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                <text>Bergamot Brass Works</text>
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                <text>This is a belt buckle that is made to look like a smiling man, or by many people “the man in the moon.” It is made from pewter, has a silver finish, and shows signs of tarnishing and erosion. This belt buckle was made in Wisconsin in 1976 by a company called Bergamot Brass Works that specialized in belt buckles. &#13;
&#13;
ID: 1: The front of a circular silver belt buckle in the shape of an older man’s face, showing signs of wear and tarnish. The face is smiling and has wrinkles around the mouth and eyes&#13;
&#13;
2: the back of the belt buckle. There is a nub to put in the belt hole and a loop to attach the belt onto. There is writing that says made in USA, and copyright 1979 Bergamot Brass Works. There is also a logo of the company’s initials, BBW with the letters intertwined in an ornamental font.&#13;
&#13;
Physical Dimensions: Diameter: 2 ⅜” (6.03 cm), Width: ⅞” (2.22 cm)</text>
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                <text>Isaac Robson</text>
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                <text>S.S. Kresge Company</text>
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                <text>Optical Instrument, Scientific Equipment, STEM Education</text>
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                <text>The Focal Microscope was a house branded product from Kmart which was a rebranded product originally manufactured in Japan. The Focal Microscope from Kmart was a mass-market educational microscope sold during the mid-to-late 20th century as part of Kmart’s affordable science kit line. Designed for beginners and young students, it typically offered magnification levels around 100×–300× and came with basic tools for viewing prepared slides. Although not a professional laboratory instrument, it introduced many users to hands-on scientific observation at a low cost. Today, it’s considered a nostalgic example of accessible consumer science equipment from big-box retail stores.&#13;
&#13;
ID: A basic education microscope with a seafoam green colorway. The microscope was constructed with a metal base and upright arm. It has a black eyepiece tube at the top, a rotating silver nosepiece with two or three short objective lenses, and a flat black stage with metal slide clips. Below the stage is a small mirror used to reflect light upward. Also, the focusing knobs are positioned on the side of the microscope arm, roughly halfway between the eyepiece and the stage. &#13;
&#13;
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>Circa 1960s</text>
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                <text>Anh Nguyen</text>
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            <description>A name given to the resource</description>
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                <text>Sony Walkman PMP (E440 Series)</text>
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                <text>Sony Group Corporation</text>
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                <text>July 2009</text>
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                <text>Michaela McGhee</text>
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                <text>Music, Media and Entertainment</text>
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                <text>The Sony Walkman E440 is a PMP (portable media player) that is part of Sony’s Walkman E series. This device allows both video and audio playing features and has an FM radio and voice recorder function. It also allows photos to be imported onto the device. It includes a headphone port for personal listening and a charging port. Earphones (not shown) were sold along with the PMP player.&#13;
&#13;
ID: Small black MP3 player, rectangular in shape and divided into two parts, with a screen in the upper area and three circular buttons in the lower area. The buttons are different sizes, with the larger button in the middle and two smaller buttons at the top of the larger button, like bear ears. A squiggly W design, which is the Walkman logo, is located in the bottom right corner of the device.&#13;
&#13;
Physical Dimensions: 86.8mm(H) x 44mm(L) x 9.3mm(W)</text>
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                <text>Souvenir of the State Buildings at the Capital: Albany, N.Y.</text>
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                <text>Curt Teich &amp; Co., Chicago, U.S.A. (Production Number D-537)</text>
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                <text>Albany, Federal Architecture, foldout postcards</text>
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                <text>This postcard, exhibiting the civic architecture of Albany, N.Y., was created by a now discontinued postcard-publishing company that specialized in scenes from notable cities and parks in the United States. The company, Curt Teich &amp; Co., is most recognized by their “Greetings from…” cards that encapsulate scenes from a given location within the letters of the location’s name. The Newberry Library uploaded a guide to dating the Curt Teich postcards using the production numbers. This card, D-537, was published in a collection of foldout postcards, souvenir booklets, postcards, pamphlets, and brochures as the company branched out from postcards into other materials.&#13;
&#13;
Sixteen drawings in the collection depict various exterior and interior scenes of the New York State Capitol, Court of Appeals, New State Office Building, and New York State Education Building. The New York Court of Appeals was built in 1842 and followed the common Greek Revival style of American public architecture of the time. The use of Ionic columns, a rotunda, and stone arches, was meant to evoke a sense of justice and order within Western law by emulating Greek democratic architecture. The New York State Capitol building was under construction from 1867 to 1899, with multiple architects contributing to its design. The building reflects this, with design inconsistencies between floors and throughout the structure. There are influences from Romanesque, Renaissance Revival, and French château styles. Despite the long, disjointed building history, the building conveys a continuous theme of grandeur and authority. The New York State Education Building was built from 1908 to 1912 and followed a Beaux-Arts and Neoclassical style of architecture. There are heavy signs of classical influence, with a colonnade of 36 marble columns supporting a wide entablature. The style was meant to reflect order and civic virtue by mimicking classical democratic architecture. The New State Office Building is the newest in the collection. Construction for the New State Office Building began in 1927 and it was still under construction in 1929 when the postcard was published. The style of architecture reflects this, as it has a more modern look. At its completion, it became the tallest building in Albany. The Art Deco style interior heavily reflected the creative boom of the 1920s and was meant to emulate progress and modernity.&#13;
&#13;
The last two drawings depict scenes from the Iroquois Indian Exhibit that was located in the Museum of the State when the museum was housed in the Education building. The exhibit was first established in 1918, with sculpture work for the dioramas done by Henri Marchand. When the State Museum was moved into the State Plaza Cultural Education Center in 1973, the dioramas were not moved with it. The sculptures were made with fragile materials and built into the architecture of their site. By the 70s the sculptures would have been brittle, damaged, or structurally unsound, meaning trying to move them would have caused significant damage to the exhibit. Ultimately this left room for a more ethical, culturally aware design that moved away from the Euro-American perspective and worked towards archaeologically accurate, community-informed exhibit.&#13;
&#13;
Description (ID): Fold-out postcard comprised of a cover resembling an envelope and a long sheet of paper that folds up to fit into the postcard-sized cover. The folded sheet depicts 18 drawings of state buildings in Albany, N.Y. In the top left corner of the cover is the title of the postcard. Below the title on the left half of the page is a drawing of the New York State Capitol Building. On the right half of the cover are the lines for a message on the card. On the back is a drawing of the State Educational Building that fills the entire page. In the inside of the cover is a description of the development and history of the buildings included in the postcard collection. The collection of drawings is fixed to the inside of the cover above the descriptions and folds out in an accordion style to reveal nine drawings on the front, and nine drawings on the back.&#13;
&#13;
The front of the page, in order, depicts: 1) an aerial view of the state capitol building, new state office, and education buildings, 2) the senate chamber in the state capitol, 3) the assembly chamber in the state capitol, 4) the executive chamber in the state capitol, 5) the million dollar staircase in the state capitol, 6) a street view of the state capitol and education building, 7) a street view of the court of appeals, 8) a room inside of the court of appeals, 9) and a street view of the new state office building. The back of the page, in order, depicts: 1) an aerial view of the state buildings, emphasizing the capitol building, 2) a street view of the state education building, 3) the main entrance of the state education building, 4) the main staircase of the education building, 5) the rotunda in the state education building, 6) the general reading room in the state library, located in the state education building, 7) the hall of vertebrate paleontology in the state museum, located in the state education building, 8) the corn harvest scene of the Iroquois Indian Exhibit that used to be housed in the state education building, 9) the Seneca Hunter Group scene of the Iroquois Indian Exhibit that used to be housed in the state education building.&#13;
&#13;
Physical Dimensions: Cover – 4 in (10.16 cm) x 6 in (15.24 cm); Unfolded – 36 in (91.44 cm) x 6 in (15.24 cm)</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>C.W. Hughes &amp; Co., Inc., Mechanicville, N.Y.</text>
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                <text>Mary-Katherine Lewis</text>
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                <text>Nashville Tenn. The Athens of the South</text>
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                <text>This is a fold out postcard folder for Nashville, Tennessee, commonly sold to tourists in the 1930s-1950s. The title, “The Athens of the South”, seen on the front of the card, is referencing Tennessee’s popular nickname originating from its full-scale replica of the famous temple, Parthenon, originally located in Athens, Greece. The replica was built in 1897 for the Tennessee Centennial Exposition, which was a huge celebration for the 100th anniversary of the state.&#13;
&#13;
 &#13;
&#13;
ID:&#13;
&#13;
Front: A detailed drawing of Tennessee’s State Capitol on the left side with an illustration of 2 yellow irises in front of a black background on the left edge of the postcard. Above it, the title is shown in red, orange, and yellow, with a box to place a stamp on the top right. On the bottom right, three lines are shown for text to be written.&#13;
&#13;
Back: A detailed drawing of The Cumberland River on a sunny day shown with a large red and pink flower bush in the front partially covering the river. Behind it, the river is shown still with green foliage on each side. Vibrant hues of blue, pastel yellow, pink, and green, shine through.&#13;
&#13;
Physical Dimensions: Cover – 4 in (10.16 cm) x 6 in (15.24 cm); Unfolded – 36 in (91.44 cm) x 6 in (15.24 cm)</text>
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                <text>From the Collection of Lydia E. Ferguson</text>
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                <text>Kaylah Hester</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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        <name>Tennessee State Capitol</name>
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                <text>The Osborne Executive was released in 1982. A briefcase-like portable computer that was designed to be the upgraded and more powerful version of its predecessor.  However, before the computer could make its mark, the company filed for bankruptcy and the Osborne Executive became discontinued.&#13;
&#13;
ID:  A beige box-shaped laptop presented in a white background. With a leather handle on top. When laid down, there are black rectangular clips with a blueish-black line that runs across the outer case. When opened, there is a square screen  with a fan on the right with a few buttons under and three rectangular slots on the left. Attached with a coiled wire is a keyboard. The interior surrounding these traits is blue.&#13;
&#13;
Physical Dimensions: Width: 20in, Length: 14in, Height: 8in, Weight: 28lb</text>
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                <text>April 1982</text>
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                <text>Chelsea Durunna</text>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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                <text>A French weatherglass that uses the elevation of water to predict changes in weather. It is designed to hang off a hook attached to the wall of a boat. The hook is connected to a wooden base with a metal plate on it that explains the implications of the varying water elevations. The water levels adjust based on the humidity of the air, which changes the pressure applied to the water on both portions of the glass. Sailors would use the glass as a form of barometer to predict the weather.&#13;
&#13;
Description (ID):&#13;
A rectangular wooden plank is attached to a wall vertically. The bottom of the plank has a small metal plate attached to it with four engraved pictures of different water elevations of the weather glass. Next to each image is a descriptor of the weather in French, English, Dutch, and German. If the water in the spout is lower than in the body, the weather is “fair”. If it has slightly more, it is “rain”. If it has much more, it’s a “storm”. If both have equal elevations, the weather is “variable”.&#13;
A circular metal plate sits above the information guide and is connected to a strip of metal that goes up to the top of the plate, where the hook sits. Attached to the hook is a see-through glass container with a thin top that widens out into a thick bottom. The top of the glass is shaped into a ring to fit the hook through it. Near the bottom of the container, where it slopes back inward, a spout goes up and outward, curving toward the glass. At the end of the spout, a short portion of it curves back outward. The very bottom is shaped into a glass ball to increase the barometer's weight. Water, colored dark blue for visibility, can be seen in the container. &#13;
&#13;
Physical Dimensions: ~6 inches (15.24 cm) by ~16.75 inches (42.55 cm)</text>
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            <description>Information about rights held in and over the resource</description>
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            <description>A language of the resource</description>
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                <text>French, English, Dutch, German</text>
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            <description>The nature or genre of the resource</description>
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        <name>Barometers</name>
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        <name>Chemistry</name>
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        <name>Fluid Mechanics</name>
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        <name>Material Culture</name>
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        <name>Novelty</name>
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        <name>tools</name>
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        <name>Vintage</name>
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      <tag tagId="1485">
        <name>Weather glasses</name>
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                <text>Souvenir Folder of our Nation’s Capital: Washington D.C.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Curt Teich &amp; Co., Chicago, U.S.A.</text>
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                <text>A postcard with foldable photos of the U.S. state capital, Washington D.C. contained inside. The cover of the card has the phrase “Greetings from Washington D.C” on top of four historic government buildings, each divided into separate quadrants. Opening the top flap reveals a multi-folded page containing 9 photos on one side and 18 on the other. No text are written on the inside of the card, however, there is sufficient space provided beneath the photos to fill in one’s own message.&#13;
&#13;
ID: Postcard cover containing orange calligraphy writing of the words “Washington D.C.” over top of four photos, each on a different corner of the card. In the top left is a photo of the United States Capital taken from the front of the building slightly on the right of center. In the top right is a photo of the White House, taken from the front. On the Bottom left is a photo of the Lincoln Memorial, taken from the front right. And lastly, on the bottom right is a photo of the Thomas Jefferson Memorial taken from the front. &#13;
&#13;
Once opened, the card reveals 27 individual photos:&#13;
U.S. Capital at Night&#13;
Library of Congress Annex&#13;
Lincoln Memorial&#13;
Lincoln Memorial Reflecting Pool, Washington Monument and Capital from Lincoln Memorial&#13;
United States Supreme Court&#13;
National Gallery of Art&#13;
New Illuminated Fountain on Capital Plaza&#13;
Cherry Blossoms, Potomac Park&#13;
Washington’s Mansion, Mt. Vernon, Va.&#13;
White House&#13;
Jefferson Memorial by Moonlight&#13;
Union Station and Columbus Memorial Fountain&#13;
Department of Justice&#13;
Bureau of Engraving and Painting&#13;
National Archives Building&#13;
United States Treasury&#13;
The Smithsonian Institution&#13;
National Museum&#13;
U.S. Naval Medical Center, Bethesda, Md.&#13;
National Red Cross Building&#13;
Pan-American Union&#13;
Pentagon Building&#13;
Tomb of Unknown Soldier, Arlington National Cemetery, Arlington, Va&#13;
Terminal, Washington National Airport&#13;
George Washington Masonic National Memorial, Alexandria, Va&#13;
Custis Lee Mansion, Arlington, Va&#13;
Christ Church, Alexandria, Va.  (Where Washington Worshipped)&#13;
&#13;
Physical Dimensions: Unfolded – 10.16 cm x 15.24 cm, Unfolded – 91.44 cm x 15.24 cm</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text> From the Collection of Lydia E. Ferguson</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>C. T. Art-Colorton</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1945</text>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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            <description>A name given to the resource</description>
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                <text>Unknown (Polish)</text>
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                <text>Folk Art, Tourism, Souvenirs, Contemporary craft, Easter, Anthropology</text>
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            <description>An account of the resource</description>
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                <text>A handmade decorative Easter egg lying on a wooden base with a circular depression in the center. The egg is made from ceramic and covered with suede fabric; then painted green and decorated with a traditional glitter design. Purchased as a tourist souvenir from a street vendor in Kraków’s (Poland) main market square in 2013. It serves as a collectible item, and typically sold at high prices.&#13;
&#13;
 &#13;
&#13;
ID: Displayed is a dark green egg with glitter decorations lying in a hand-carved square wooden stand with a circular depression in the center.  The egg itself contains three crosses that span the exterior of the egg; each cross is formed by a central black line surrounded by two gold lines, with the addition of small silver dots running across the black lines spaced ~0.19 inches apart. Between the crosses are swirling gold glitter patterns, with occasional green glitter dots scattered&#13;
&#13;
Physical Dimensions (W x H x D): Wooden stand: 2.5” x 0.65” x 2.5”; Egg: 1.5” x 2.3” x 1.5”</text>
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                <text>Adrian Zagorowski</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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        <name>Tourism</name>
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              <name>Title</name>
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            <description>A name given to the resource</description>
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                <text>Model Nissan Skyline GT-R R34 (Scale Replica)</text>
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            <name>Creator</name>
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                <text>Automotive Culture, Japanese Domestic Market (JDM), Mechanical Engineering, Industrial Design, Car Enthusiast Communities, Film &amp; Media (Fast &amp; Furious, Initial D)</text>
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                <text>This artifact is a digital image set of a high-resolution 1:64 scale model of the Nissan Skyline GT-R R34. The model shows the outline and structure of the vehicle, right down to the spoiler and headlights, even the wheels. This scale model presents itself in a commonality of car collector worlds, as this is a piece of culture dedicated to a significant performance car of Japanese origin. Models like these are used for display purposes and photography, as well as documentation of car culture, which shows how much of an impact JDM cars have had in films and gaming, to more globalized, online communities.&#13;
&#13;
ID: A high-resolution scaled model image of a Nissan Skyline GT-R R34. Low and wide body with rounded front, rounded hood, rectangular headlights, and long back and raised spoiler. High metallic silver paint job with no flaws in the paint and minuscule separation in the panels. Slightly detailed rims with 5 spokes and 1/2 spoke detail of the brake assembly, windows tinted black and reflective. Neutral and flat background for image purposes, as this is a still image to get on display. Palm-sized with properly proportioned elements, all exterior with scaled proportions, no exaggeration or reduction of reality, all without imperfections at this size.&#13;
&#13;
Physical Dimensions: 1:64 Scale</text>
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                <text>Awesome Diecast</text>
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                <text>Jenson Varghese</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2694">
                <text>This material is subject to copyright law and is made available for private study, scholarship, and research purposes only.</text>
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        <name>Automotive Design</name>
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        <name>Collectibles</name>
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</itemContainer>
