by style)</text>
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                <text>Late 20th Century–Present</text>
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                <text>William Heastie</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Gold Swiss-Made Pocket Watch</text>
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                <text>Alpina</text>
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                <text>Engineering Technology</text>
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                <text>The Swiss pocket watch, which is encased in the original 14k gold, the case which is measured to around 28mm. The pocket watch also includes the original golden yellow chain. The interface— 26cm in width—is made of white enamel with painted Arabic numerals. The interface also includes an intricate hour and minute hands. The hands movements are characterized by gentle movement, which is characteristic of Alpine clocks. Additionally, the interface has a smaller clock—also painted with Arabic numerals—towards the bottom, indicating the number of seconds passed.&#13;
&#13;
Due to materials used, the clock has specific care instructions. The owner of the pocket watch should keep the pocket watch away from harsh chemicals and water, as to not erode the soft metal of the outer casing of the watch. Additionally, the pocket watch owner should also avoid rough handling so as not to damage the soft metal on the cover of the watch.&#13;
&#13;
ID: The golden pocket watch includes a white screen display. The screen display shows Arabic numerals and long ticks to indicate the hour and smaller ticks to indicate minutes. In the very bottom of the screen interface, there is a small clock that includes the tick format to count the number of minutes. The hands of the clock are thin, golden and intricate. The exterior of the watch has some golden ridges toward the edge, and the end of the watch connects to a golden chain. The golden chain includes a golden ring at the end.&#13;
&#13;
Physical Dimensions: 28.0mm x 10.5 mm (closed); 56.0mm x 5.25 mm (open)</text>
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                <text>Personal Collection</text>
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                <text>Circa 1910’s</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Eva Abramova</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Cable-Knit Cardigan with Embroidered Star Detail</text>
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                <text>West End Knitwear</text>
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            <description>The topic of the resource</description>
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                <text>Fashion History, Knitwear, Textile Arts, 21st Century Apparel, Social History, Military Garment Evolution, Mass-Market Merchandising, Irish Textile Tradition</text>
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                <text>This artifact is an oversized, cream-colored cable-knit cardigan featuring navy blue trim and silver embroidered stars on the elbows. The garment is a modern iteration of the cardigan, which originated during the Crimean War as functional military wear for British troops. Originally valued for its mobility and utility in survival conditions, the cardigan has transitioned in the 21st century into a cultural symbol of domestic comfort and emotional regulation. The heavy knit construction and specific star detailing associate this specimen with the 2020 "Folklore" cultural era, representing a convergence of historical textile traditions and contemporary remote-work material culture.</text>
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ID: An orange Jimmy Buffett shirt from his 2007 Bama Breeze tour depicting palm trees being blown in heavy wind on a beach on the front of the shirt, and the back contains a list of tour dates and locations on a pile of palm leaves.</text>
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&#13;
ID: 1: The front of a circular silver belt buckle in the shape of an older man’s face, showing signs of wear and tarnish. The face is smiling and has wrinkles around the mouth and eyes&#13;
&#13;
2: the back of the belt buckle. There is a nub to put in the belt hole and a loop to attach the belt onto. There is writing that says made in USA, and copyright 1979 Bergamot Brass Works. There is also a logo of the company’s initials, BBW with the letters intertwined in an ornamental font.&#13;
&#13;
Physical Dimensions: Diameter: 2 ⅜” (6.03 cm), Width: ⅞” (2.22 cm)</text>
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                <text>Baro't Saya</text>
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                <text>This is a photo of a Filipina family friend wearing a more contemporary version of the national dress of The Philippines known as the baro't saya. A version of the baro't saya existed before Spanish colonization first started in the Philippines in 1565, being altered and evolved by Spanish religious ideals and designs over the following 300 years. Only mainly wealthier mestiza women wore the nicer baro't saya depicted here. The quality of the dress that a woman would wear, if she could afford one, was used to show her social class and modesty during the times of Spanish colonization in The Philippines.&#13;
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ID:  An older Filipino woman wearing the baro't saya (blouse and skirt), the traditional Filipino women’s attire and dress that evolved during the Spanish colonial period as a blend of Indigenous Filipino clothing and Spanish influences. It consists of a lightweight baro (blouse) paired with a long saya (skirt). It is also sometimes accompanied by a pañuelo (shoulder kerchief) and a tapis (overskirt).&#13;
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Physical dimensions: Size varies by wearer.</text>
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                <text>Riza Pagunsan Deguit</text>
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        <name>Beauty Standards</name>
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            <description>A name given to the resource</description>
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                <text>Waltham Pocket Watch</text>
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                <text>This Waltham pocket watch features a white enamel dial with black Arabic numerals, red five-minute indicators, and a seconds sub-dial positioned at the bottom of the face. The case is gold-toned and includes a looped bow and crown at the top for winding. The back of the case is engraved with text referencing a boxing championship event, including the weight class, the name “James Doolittle,” and the date “Nov. 7, 1912.” The watch demonstrates early 20th-century American craftsmanship in mechanical timekeeping and represents both personal memorabilia and functional design from its era.&#13;
&#13;
ID: A gold-toned Waltham pocket watch, including the engraved back of the case displaying award text related to a boxing championship. The watch face showing the enamel dial with Arabic numerals and a seconds sub-dial.</text>
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                <text>1912</text>
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                <text>Markee Eason</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and provided for private study, research, and educational use only.</text>
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                <text>A handmade beaded necklace using a variety of turquoise silver and crème beads. The necklace is a modern replica of traditional necklaces from the Mohawk Tribe, specifically from the bear clan within this tribe. Beads originally sourced in Canada however from where is unknown. The necklace was made by Margaret White who is from London, Ontario, Canada and then passed down through the family. &#13;
&#13;
ID: A beaded necklace using a wire cord and a silver clasp. Beginning with 4 silver beads then a length of cylinder turquoise beads of varying sizes. A pattern of black metallic beads, turquoise stone beads and oval shaped cream-colored ceramic beads begins. The pattern is same on the left and right sides of the necklace. The center part of the necklace contains two cream-colored beads carved in the shape of roses surrounding a cream-colored ceramic bead carved in the shape of a 2-inch bear claw.&#13;
&#13;
Physical Dimensions: 13.5-inches </text>
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            <description>A related resource from which the described resource is derived</description>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>Information about rights held in and over the resource</description>
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            <description>A name given to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>The topic of the resource</description>
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                <text>jewelry, rings, heirloom, South Africa </text>
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            <description>An account of the resource</description>
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                <text>A Gold ring with a red ruby as the center stone. Alongside the center stone, there are 8 smaller diamonds surrounding the ruby. The ring was originally my great grandmothers on my mom's side of the family that was passed down to her dad then to her and now to me. The ring is supposedly 1 of 3 that were made in South Africa. &#13;
&#13;
ID: A triangular ring with a gold band attached to a silver head. The head has small slots to view the gemstones from underneath. On top of the head there are 8 diamonds in a circle held in place by 3 small prongs. In the center there is an elevated red ruby that is held in place by 4 prongs. &#13;
&#13;
Physical Dimensions: .9 x 1.1in </text>
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            <description>A related resource from which the described resource is derived</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>Information about rights held in and over the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>A navy short-sleeved t-shirt that has white lettering on both sides. &#13;
&#13;
ID: a navy short-sleeved t-shirt with white lettering on both sides. On the front left side of the chest, there is a title “Myrtle Beach Marathon”  with a pelican running across a finish line above it. Centered on the back, below the collar, are three pelicans spread out evenly in running positions, with text centered below them, stretching from one side of the shirt to the other. The text explains many of the different things that you can do with 26 miles in Myrtle Beach, listing a few of them are 53 restaurants per mile, 840 hotel/motel rooms per mile, and 14,000 yards of fairway per mile.&#13;
&#13;
Physical Dimensions: Size Small; Roughly 17x27 in.&#13;
&#13;
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                <text>McCall's the first PRINTED PATTERN: Women’s and Misses’ Evening Dress in Two Lengths for Half Sizes</text>
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                <text>marketing and sales, arts and design, Sewing, Fashion marketing, Mid-century Advertising, Fashion History, Commercial illustration</text>
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            <name>Date</name>
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                <text>Samples, Isabel</text>
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                <text>A photograph scan of a vintage 1954 McCalls Printed pattern No. 3028, to make Women’s and Misses’ Evening Dress in two lengths for Half sizes. Includes 9 pieces with instructions for cutting, sewing, and alterations. This is one of the many patterns produced by the popular sewing pattern company McCall Corporation that was founded in 1870. Providing seamstresses patterns to make clothing. This pattern includes a set of instructions with various numbers, measurements, and diagrams for the user to follow.&#13;
&#13;
ID:  Vintage worn paper packaging using intricate font design for the title “McCalls the first PRINTED PATTERN: Women’s and Misses’ Evening Dress in Two Lengths for Half Sizes”. The front features two women, one drawn into a floor length sliver gown styled in white gloves and jewelry, the other woman has her back shown in a mid-calf length blue gown. The back of the package includes directions to follow via your measurements and desired look. Also includes diagrams of the different styles of dresses to choose from.&#13;
&#13;
Physical Dimensions: 7in x 6in</text>
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