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                  <text>Vintage Advertisements </text>
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                <text>Florida’s Seminole Indians Postcard Booklet (Souvenir)</text>
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                <text>Curt Teich &amp; Company</text>
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                <text>Tourism, Native American Representation, Florida History, Souvenir Culture, American Indians, Seminole Indians </text>
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                <text>The Florida Seminole Indians postcard booklet is a souvenir that tourists could buy when they went to Florida in the middle of the 20th century. It has a bunch of postcards that show Seminole people doing everyday things while wearing traditional clothes like patchwork clothes. Some pictures show chicken huts, handmade tools, and parts of Florida's natural environment, like plants and animals that live there.&#13;
&#13;
The booklet shows how Seminole culture was shown to tourists and the general public, often focusing on things that were visually appealing and unique to the culture. It is a record of cultural practices, but it is also a selective and commercialized view shaped by tourism and consumer interest. This means that the pictures might show some traditions but not the whole picture of Seminole life. Overall, the booklet shows how Native American culture was turned into a souvenir, which changed how people thought about and remembered the Seminole people.&#13;
&#13;
ID: Foldable paper booklet with a printed cover and multiple numbered postcard images (1–16), each with a short description</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>Curt Teich &amp; Company</text>
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                <text>Circa 1960s-1970s</text>
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                <text>Stephanie Omotohanmen</text>
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                  <text>Vintage Advertisements </text>
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                <text>Fort Meyer Gate Postcard </text>
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                <text>Curt Teich &amp; Co.</text>
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                <text>History, Military Architecture, Commemorative Art, Civil Engineering, Landscape Architecture, Cultural Geography</text>
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                <text>This postcard from the early 1900s shows the Fort Meyer Gate entrance to Arlington National Cemetery in Virginia. It belongs to a souvenir pack called "Views of Beautiful Arlington, VA," which includes other famous spots like the Tomb of the Unknown Soldier. The picture shows a detailed iron gate and stone posts with eagle statues on top, all surrounded by a border decorated with crossed rifles. It was made by the Curt Teich Company, a famous maker of postcards that documented American travel and history during that time. &#13;
&#13;
ID: Vertical, color-tinted postcard showing a paved road leading through large, open black iron gates. Two tall, dark stone pillars flank the entrance, each adorned with a gold-colored eagle statue at the top. The scene is lush with green trees and a sunset sky of yellow and soft orange. A dark, ornate border surrounds the central image, featuring yellow corner squares with black silhouettes of crossed rifles and sabers. Small text at the top center reads "Fort Meyer Gate."&#13;
&#13;
Physical Dimensions: Standard Postcard size</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>B.S. Reynolds Co., Washington, D.C. </text>
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                <text>Circa 1920–1930 </text>
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                <text>Tyasia Hines</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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        <name>Arlington cemetery map</name>
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        <name>Arlington National Cemetery</name>
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        <name>Arlington Wireless Towers</name>
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        <name>Curt Teich</name>
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        <name>Custis-Lee Mansion</name>
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        <name>Early 20th Century Travel</name>
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        <name>the temple of fame</name>
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                  <text>Vintage Advertisements </text>
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            <description>A name given to the resource</description>
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                <text>“The GM ODYSSEY: SCIENCE NOT FICTION” </text>
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                <text>General Motors Company </text>
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                <text>Automotive Engineering, General Motors, Advancements in Technology </text>
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                <text>Advertisement for General Motors or GM found inside of an American Visions Magazine from 1986, introducing new technology that will be used in and on future GM models. Including electronic navigation systems, instrument panels, and electronic POD systems soon to be added into new vehicles for better driving assistance. As well as computer simulated aerodynamic modeling, creating better designs, using “Magnequench” material to improve performance and reliability. Having new strategies to predict future needs for GM vehicles and machines that check for issues. Describing the new use of technology as “an odyssey into the unknown”, introducing new concepts in the year 1986. Trying to prepare the public for what is to come in future GM vehicles. &#13;
&#13;
ID: The overall color of the two pages is black. The left page has the subheading “Driving America Down Roads We’ve Never Been Before” with text underneath. The text wraps around an image of a person behind a computer. The title of the add is The GM Odyssey: Science Not Fiction is in a white futuristic font across the middle. With a blue square with “GM” underlined in a white font at the end of the title.  Covering both pages of the advertisement with small lines following the order of a rainbow going across with the title. Underneath on both pages, images of cars being manufactured, and digitized on a computer are seen. On the right of the add a large scan of a car can be seen with areas that show different air flow through colors. </text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>American Visions Magazine</text>
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                <text>January/ February 1986 </text>
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                <text>Jordan Herrera</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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            <name>Format</name>
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                  <text>Vintage Advertisements </text>
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            <description>A name given to the resource</description>
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                <text>Souvenir of the State Buildings at the Capital: Albany, N.Y.</text>
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                <text>Curt Teich &amp; Co., Chicago, U.S.A. (Production Number D-537)</text>
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                <text>Albany, Federal Architecture, foldout postcards</text>
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                <text>This postcard, exhibiting the civic architecture of Albany, N.Y., was created by a now discontinued postcard-publishing company that specialized in scenes from notable cities and parks in the United States. The company, Curt Teich &amp; Co., is most recognized by their “Greetings from…” cards that encapsulate scenes from a given location within the letters of the location’s name. The Newberry Library uploaded a guide to dating the Curt Teich postcards using the production numbers. This card, D-537, was published in a collection of foldout postcards, souvenir booklets, postcards, pamphlets, and brochures as the company branched out from postcards into other materials.&#13;
&#13;
Sixteen drawings in the collection depict various exterior and interior scenes of the New York State Capitol, Court of Appeals, New State Office Building, and New York State Education Building. The New York Court of Appeals was built in 1842 and followed the common Greek Revival style of American public architecture of the time. The use of Ionic columns, a rotunda, and stone arches, was meant to evoke a sense of justice and order within Western law by emulating Greek democratic architecture. The New York State Capitol building was under construction from 1867 to 1899, with multiple architects contributing to its design. The building reflects this, with design inconsistencies between floors and throughout the structure. There are influences from Romanesque, Renaissance Revival, and French château styles. Despite the long, disjointed building history, the building conveys a continuous theme of grandeur and authority. The New York State Education Building was built from 1908 to 1912 and followed a Beaux-Arts and Neoclassical style of architecture. There are heavy signs of classical influence, with a colonnade of 36 marble columns supporting a wide entablature. The style was meant to reflect order and civic virtue by mimicking classical democratic architecture. The New State Office Building is the newest in the collection. Construction for the New State Office Building began in 1927 and it was still under construction in 1929 when the postcard was published. The style of architecture reflects this, as it has a more modern look. At its completion, it became the tallest building in Albany. The Art Deco style interior heavily reflected the creative boom of the 1920s and was meant to emulate progress and modernity.&#13;
&#13;
The last two drawings depict scenes from the Iroquois Indian Exhibit that was located in the Museum of the State when the museum was housed in the Education building. The exhibit was first established in 1918, with sculpture work for the dioramas done by Henri Marchand. When the State Museum was moved into the State Plaza Cultural Education Center in 1973, the dioramas were not moved with it. The sculptures were made with fragile materials and built into the architecture of their site. By the 70s the sculptures would have been brittle, damaged, or structurally unsound, meaning trying to move them would have caused significant damage to the exhibit. Ultimately this left room for a more ethical, culturally aware design that moved away from the Euro-American perspective and worked towards archaeologically accurate, community-informed exhibit.&#13;
&#13;
Description (ID): Fold-out postcard comprised of a cover resembling an envelope and a long sheet of paper that folds up to fit into the postcard-sized cover. The folded sheet depicts 18 drawings of state buildings in Albany, N.Y. In the top left corner of the cover is the title of the postcard. Below the title on the left half of the page is a drawing of the New York State Capitol Building. On the right half of the cover are the lines for a message on the card. On the back is a drawing of the State Educational Building that fills the entire page. In the inside of the cover is a description of the development and history of the buildings included in the postcard collection. The collection of drawings is fixed to the inside of the cover above the descriptions and folds out in an accordion style to reveal nine drawings on the front, and nine drawings on the back.&#13;
&#13;
The front of the page, in order, depicts: 1) an aerial view of the state capitol building, new state office, and education buildings, 2) the senate chamber in the state capitol, 3) the assembly chamber in the state capitol, 4) the executive chamber in the state capitol, 5) the million dollar staircase in the state capitol, 6) a street view of the state capitol and education building, 7) a street view of the court of appeals, 8) a room inside of the court of appeals, 9) and a street view of the new state office building. The back of the page, in order, depicts: 1) an aerial view of the state buildings, emphasizing the capitol building, 2) a street view of the state education building, 3) the main entrance of the state education building, 4) the main staircase of the education building, 5) the rotunda in the state education building, 6) the general reading room in the state library, located in the state education building, 7) the hall of vertebrate paleontology in the state museum, located in the state education building, 8) the corn harvest scene of the Iroquois Indian Exhibit that used to be housed in the state education building, 9) the Seneca Hunter Group scene of the Iroquois Indian Exhibit that used to be housed in the state education building.&#13;
&#13;
Physical Dimensions: Cover – 4 in (10.16 cm) x 6 in (15.24 cm); Unfolded – 36 in (91.44 cm) x 6 in (15.24 cm)</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>C.W. Hughes &amp; Co., Inc., Mechanicville, N.Y.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1929</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Mary-Katherine Lewis</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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        <name>Souvenir Folder</name>
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                <text>Nashville Tenn. The Athens of the South</text>
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            <description>An account of the resource</description>
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                <text>This is a fold out postcard folder for Nashville, Tennessee, commonly sold to tourists in the 1930s-1950s. The title, “The Athens of the South”, seen on the front of the card, is referencing Tennessee’s popular nickname originating from its full-scale replica of the famous temple, Parthenon, originally located in Athens, Greece. The replica was built in 1897 for the Tennessee Centennial Exposition, which was a huge celebration for the 100th anniversary of the state.&#13;
&#13;
 &#13;
&#13;
ID:&#13;
&#13;
Front: A detailed drawing of Tennessee’s State Capitol on the left side with an illustration of 2 yellow irises in front of a black background on the left edge of the postcard. Above it, the title is shown in red, orange, and yellow, with a box to place a stamp on the top right. On the bottom right, three lines are shown for text to be written.&#13;
&#13;
Back: A detailed drawing of The Cumberland River on a sunny day shown with a large red and pink flower bush in the front partially covering the river. Behind it, the river is shown still with green foliage on each side. Vibrant hues of blue, pastel yellow, pink, and green, shine through.&#13;
&#13;
Physical Dimensions: Cover – 4 in (10.16 cm) x 6 in (15.24 cm); Unfolded – 36 in (91.44 cm) x 6 in (15.24 cm)</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>From the Collection of Lydia E. Ferguson</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Kaylah Hester</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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        <name>Parthenon replica</name>
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        <name>Postcard</name>
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        <name>Tennessee State Capitol</name>
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        <name>Tourism</name>
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                  <text>Vintage Advertisements </text>
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            <description>A name given to the resource</description>
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                <text>Vintage Champion Spark Plug Advertisement</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Champion Spark Plug Company</text>
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                <text>A vintage print advertisement promoting Champion Spark Plugs, featuring a four-engine propeller airliner, a spark plug illustration, and an orange automobile. The ad claims that most airlines specify Champion Spark Plugs due to their dependability. Also includes text that encouraging consumers to choose Champion for reliable vehicle performance.&#13;
&#13;
Description (ID): In the center of the page, there is a silver four-engine plane flying over mountains and an airport. To the left of the page there is a spark plug with orange writing saying, “CHAMPION PATENTED.” There is an arrow pointing at the spark plug that says "THEY'RE DENPENDALE" in orange letters. On the bottom of the ad, there is an orange post-World War II car. &#13;
&#13;
Physical Dimensions: 9 ½ in x 6 ½ in</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>Popular Mechanics Magazine</text>
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                <text>February 1946</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Caden Downey</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2787">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Vintage Advertisements </text>
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                <text>General Electric Automatic Dishwasher Advertisement</text>
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                <text>A 1958 magazine advertisement promoting the General Electric automatic dishwasher. The ad contrasts the labor of handwashing dishes with the convenience of GE’s new appliance, using illustrated scenes of dishwashing and a modern kitchen photograph. It emphasizes domestic efficiency and shows the dishwasher as a labor saving addition to the mid-century home.&#13;
&#13;
ID: Across the top of the page are three illustrated panels arranged horizontally, each showing a woman washing or drying dishes, accompanied by humorous captions questioning daily dishwashing routines. Below these illustrations is a large photograph of a mid-century GE kitchen, featuring an open dishwasher filled with neatly arranged dishes. Text blocks flank the image, describing the appliance’s benefits and convenience. The General Electric logo is positioned at the bottom center of the advertisement.&#13;
&#13;
Physical Dimensions: 8 in × 11 in</text>
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                <text>Shray Bhatnagar</text>
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                <text>Souvenir Folder of our Nation’s Capital: Washington D.C.</text>
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                <text>Curt Teich &amp; Co., Chicago, U.S.A.</text>
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                <text>A postcard with foldable photos of the U.S. state capital, Washington D.C. contained inside. The cover of the card has the phrase “Greetings from Washington D.C” on top of four historic government buildings, each divided into separate quadrants. Opening the top flap reveals a multi-folded page containing 9 photos on one side and 18 on the other. No text are written on the inside of the card, however, there is sufficient space provided beneath the photos to fill in one’s own message.&#13;
&#13;
ID: Postcard cover containing orange calligraphy writing of the words “Washington D.C.” over top of four photos, each on a different corner of the card. In the top left is a photo of the United States Capital taken from the front of the building slightly on the right of center. In the top right is a photo of the White House, taken from the front. On the Bottom left is a photo of the Lincoln Memorial, taken from the front right. And lastly, on the bottom right is a photo of the Thomas Jefferson Memorial taken from the front. &#13;
&#13;
Once opened, the card reveals 27 individual photos:&#13;
U.S. Capital at Night&#13;
Library of Congress Annex&#13;
Lincoln Memorial&#13;
Lincoln Memorial Reflecting Pool, Washington Monument and Capital from Lincoln Memorial&#13;
United States Supreme Court&#13;
National Gallery of Art&#13;
New Illuminated Fountain on Capital Plaza&#13;
Cherry Blossoms, Potomac Park&#13;
Washington’s Mansion, Mt. Vernon, Va.&#13;
White House&#13;
Jefferson Memorial by Moonlight&#13;
Union Station and Columbus Memorial Fountain&#13;
Department of Justice&#13;
Bureau of Engraving and Painting&#13;
National Archives Building&#13;
United States Treasury&#13;
The Smithsonian Institution&#13;
National Museum&#13;
U.S. Naval Medical Center, Bethesda, Md.&#13;
National Red Cross Building&#13;
Pan-American Union&#13;
Pentagon Building&#13;
Tomb of Unknown Soldier, Arlington National Cemetery, Arlington, Va&#13;
Terminal, Washington National Airport&#13;
George Washington Masonic National Memorial, Alexandria, Va&#13;
Custis Lee Mansion, Arlington, Va&#13;
Christ Church, Alexandria, Va.  (Where Washington Worshipped)&#13;
&#13;
Physical Dimensions: Unfolded – 10.16 cm x 15.24 cm, Unfolded – 91.44 cm x 15.24 cm</text>
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                <text> From the Collection of Lydia E. Ferguson</text>
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                <text>C. T. Art-Colorton</text>
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            <name>Date</name>
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                <text>Samuel Paxton Ball</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                <text> Lablache Face Powder Advertisement </text>
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                <text>Ben Levy Co.</text>
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                <text>This is an advertisement for Lablache Face Powder, a Ben Levy Company product, a French perfumery from Boston, Massachusetts, produced in the early 20th century. The ad is decorated with floral borders and a woman's profile portrait; it projects elegance and sophistication in beauty advertising during this time. In addition to the skin benefits of the product's application, "smooth, velvety skin" and its ability to protect from sunburn, the ad conveys the growing obsession with beauty products at this time, and the promotion of women's complexions as a sign of social distinction. Ads like this would have appeared in magazines published in the early 1900s, when face powders were sold as mass-produced products at a time when beauty standards around women's appearance underwent major changes.&#13;
&#13;
ID:  The picture is an antique black and white advertisement. The border spanning the top and sides is decorative and includes a vine and rose design. This particular ad features a circular portrait of a woman with a high and full hairstyle, looking just to the right. The bold word "LABLACHE," stretches across the lower half of the ad, and curves and vines decorate some of the letters. The ad also says "Face Powder" under the word "Lablanche" in a smaller font, and blocks of text surround both.&#13;
&#13;
Physical dimensions: 5"x4"</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>The Ladies' World</text>
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            <name>Date</name>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Kailyn Williams</text>
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        <name>face powder</name>
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        <name>makeup</name>
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        <name>skin</name>
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                <text>"Science shows why Old Dutch Cleaner costs less to use"</text>
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                <text>C.P. Co.</text>
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                <text>History, Advertisement, Science, Agriculture, Advertising, Marketing</text>
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                <text>The back of a farmer’s wife magazine that contains an advertisement. The advertisement is about cleaning powder which uses evidence from a microscope to explain why their product is better. It has a yellowish look of old paper. It is very similar to other advertisements from the 1930s. This magazine uses the strategy of logos in an attempt to persuade people to buy Old Dutch Cleaner. &#13;
&#13;
ID: main imagine with a blonde woman and brown hair man looking at a microscope with a can of Old Dutch cleaner next to the microscope. Two images, one on each part of the object. One is Old Dutch powder under a microscope showing finer particles, while the other one is grit under the microscope. &#13;
&#13;
Physical Dimensions: 15” x 11”  </text>
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                <text>From the Collection of Lydia E. Ferguson  </text>
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                <text>November 1932  </text>
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                <text>Darby Marsh  </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only. </text>
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            <name>Language</name>
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            <name>Type</name>
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                <text>Physical Object</text>
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        <name>American advertisement</name>
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        <name>cleaning</name>
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        <name>Ephemera</name>
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        <name>Marketing</name>
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        <name>microscopes</name>
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        <name>Old Dutch cleaner</name>
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        <name>old paper products</name>
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      <tag tagId="1399">
        <name>the farmer's wife</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
