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                <text>Ilẹkẹ (Beads)</text>
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                <text>Handmade set of beads, strung together by a wire, the beads are made of coral and are reddish brown in color, around 2in in length and one each is 1in by .5. These are a type of bead worn during celebrations and other traditional events in the Yoruba culture, they were shipped from Nigeria around 2018.&#13;
&#13;
ID: A set of reddish beads, around 2ft in total, with each bead being 1in by .5in. Made of coral stacked on top in a circular pattern, sitting against a white background, with nothing around it. each beads having a different shade of red. Their cylindrical, hand-shaped form features natural texture and organic imperfections characteristic of coral. The set appears polished, with a glossy surface that reflects light, and no other objects are present in the image. &#13;
&#13;
Physical Dimensions: Approximately 2 ft in length, a singular bead is 1in in length and .5 in width</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Oluwatoyin Souza</text>
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            <description>A name given to the resource</description>
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                <text>Vintage 1960s Monarch Blue Hard-shell Suitcase</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Monarch Luggage Company</text>
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                <text>Travel Artifacts, Mid-Century Design, Mid-Century Modern Travel, Luggage and Travel Equipment, Industrial Design, 1960s Consumer Goods</text>
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                <text>This artifact is a vintage 1960s Monarch hard-shell suitcase in a mid-sized form. It has a hard and sturdy blue exterior with running white stitches across the front and back. It features two metal latches at the top with small locks and keyholes on either side, and metal lettering with the Monarch logo near one of the latches, typically on the left side. In context, Monarch Luggage Company was a U.S.-based luggage manufacturer that originated in New York/Brooklyn, selling suitcases, travel bags, and other travel goods. Their product line included both hard- and soft-shell suitcases, carry-on bags, garment bags, and travel-sized bags. Monarch followed the mid-century rise in mass-market travel, a consumer culture trend that promoted leisure travel due to postwar prosperity and the implementation of the five-day workweek. This suitcase reflected the popularity of travel, and its sleek form allowed for stackability, easier handling, and storage. &#13;
&#13;
ID:&#13;
A medium-sized rectangular hard-shell suitcase with a soft blue outer shell. It includes two metal latches and a handle located at the top center. The design follows a curved edge pattern with a sleek and minimalist 1960s style that is smooth and rounded at the edges, better reflecting the modernistic aesthetic. It is compact and flat, without any pockets or outer zippers, enhancing its stackability. Wear marks are light, and scuffs are visible, indicating long-term use. There is a small square yellow sticker on the top half of the suitcase near the handle that says “Air France,” with the abbreviation “PAR” and numbers “00161” beneath it. There is another sticker on the top left of the front side and on the back side of the suitcase, split horizontally into sections of blue and white. The sticker has bold black-and-white letters that read “All Over the World BOAC takes care of you,” with the name “DONWORTH” handwritten in pen in the white section of the sticker.  &#13;
&#13;
Physical Dimensions: 22 in (W) × 14 in (H) × 7 in (D) – Mid-size</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Conner Salgado-Ramirez </text>
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                <text>Baro't Saya</text>
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                <text>Unknown (Filipino)</text>
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                <text>Gender &amp; Women’s Studies, Fashion, Filipino Culture</text>
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                <text>This is a photo of a Filipina family friend wearing a more contemporary version of the national dress of The Philippines known as the baro't saya. A version of the baro't saya existed before Spanish colonization first started in the Philippines in 1565, being altered and evolved by Spanish religious ideals and designs over the following 300 years. Only mainly wealthier mestiza women wore the nicer baro't saya depicted here. The quality of the dress that a woman would wear, if she could afford one, was used to show her social class and modesty during the times of Spanish colonization in The Philippines.&#13;
&#13;
ID:  An older Filipino woman wearing the baro't saya (blouse and skirt), the traditional Filipino women’s attire and dress that evolved during the Spanish colonial period as a blend of Indigenous Filipino clothing and Spanish influences. It consists of a lightweight baro (blouse) paired with a long saya (skirt). It is also sometimes accompanied by a pañuelo (shoulder kerchief) and a tapis (overskirt).&#13;
&#13;
Physical dimensions: Size varies by wearer.</text>
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                <text>Riza Pagunsan Deguit</text>
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                <text>June 2025</text>
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                <text>Natalie Prosceno</text>
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                <text>Tagalog</text>
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                <text>The Mississippi State cowbell is a handcrafted metal noisemaker traditionally made from a welded steel or iron bell fitted with a wooden or metal handle. Originally adapted from actual livestock cowbells found on farms across Mississippi, the object became an unofficial spirit symbol of Mississippi State University in the early 20th century. Over time, the cowbell evolved from a simple farm tool into a decorative, personalized emblem used by students, alumni, and fans. Many cowbells are hand-painted, engraved, or customized with school colors, initials, mascots, or game-day imagery. Today, the cowbell represents unity, school pride, and the storied culture of Southern college athletics.&#13;
&#13;
ID:&#13;
&#13;
The image depicts a Mississippi State cowbell, characterized by its rectangular metal body, flared base, and attached handle designed for easy ringing. Its painted maroon-and-white surface reflects the university’s colors, a common aesthetic choice among fans. Cowbells vary widely in size, weight, and artistic decoration—from small handheld bells to large, personalized keepsakes given as graduation gifts or passed down between generations. Originating from local farm culture in Mississippi, the cowbell became a symbol of school spirit after students began bringing them to football games. Despite periods of regulation, they remain one of the most recognizable and culturally meaningful artifacts in SEC sports traditions.&#13;
&#13;
Physical Dimension: Typically 7”–12” tall depending on style and era</text>
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                <text>This material is provided for educational, research, and cultural study purposes. Contemporary cowbell designs are trademarked and protected under Mississippi State University licensing agreements.</text>
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                <text>American World War 1 Helmet of Massa Gustave Adolf Svenson, modeled after the British Brodie Helmet. Consisted of a single piece of stamped 18-gauge manganese steel alloy and a wide brim. The exterior surface is paint mixed with sand, sawdust, or crushed cork to eliminate glare.&#13;
&#13;
ID:  Textured round olive green helmet with two-inch brim around the circumference. The outside of the helmet shows scratches and dents with areas the paint is chipped off allowing the shiny silver metal underneath to be seen. On the interior there is rubberized canvas where the head would sit with rubber stoppers around the edges to provide the wearer comfort. The chinstrap is missing as one of the metal buckles has broken off. Beneath the rubberized canvas there is a foam pad at the crown of the helmet.&#13;
&#13;
Physical Dimensions: 11 inches long by 9.5 inches wide and 7 inches deep</text>
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                <text>Personal collection of Jason Fernandez, great-grandson of Svenson</text>
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                <text>This artifact is an iPhone 6s. It was released by Apple in 2015. The iPhone 6s marked a notable point in smartphone development with features such as 3D Touch, Touch ID, Live Photos, and an improved camera system. Its design reflects Apple’s mid-2010s style, with rounded edges, a single rear camera, antenna bands, and a headphone jack of features that have since disappeared in newer models. &#13;
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Description (ID): &#13;
A rectangular smartphone with a white front bezel and a black display screen. It has rounded corners. The front glass is heavily cracked, especially in the top left and bottom right corners, where small pieces are missing, and fracture lines spread across the surface. A circular home button with Touch ID is located beneath the screen. The back of the device is metallic rose gold with visible scratches, chipped paint, and worn areas. It features the Apple logo in the center, the word “iPhone” near the bottom, and a small “s” badge indicating the 6s model, and it has a white outline around the top and bottom. A single rear camera and flash are positioned near the top left corner of the phone’s backside. It also includes a headphone jack on the bottom side, to the left of the charging port.&#13;
&#13;
Physical Dimensions:  Approximately 138 mm × 67 mm × 7 mm</text>
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                <text>From the Collection of Mst Noor </text>
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                <text>This Waltham pocket watch features a white enamel dial with black Arabic numerals, red five-minute indicators, and a seconds sub-dial positioned at the bottom of the face. The case is gold-toned and includes a looped bow and crown at the top for winding. The back of the case is engraved with text referencing a boxing championship event, including the weight class, the name “James Doolittle,” and the date “Nov. 7, 1912.” The watch demonstrates early 20th-century American craftsmanship in mechanical timekeeping and represents both personal memorabilia and functional design from its era.&#13;
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ID: A gold-toned Waltham pocket watch, including the engraved back of the case displaying award text related to a boxing championship. The watch face showing the enamel dial with Arabic numerals and a seconds sub-dial.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2543">
                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1359">
        <name>American Manufacturing</name>
      </tag>
      <tag tagId="507">
        <name>Artifact</name>
      </tag>
      <tag tagId="1361">
        <name>Boxing Memorabilia</name>
      </tag>
      <tag tagId="1360">
        <name>Early 20th Century</name>
      </tag>
      <tag tagId="1357">
        <name>Engraved Case</name>
      </tag>
      <tag tagId="1358">
        <name>Horology</name>
      </tag>
      <tag tagId="1362">
        <name>Mechanical Movement</name>
      </tag>
      <tag tagId="280">
        <name>Pocket Watch</name>
      </tag>
      <tag tagId="1363">
        <name>Vintage Timepiece</name>
      </tag>
      <tag tagId="1356">
        <name>Waltham</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
